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1:17
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All news, all the time. This is WINS.
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All news, all the time.
This is WINS.
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1:24
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You give us 22 minutes, we'll give you the world.
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You give us 22 minutes,
we'll give you the world.
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1:27
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Good evening. It's 42 degrees at 5:00 and here's what's happening.
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Good evening. It's 42 degrees
at 5:00 and here's what's happening.
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1:32
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Mayor Koch urges the talks to resume between the city and unions...
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Mayor Koch urges the talks to
resume between the city and unions...
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1:35
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...but he says the unions have to give in a bit.
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...but he says the unions
have to give in a bit.
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1:38
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The PBA negotiator says he wants real salary increases.
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The PBA negotiator says he
wants real salary increases.
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1:41
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Nassau police ask an 18-year-old mother why she abandoned her child.
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Nassau police ask an 18-year-old
mother why she abandoned her child.
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1:45
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A federal judge rules an accused war criminal...
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A federal judge rules
an accused war criminal...
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1:48
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...must testify in his deportation hearing.
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...must testify in his
deportation hearing.
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1:51
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A House committee tells the president...
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A House committee
tells the president...
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1:53
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...it does not like proposed Mid-east arms sales.
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...it does not like
proposed Mid-east arms sales.
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1:55
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The news watch never stops! This is WINS.
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The news watch never stops!
This is WINS.
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2:02
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WINS news time, 5:02.
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WINS news time, 5:02.
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2:05
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Contract talks have ended temporarily...
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Contract talks
have ended temporarily...
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2:07
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...between the city and its labor union...
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...between the city
and its labor union...
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2:09
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...with both sides making some angry charges.
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...with both sides
making some angry charges.
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2:12
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The municipal labor unions broke off talks...
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The municipal labor
unions broke off talks...
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2:14
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...demanding that the city withdraw what they call their outrageous...
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...demanding that the city withdraw
what they call their outrageous...
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2:17
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...and irresponsible contract proposals.
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...and irresponsible
contract proposals.
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2:20
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The Patrolmen's Benevolent Association...
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The Patrolmen's
Benevolent Association...
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2:21
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...and the Uniformed Firefighters Association...
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...and the Uniformed
Firefighters Association...
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2:24
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...are the two unions not participating in the coalition bargaining with the city...
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...are the two unions not participating in
the coalition bargaining with the city...
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2:29
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...and the PEA chief negotiator says he wants...
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...and the PEA chief
negotiator says he wants...
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2:31
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...some solid gains for the men in blue.
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...some solid gains
for the men in blue.
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2:33
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A bankrupt New York City can't afford...
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A bankrupt New York
City can't afford...
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2:35
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...to lose money, but city officials say it did...
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...to lose money,
but city officials say it did...
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2:37
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...between two and five million dollars in the first two months of 1978 alone--
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...between two and five million dollars
in the first two months of 1978 alone--
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2:46
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"On the first part of the journey, I was lookin' at all the life."
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"On the first part of the journey,
I was lookin' at all the life."
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2:54
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"There were plants and birds and rocks and things."
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"There were plants and birds
and rocks and things."
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2:57
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"There was sand and hills and rings."
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"There was
sand and hills and rings."
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3:02
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"The first thing I met was a fly with a buzz."
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"The first thing I met
was a fly with a buzz."
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3:05
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"And the sky with no clouds."
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"And the sky with no clouds."
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3:10
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"The heat was hot and the ground was dry but the air was full of sound."
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"The heat was hot and the ground was
dry but the air was full of sound."
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3:15
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I do all kinds of business with him. He knows Carl Elway.
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I do all kinds of business with him.
He knows Carl Elway.
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3:18
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He knows exactly what he's getting into.
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He knows exactly
what he's getting into.
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3:37
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What are you doing, going behind my back?
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What are you doing,
going behind my back?
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3:39
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Telling people I'm screwing up this operation?
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Telling people I'm screwing
up this operation?
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3:41
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I got you a suite at the fucking Plaza Hotel.
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I got you a suite
at the fucking Plaza Hotel.
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3:43
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- The shittiest suite at the Plaza Hotel. - What?
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- The shittiest suite at the Plaza Hotel.
- What?
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|
3:45
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The shittiest fucking suite and...
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The shittiest fucking suite and...
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|
3:46
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- ...the food is wrong. - Based on what?
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- ...the food is wrong.
- Based on what?
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|
3:48
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- And what is this? What is it? - The food's wrong? What is what?
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- And what is this? What is it?
- The food's wrong? What is what?
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3:50
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- You went in my closet or something? - No.
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- You went in my closet or something?
- No.
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3:52
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Are you dressing him like you dress me?
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Are you dressing him
like you dress me?
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3:53
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No, what are you thinking? This isn't all about you.
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No, what are you thinking?
This isn't all about you.
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|
3:55
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What, did you try to dress me so I would look like him?
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What, did you try to dress me
so I would look like him?
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|
3:57
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No, you're not dressed like him.
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No, you're not
dressed like him.
|
|
3:58
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- But I do look... I look like him. - No.
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- But I do look... I look like him.
- No.
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|
3:59
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- He's in, like, velvet. - Velvet?
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- He's in, like, velvet.
- Velvet?
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|
4:01
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You asked me to show you how this was done.
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You asked me to show you
how this was done.
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|
4:02
|
You want to fuck it up, be my guest.
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You want to fuck
it up, be my guest.
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|
4:04
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- What is your problem? - Hey, look...
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- What is your problem?
- Hey, look...
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4:04
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...I never laid a hand on her, all right? Is that what this is about?
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...I never laid a hand on her, all right?
Is that what this is about?
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4:07
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Well, technically, that's not true.
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Well, technically,
that's not true.
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4:11
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Look, we never had sex, ok? Just, what'd I do?
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Look, we never had sex, ok?
Just, what'd I do?
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|
4:13
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I went like... What'd I do?
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I went like...
What'd I do?
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|
4:14
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- I put my hand like this. - You fucking get out.
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- I put my hand like this.
- You fucking get out.
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|
4:16
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Don't you fucking touch me.
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Don't you fucking touch me.
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4:18
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That bothers me.
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That bothers me.
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|
4:19
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- Oh, it does? - Oh, yeah.
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- Oh, it does?
- Oh, yeah.
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4:21
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- That bothers you? - Yes.
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- That bothers you?
- Yes.
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|
4:22
|
You know, a lot of shit bothers me, too, but I was trying to help you.
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You know, a lot of shit bothers me,
too, but I was trying to help you.
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4:24
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If I wanted to bother you, if I really wanted to fucking bother you...
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If I wanted to bother you, if I
really wanted to fucking bother you...
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|
4:28
|
this is what I'd do.
|
this is what I'd do.
|
|
4:30
|
If I was trying to bother you, that's what I would do.
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If I was trying to bother you,
that's what I would do.
|
|
4:33
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You shouldn't have done that.
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You shouldn't
have done that.
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|
4:35
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How's that? You bothered now?
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How's that?
You bothered now?
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|
4:40
|
All right, don't make a thing of it.
|
All right,
don't make a thing of it.
|
|
4:42
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You shouldn't touch him, he doesn't like that.
|
You shouldn't touch him,
he doesn't like that.
|
|
4:44
|
- Oh, my God, fix his hair. - No, you really shouldn't--
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- Oh, my God, fix his hair.
- No, you really shouldn't--
|
|
4:45
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Jesus Christ, don't make a thing of it.
|
Jesus Christ,
don't make a thing of it.
|
|
4:47
|
- It takes some time, ok? - Big fucking deal.
|
- It takes some time, ok?
- Big fucking deal.
|
|
4:48
|
It's not like just...
|
It's not like just...
|
|
4:51
|
We got to get in the other room. Come on.
|
We got to get in the other room.
Come on.
|
|
4:53
|
- The mayor's in there. - Yes, I know that.
|
- The mayor's in there.
- Yes, I know that.
|
|
4:58
|
Should we go to the beauty parlor? Is that what we should do?
|
Should we go to the beauty parlor?
Is that what we should do?
|
|
5:06
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How's it look?
|
How's it look?
|
|
5:07
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Fine.
|
Fine.
|
|
5:10
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Let's go.
|
Let's go.
|
|
5:34
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"Times are hard. You're afraid to pay the fee."
|
"Times are hard.
You're afraid to pay the fee."
|
|
5:39
|
"So you find yourself somebody who can do the job for free."
|
"So you find yourself somebody
who can do the job for free."
|
|
5:47
|
"When you need a bit of lovin' because your man is outta town..."
|
"When you need a bit of lovin'
because your man is outta town..."
|
|
5:54
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" ...that's the time you get me runnin'. And you know I'll be around."
|
" ...that's the time you get me runnin'.
And you know I'll be around."
|
|
6:03
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"I'm a fool to do your dirty work. Oh, yeah."
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"I'm a fool to do your
dirty work. Oh, yeah."
|
|
6:07
|
Look, I do business face-to-face, person-to-person.
|
Look, I do business
face-to-face, person-to-person.
|
|
6:11
|
That's just who I am, call me old-fashioned, but...
|
That's just who I am,
call me old-fashioned, but...
|
|
6:13
|
Carl, I come all the way down here, the sheik's not even here?
|
Carl, I come all the way down
here, the sheik's not even here?
|
|
6:16
|
Excuse me, excuse me.
|
Excuse me, excuse me.
|
|
6:18
|
I'll handle that for the mayor.
|
I'll handle that for the mayor.
|
|
6:21
|
No, the... It's for the mayor.
|
No, the...
It's for the mayor.
|
|
6:24
|
It'd be a sign of disrespect to the sheik...
|
It'd be a sign of
disrespect to the sheik...
|
|
6:25
|
...if the mayor didn't take it. It's for you, Mayor.
|
...if the mayor didn't take it.
It's for you, Mayor.
|
|
6:28
|
What are you doing? Carl, what the fuck?
|
What are you doing?
Carl, what the fuck?
|
|
6:30
|
- What is this? - I'm gonna take care of it.
|
- What is this?
- I'm gonna take care of it.
|
|
6:31
|
Everything's good. I got everything under control.
|
Everything's good.
I got everything under control.
|
|
6:33
|
It's for me.
|
It's for me.
|
|
6:34
|
- Hey, hey. What is this? - I handle the money.
|
- Hey, hey. What is this?
- I handle the money.
|
|
6:35
|
- What is this? What is this? - I don't know.
|
- What is this? What is this?
- I don't know.
|
|
6:37
|
- I don't know. - I mean, who are you?
|
- I don't know.
- I mean, who are you?
|
|
6:38
|
- I don't know you. - Just stop it, ok?
|
- I don't know you.
- Just stop it, ok?
|
|
6:40
|
- He's got to take it himself. - I don't know what the fuck...
|
- He's got to take it himself.
- I don't know what the fuck...
|
|
6:41
|
...that is, but it's weird, you understand?
|
...that is, but it's weird,
you understand?
|
|
6:43
|
Misunderstanding, misunderstanding.
|
Misunderstanding,
misunderstanding.
|
|
6:45
|
Look, I came here to meet a sheik...
|
Look, I came here to meet a sheik...
|
|
6:47
|
- ...that's all I know. - Ok, Mr. Mayor...
|
- ...that's all I know.
- Ok, Mr. Mayor...
|
|
6:48
|
I'm very interested in that, but he's not here apparently.
|
I'm very interested in that,
but he's not here apparently.
|
|
6:50
|
- Carl, you know what I mean? - This is not right.
|
- Carl, you know what I mean?
- This is not right.
|
|
6:52
|
Look, I'm very interested in meeting the sheik.
|
Look, I'm very interested
in meeting the sheik.
|
|
6:55
|
You let me know when that can happen.
|
You let me know
when that can happen.
|
|
6:56
|
- We will. - Thank you, have a good day.
|
- We will.
- Thank you, have a good day.
|
|
6:59
|
Irving, you better come get him.
|
Irving, you better come get him.
|
|
7:02
|
Go out there and get him right now.
|
Go out there
and get him right now.
|
|
7:03
|
Help me get him back. Get the--
|
Help me get him back.
Get the--
|
|
7:05
|
Get him, go get him. He needs to take this fucking briefcase.
|
Get him, go get him. He needs
to take this fucking briefcase.
|
|
7:07
|
I didn't want to do this in the first place.
|
I didn't want to do
this in the first place.
|
|
7:08
|
This is your show, you go get him.
|
This is your show,
you go get him.
|
|
7:10
|
No, you have no choice. You have to go get him.
|
No, you have no choice.
You have to go get him.
|
|
7:12
|
Now, go get him so he takes the briefcase by himself.
|
Now, go get him so he takes
the briefcase by himself.
|
|
7:15
|
That's the whole plan, Irving.
|
That's the whole plan, Irving.
|
|
7:18
|
What were you doing pushing the fucking briefcase, dummy, huh?
|
What were you doing pushing the
fucking briefcase, dummy, huh?
|
|
7:21
|
The whole fucking thing was falling apart.
|
The whole fucking
thing was falling apart.
|
|
7:22
|
You know how much it fucking costs for this goddamn hotel...
|
You know how much it fucking
costs for this goddamn hotel...
|
|
7:25
|
...that you fucking asked for?
|
...that you fucking asked for?
|
|
7:26
|
Now I got to go mop up your mess.
|
Now I got to go
mop up your mess.
|
|
7:28
|
I'm gonna go fucking mop up your mess.
|
I'm gonna go
fucking mop up your mess.
|
|
7:36
|
You understand what I'm saying, right?
|
You understand what
I'm saying, right?
|
|
7:37
|
You understand that he has... It wasn't working.
|
You understand that he has...
It wasn't working.
|
|
7:39
|
He was getting upset about the sheik and--
|
He was getting upset
about the sheik and--
|
|
7:43
|
Did you ever have to find a way to survive...
|
Did you ever have
to find a way to survive...
|
|
7:46
|
...and you knew your choices were bad?
|
...and you knew your
choices were bad?
|
|
7:49
|
I learned how to survive when I was a kid.
|
I learned how to survive
when I was a kid.
|
|
7:54
|
My father had a glass business.
|
My father had
a glass business.
|
|
7:57
|
I would rather be on the taking side...
|
I would rather be on the taking side...
|
|
7:59
|
...than the getting-taken side any day of the week...
|
...than the getting-taken side
any day of the week...
|
|
8:01
|
...especially after I saw how my father got taken.
|
...especially after I saw
how my father got taken.
|
|
8:05
|
I mean, seeing that scarred me for life.
|
I mean, seeing that
scarred me for life.
|
|
8:10
|
I took it upon myself to drum up business.
|
I took it upon myself
to drum up business.
|
|
8:15
|
I became a different kind of guy than my father.
|
I became a different kind
of guy than my father.
|
|
8:18
|
I became a con artist for real.
|
I became a con artist for real.
|
|
8:20
|
From the feet up.
|
From the feet up.
|
|
8:22
|
I was gonna survive no matter what.
|
I was gonna survive
no matter what.
|
|
8:26
|
I still had the glass business and a few dry cleaning stores also...
|
I still had the glass business and
a few dry cleaning stores also...
|
|
8:32
|
...and I did some art dealing on the side.
|
...and I did some art
dealing on the side.
|
|
8:35
|
Stolen or forged art.
|
Stolen or forged art.
|
|
8:37
|
Your host! Enjoy, enjoy-
|
Your host! Enjoy, enjoy-
|
|
8:39
|
- Enjoy. - Come on.
|
- Enjoy.
- Come on.
|
|
8:41
|
So, one January...
|
So, one January...
|
|
8:43
|
...I go to my friend's pool party in Long Island.
|
...I go to my friend's
pool party in Long Island.
|
|
9:11
|
Is that Duke Ellington on your bracelet?
|
Is that Duke
Ellington on your bracelet?
|
|
9:13
|
Yeah, as a matter of fact, it is.
|
Yeah, as a matter of fact, it is.
|
|
9:15
|
He died this year, you know?
|
He died this year, you know?
|
|
9:16
|
I know.
|
I know.
|
|
9:17
|
I doubt anyone else here knows or cares about it.
|
I doubt anyone else here
knows or cares about it.
|
|
9:21
|
Well, I care about it.
|
Well, I care about it.
|
|
9:22
|
He saved my life many times.
|
He saved my life many times.
|
|
9:25
|
Mine, too.
|
Mine, too.
|
|
9:27
|
Which one?
|
Which one?
|
|
9:29
|
Jeep's Blues.
|
Jeep's Blues.
|
|
9:31
|
Jeep's Blues.
|
Jeep's Blues.
|
|
9:33
|
Mmm-hmm. Jeep's Blues.
|
Mmm-hmm. Jeep's Blues.
|
|
9:35
|
Oh, yeah.
|
Oh, yeah.
|
|
9:36
|
Yeah.
|
Yeah.
|
|
9:37
|
You... You want to hear it?
|
You...
You want to hear it?
|
|
9:40
|
Right now?
|
Right now?
|
|
9:41
|
- Yeah. - Sure.
|
- Yeah.
- Sure.
|
|
10:04
|
Who starts a song like that?
|
Who starts a song
like that?
|
|
10:07
|
It's magic.
|
It's magic.
|
|
10:10
|
It's magic.
|
It's magic.
|
|
10:16
|
He wasn't necessarily in good shape...
|
He wasn't
necessarily in good shape...
|
|
10:18
|
...and he had this comb-over that was rather elaborate.
|
...and he had this comb-over
that was rather elaborate.
|
|
10:24
|
He had this air about him...
|
He had this air about him...
|
|
10:27
|
...and he had this confidence that drew me to him.
|
...and he had this confidence
that drew me to him.
|
|
10:31
|
He was who he was.
|
He was who he was.
|
|
10:33
|
He didn't care.
|
He didn't care.
|
|
10:38
|
I mean, she was a very particular person.
|
I mean, she was
a very particular person.
|
|
10:45
|
Like me, she had come from a place where her options were limited.
|
Like me, she had come from a place
where her options were limited.
|
|
10:56
|
It actually can feel kind of sexy sometimes.
|
It actually can feel
kind of sexy sometimes.
|
|
11:01
|
There's a boldness in it.
|
There's a boldness in it.
|
|
11:06
|
But where would that boldness take me?
|
But where would
that boldness take me?
|
|
11:09
|
I didn't know.
|
I didn't know.
|
|
11:12
|
But I was gonna find out.
|
But I was gonna find out.
|
|
11:17
|
Like me, she learned to survive and reinvent herself.
|
Like me, she learned to
survive and reinvent herself.
|
|
11:20
|
She knew she had to reinvent her life and her identity.
|
She knew she had to reinvent
her life and her identity.
|
|
11:24
|
And like me, she envisioned a better, elegant future for herself.
|
And like me, she envisioned a
better, elegant future for herself.
|
|
11:29
|
Like me, she knew you had to have a vision.
|
Like me, she knew
you had to have a vision.
|
|
11:33
|
She came to New York, she envisioned it...
|
She came to New York,
she envisioned it...
|
|
11:35
|
...and just like that...
|
...and just like that...
|
|
11:37
|
...she applied for a job at Cosmopolitan magazine.
|
...she applied for a job
at Cosmopolitan magazine.
|
|
11:40
|
Well, you're obviously here for a reason, let's get to it.
|
Well, you're obviously
here for a reason, let's get to it.
|
|
11:42
|
All right. Our cover story right now is on cunnilingus.
|
All right. Our cover story
right now is on cunnilingus.
|
|
11:45
|
What do you think about that?
|
What do you think about that?
|
|
11:48
|
I like it.
|
I like it.
|
|
11:50
|
Do you have any clerical skills? Can you type?
|
Do you have any clerical skills?
Can you type?
|
|
11:54
|
She was unlike anybody I ever knew.
|
She was unlike
anybody I ever knew.
|
|
11:56
|
She was smart.
|
She was smart.
|
|
11:57
|
She saw through people in situations...
|
She saw through
people in situations...
|
|
12:00
|
...and she knew how to live with passion and style...
|
...and she knew how to live
with passion and style...
|
|
12:03
|
...she understood Duke Ellington.
|
...she understood Duke Ellington.
|
|
12:09
|
I was broke, fearless, with nothing to lose...
|
I was broke, fearless,
with nothing to lose...
|
|
12:15
|
...and my dream, more than anything...
|
...and my dream,
more than anything...
|
|
12:19
|
...was to become anyone else other than who I was.
|
...was to become anyone else
other than who I was.
|
|
12:30
|
He had a chain of dry cleaning stores.
|
He had a chain
of dry cleaning stores.
|
|
12:34
|
Enter. Yeah, I got two in the Bronx...
|
Enter. Yeah, I got two in the Bronx...
|
|
12:36
|
...and three in Manhattan.
|
...and three in Manhattan.
|
|
12:38
|
Hey, Byron, how you doing? This is Sydney.
|
Hey, Byron, how you doing?
This is Sydney.
|
|
12:41
|
- Right here, come through here. - Hi.
|
- Right here, come through here.
- Hi.
|
|
12:42
|
He asked me if I wanted to come in and upgrade my wardrobe.
|
He asked me if I wanted to
come in and upgrade my wardrobe.
|
|
12:45
|
He said he had a lot of nice things...
|
He said he had
a lot of nice things...
|
|
12:47
|
...that got left behind by people and forgotten over the years.
|
...that got left behind by people
and forgotten over the years.
|
|
12:51
|
Man, you wouldn't believe the shit...
|
Man, you wouldn't
believe the shit...
|
|
12:52
|
...that people leave behind here. Unbelievable.
|
...that people leave behind here.
Unbelievable.
|
|
12:55
|
- People leave stuff here? - Come back here.
|
- People leave stuff here?
- Come back here.
|
|
12:56
|
Oh, yeah, they go out for the night, you know, they drink...
|
Oh, yeah, they go out for the night,
you know, they drink...
|
|
13:00
|
...come here in the morning,
|
...come here in the morning,
|
|
13:01
|
...put their clothes in and then they forget.
|
...put their clothes in
and then they forget.
|
|
13:03
|
They got no idea where they left it.
|
They got no idea
where they left it.
|
|
13:04
|
- Look at that sequin thing. - It's beautiful.
|
- Look at that sequin thing.
- It's beautiful.
|
|
13:06
|
I don't know, is that nice or not?
|
I don't know,
is that nice or not?
|
|
13:07
|
I mean, some of it... Some of it's been here for years.
|
I mean, some of it... Some
of it's been here for years.
|
|
13:10
|
They're not picking it up.
|
They're not picking it up.
|
|
13:11
|
No one's picking it up.
|
No one's picking it up.
|
|
13:13
|
- You like it? - - People just leave... I love it.
|
- You like it?
- - People just leave... I love it.
|
|
13:15
|
Sydney, it's yours.
|
Sydney, it's yours.
|
|
13:17
|
You want it, it's yours.
|
You want it, it's yours.
|
|
13:21
|
Whoo!
|
Whoo!
|
|
13:23
|
I like it.
|
I like it.
|
|
13:24
|
You look fantastic.
|
You look fantastic.
|
|
13:29
|
You're a knockout.
|
You're a knockout.
|
|
13:31
|
Oh, my God.
|
Oh, my God.
|
|
13:33
|
I could only dream about...
|
I could only dream about...
|
|
13:34
|
These dresses are beautiful. Oh!
|
These dresses are beautiful.
Oh!
|
|
13:39
|
- This... - That's... I'm...
|
- This...
- That's... I'm...
|
|
13:40
|
No, it's beautiful. Put it on. Come on.
|
No, it's beautiful.
Put it on. Come on.
|
|
13:43
|
Come on, look at that. Please?
|
Come on, look at that.
Please?
|
|
13:46
|
- Perfect for you. - I don't feel...
|
- Perfect for you.
- I don't feel...
|
|
13:49
|
- Really? - Love it.
|
- Really?
- Love it.
|
|
13:52
|
This is for you.
|
This is for you.
|
|
13:55
|
I felt like we had a secret, just the two of us...
|
I felt like we had
a secret, just the two of us...
|
|
13:58
|
...you know, like that thing when you just want to be...
|
...you know, like that thing
when you just want to be...
|
|
14:00
|
...with the one person the whole time and...
|
...with the one person
the whole time and...
|
|
14:03
|
...you feel like the two of you understand something...
|
...you feel like the two of you
understand something...
|
|
14:05
|
...that nobody else gets.
|
...that nobody else gets.
|
|
14:07
|
I could just tell her everything about myself.
|
I could just tell her
everything about myself.
|
|
14:18
|
And I'd never had anybody like that in my life before...
|
And I'd never had anybody
like that in my life before...
|
|
14:22
|
...and it felt like, finally...
|
...and it felt like, finally...
|
|
14:24
|
...I could truly be myself without being ashamed...
|
...I could truly be myself
without being ashamed...
|
|
14:29
|
...without being embarrassed.
|
...without being embarrassed.
|
|
14:33
|
What is this place?
|
What is this place?
|
|
14:35
|
Do you sell art here?
|
Do you sell art here?
|
|
14:37
|
Yeah, sometimes.
|
Yeah, sometimes.
|
|
14:38
|
It's my office.
|
It's my office.
|
|
14:40
|
Well, I know it's your office, but you have all these other places...
|
Well, I know it's your office,
but you have all these other places...
|
|
14:43
|
...so what's this for?
|
...so what's this for?
|
|
14:46
|
Why'd you bring me here?
|
Why'd you bring me here?
|
|
14:48
|
This is getting to be my... My main business...
|
This is getting to be my...
My main business...
|
|
14:51
|
...my growing business.
|
...my growing business.
|
|
14:53
|
I, uh...
|
I, uh...
|
|
14:55
|
I help get loans for guys who can't get loans.
|
I help get loans for guys
who can't get loans.
|
|
14:57
|
You know, I'm their last resort.
|
You know,
I'm their last resort.
|
|
14:59
|
You're their last resort?
|
You're their last resort?
|
|
15:01
|
'Cause interest rates are north of 12% and heading to 18%.
|
'Cause interest rates are north
of 12% and heading to 18%.
|
|
15:04
|
That's right, smarty pants.
|
That's right, smarty pants.
|
|
15:06
|
- Fucking Jimmy Carter. - Fucking Jimmy Carter.
|
- Fucking Jimmy Carter.
- Fucking Jimmy Carter.
|
|
15:08
|
Well, fucking Nixon, really...
|
Well, fucking Nixon, really...
|
|
15:10
|
...and the war and the deficit and all of that shit, but--
|
...and the war and the deficit
and all of that shit, but--
|
|
15:12
|
I fucking love you, you're so smart.
|
I fucking love you,
you're so smart.
|
|
15:15
|
You are.
|
You are.
|
|
15:16
|
Thanks, kid, but how do you get them the money?
|
Thanks, kid, but how do you
get them the money?
|
|
15:23
|
Well...
|
Well...
|
|
15:24
|
You don't, do you?
|
You don't, do you?
|
|
15:28
|
You don't.
|
You don't.
|
|
15:31
|
These guys are lousy risks, you know?
|
These guys are
lousy risks, you know?
|
|
15:33
|
I can't get them a loan, but I get my fee, $5,000.
|
I can't get them a loan,
but I get my fee, $5,000.
|
|
15:38
|
$5,000?
|
$5,000?
|
|
15:39
|
You take $5,000 and you don't give them anything.
|
You take $5,000 and you
don't give them anything.
|
|
15:41
|
All right, these are bad guys, you know?
|
All right, these are
bad guys, you know?
|
|
15:43
|
They got bad divorces, gambling habits...
|
They got bad divorces,
gambling habits...
|
|
15:45
|
...embezzling, all that shit, you know what I mean?
|
...embezzling, all that shit,
you know what I mean?
|
|
15:48
|
Everybody at the bottom crosses paths eventually...
|
Everybody at the bottom
crosses paths eventually...
|
|
15:50
|
...in a pool of desperation and you're waiting for them.
|
...in a pool of desperation
and you're waiting for them.
|
|
15:58
|
How about "we"?
|
How about "we"?
|
|
16:01
|
- "We"? - Mmm-hmm.
|
- "We"?
- Mmm-hmm.
|
|
16:04
|
How about it?
|
How about it?
|
|
16:09
|
Sydney, Sydney, I'm sorry.
|
Sydney, Sydney,
I'm sorry.
|
|
16:11
|
That was too much, I went too far.
|
That was too much,
I went too far.
|
|
16:13
|
I didn't want to upset you. Sydney, please, I'm sorry.
|
I didn't want to upset you.
Sydney, please, I'm sorry.
|
|
16:15
|
I know it ain't for everybody.
|
I know
it ain't for everybody.
|
|
16:18
|
Oh, God! I loved getting to know you!
|
Oh, God!
I loved getting to know you!
|
|
16:22
|
All right. Why did I tell the truth?
|
All right.
Why did I tell the truth?
|
|
16:24
|
Why'd I tell her the truth?
|
Why'd I tell her the truth?
|
|
16:31
|
What did I do that for?
|
What did I do that for?
|
|
16:32
|
What did I do that for? I fucked it up.
|
What did I do that for?
I fucked it up.
|
|
16:36
|
I should never tell a woman the truth, but she's so smart.
|
I should never tell a woman the
truth, but she's so smart.
|
|
16:39
|
She's different.
|
She's different.
|
|
16:42
|
She's different.
|
She's different.
|
|
16:45
|
God.
|
God.
|
|
16:51
|
You said it was nice knowing me.
|
You said it was
nice knowing me.
|
|
16:54
|
You said it was nice to meet me.
|
You said it was
nice to meet me.
|
|
16:58
|
Yeah.
|
Yeah.
|
|
16:59
|
Would you like to meet...
|
Would you like to meet...
|
|
17:02
|
Lady Edith Greensly?
|
Lady Edith Greensly?
|
|
17:08
|
I have royal banking connections in London.
|
I have royal banking
connections in London.
|
|
17:13
|
I'd love to help you with your loan...
|
I'd love to help
you with your loan...
|
|
17:15
|
...but, of course, I have to be very selective.
|
...but, of course,
I have to be very selective.
|
|
17:19
|
Yeah.
|
Yeah.
|
|
17:20
|
Yes.
|
Yes.
|
|
17:22
|
That was fucking fantastic.
|
That was fucking fantastic.
|
|
17:25
|
Thank you. Did you like it?
|
Thank you. Did you like it?
|
|
17:27
|
I liked it.
|
I liked it.
|
|
17:28
|
I didn't think you were coming back.
|
I didn't think you
were coming back.
|
|
17:31
|
- Thank God you came back. - I wasn't going anywhere.
|
- Thank God you came back.
- I wasn't going anywhere.
|
|
17:33
|
I fucking love you.
|
I fucking love you.
|
|
17:35
|
You have me.
|
You have me.
|
|
17:36
|
And so Irving and I began our partnership in love and commerce.
|
And so Irving and I began our
partnership in love and commerce.
|
|
17:41
|
Rebecca, hold on.
|
Rebecca, hold on.
|
|
17:43
|
He told me to tell my friends I had London banking connections.
|
He told me to tell my friends I
had London banking connections.
|
|
17:48
|
Listen, she told me you can get me a line of credit.
|
Listen, she told me you can
get me a line of credit.
|
|
17:50
|
I heard you have banking connections in London, England.
|
I heard you have banking
connections in London, England.
|
|
17:51
|
And after that, say "no" a lot until the guy is hooked.
|
And after that, say "no" a lot
until the guy is hooked.
|
|
17:56
|
- Rebecca, get me that meeting, huh? - No!
|
- Rebecca, get me that meeting, huh?
- No!
|
|
17:58
|
- Listen, tell her. - No.
|
- Listen, tell her.
- No.
|
|
17:59
|
- I have never missed a check. - No.
|
- I have never missed a check.
- No.
|
|
18:01
|
It was almost scary how easy it could be...
|
It was almost scary
how easy it could be...
|
|
18:03
|
...to take money from desperate people.
|
...to take money from
desperate people.
|
|
18:06
|
Lady Edith Greensly. It's so good to see you again.
|
Lady Edith Greensly.
It's so good to see you again.
|
|
18:09
|
Lady... Your Ladyship. Thank you. Again.
|
Lady... Your Ladyship.
Thank you. Again.
|
|
18:12
|
These are the roles that we were meant to play.
|
These are the roles
that we were meant to play.
|
|
18:15
|
We're very selective.
|
We're very selective.
|
|
18:16
|
You got a strong application. We'll talk about it.
|
You got a strong application.
We'll talk about it.
|
|
18:19
|
I don't take a deal that I can't close.
|
I don't take a deal
that I can't close.
|
|
18:22
|
You're not being aggressive enough in putting up your assets.
|
You're not being aggressive
enough in putting up your assets.
|
|
18:24
|
You ever been to Great Neck?
|
You ever been to Great Neck?
|
|
18:25
|
Everybody knows my dealerships.
|
Everybody knows
my dealerships.
|
|
18:27
|
5,000 gets me 50, right?
|
5,000 gets me 50, right?
|
|
18:29
|
Five'll get me 35, is that right?
|
Five'll get me 35,
is that right?
|
|
18:30
|
Five grand gets me 50?
|
Five grand gets me 50?
|
|
18:32
|
5,000 gets me 50, right?
|
5,000 gets me 50, right?
|
|
18:35
|
I was doing so much more business with her.
|
I was doing so much
more business with her.
|
|
18:37
|
It doubled, then it tripled.
|
It doubled, then it tripled.
|
|
18:40
|
And I never met anyone, man or woman, in business...
|
And I never met anyone,
man or woman, in business...
|
|
18:43
|
...who was so careful and precise about everything...
|
...who was so careful and precise
about everything...
|
|
18:45
|
...every stylistic detail.
|
...every stylistic detail.
|
|
18:47
|
Congratulations.
|
Congratulations.
|
|
18:48
|
We kept selling art together, too.
|
We kept selling art together, too.
|
|
18:50
|
...genre painting, which is really rare for the time.
|
...genre painting, which is
really rare for the time.
|
|
18:52
|
It's a boy and his dog.
|
It's a boy and his dog.
|
|
18:53
|
It's a non-religious painting...
|
It's a non-religious painting...
|
|
18:55
|
- 16... - ...55.
|
- 16...
- ...55.
|
|
18:57
|
Golden Age Dutch painting.
|
Golden Age Dutch painting.
|
|
18:59
|
Paul Klee. Expressionism. Bauhaus Movement.
|
Paul Klee.
Expressionism. Bauhaus Movement.
|
|
19:02
|
Before we go any further, is this legit?
|
Before we go any further,
is this legit?
|
|
19:04
|
Let's just say, you know, it's missing from Spain, leave it at that.
|
Let's just say, you know,
it's missing from Spain, leave it at that.
|
|
19:08
|
Don't show any Spanish friends.
|
Don't show any
Spanish friends.
|
|
19:13
|
I mean, it just took off. We got a better office...
|
I mean, it just took off.
We got a better office...
|
|
19:17
|
...we called it "London Associates," for her accent.
|
...we called it "London Associates,"
for her accent.
|
|
19:23
|
When I was around her, I felt joy...
|
When I was around her,
I felt joy...
|
|
19:27
|
...fucking joy!
|
...fucking joy!
|
|
19:28
|
And love, that's what I felt.
|
And love, that's what I felt.
|
|
19:31
|
"I've got your number and what you're lookin' for."
|
"I've got your number
and what you're lookin' for."
|
|
19:39
|
"And what you're lookin' for, just suits me fine."
|
"And what you're lookin' for,
just suits me fine."
|
|
19:46
|
"We'll break the rules a lot. We'll be damn fools a lot."
|
"We'll break the rules a lot.
We'll be damn fools a lot."
|
|
19:54
|
"But then why should we not? How could we not combine?"
|
"But then why should we not?
How could we not combine?"
|
|
20:01
|
"I've got your number and I've got the glow you've got."
|
"I've got your number and
I've got the glow you've got."
|
|
20:09
|
"I've got your number and more."
|
"I've got your number
and more."
|
|
20:15
|
"So go ahead and pick a number from one to ten."
|
"So go ahead and pick a
number from one to ten."
|
|
20:20
|
"Your losing streak is over. I can't win again."
|
"Your losing streak is over.
I can't win again."
|
|
20:24
|
"And here's the punchline..."
|
"And here's the punchline..."
|
|
20:50
|
As far as I could see...
|
As far as I could see...
|
|
20:51
|
...people were always conning each other to get what they wanted.
|
...people were always conning each
other to get what they wanted.
|
|
20:55
|
We even con ourselves.
|
We even con ourselves.
|
|
20:57
|
We talk ourselves into things, you know?
|
We talk ourselves
into things, you know?
|
|
20:58
|
We sell ourselves things we maybe don't even need or want...
|
We sell ourselves things we maybe don't
even need or want...
|
|
21:02
|
...you know, by dressing them up.
|
...you know, by dressing them up.
|
|
21:04
|
We leave out the risk, we leave out the ugly truth.
|
We leave out the risk,
we leave out the ugly truth.
|
|
21:10
|
Pay attention to that...
|
Pay attention to that...
|
|
21:13
|
...'cause we're all conning ourselves in one way or another...
|
...'cause we're all conning
ourselves in one way or another...
|
|
21:16
|
...just to get through life.
|
...just to get through life.
|
|
21:21
|
He was married and he had a son.
|
He was married
and he had a son.
|
|
21:24
|
Daddy!
|
Daddy!
|
|
21:26
|
He had adopted her son.
|
He had adopted her son.
|
|
21:28
|
You're just such an artist! Look at that!
|
You're just such an artist!
Look at that!
|
|
21:30
|
He was a really good dad.
|
He was a really good dad.
|
|
21:32
|
I respected him for that.
|
I respected him for that.
|
|
21:33
|
Proud! You should be so proud!
|
Proud! You should be so proud!
|
|
21:35
|
It was a tough situation for everyone.
|
It was a tough
situation for everyone.
|
|
21:39
|
What'd you do today?
|
What'd you do today?
|
|
21:40
|
That kid Donovan is being mean to me.
|
That kid Donovan
is being mean to me.
|
|
21:43
|
Thai big kid?
|
Thai big kid?
|
|
21:44
|
I thought Mommy was picking you up, so he couldn't bother you.
|
I thought Mommy was picking you up,
so he couldn't bother you.
|
|
21:48
|
She was late.
|
She was late.
|
|
21:50
|
And then after we put out the fire...
|
And then after we
put out the fire...
|
|
21:52
|
...Mommy said stay in my room with my baseball cards.
|
...Mommy said stay in my room
with my baseball cards.
|
|
21:56
|
What fire?
|
What fire?
|
|
21:57
|
Did you know they made a lamp that has the sun in it?
|
Did you know they made a lamp
that has the sun in it?
|
|
22:01
|
Mommy got the lamp, she made her special drink...
|
Mommy got the lamp,
she made her special drink...
|
|
22:05
|
...and the lamp made a fire.
|
...and the lamp made a fire.
|
|
22:08
|
I put out the fire.
|
I put out the fire.
|
|
22:11
|
The fire is out.
|
The fire is out.
|
|
22:17
|
First time in my life, I do the right thing.
|
First time in my life,
I do the right thing.
|
|
22:19
|
- Oh, shut up. Shut up. - No, no, no...
|
- Oh, shut up. Shut up.
- No, no, no...
|
|
22:21
|
I save a young single mother and a kid.
|
I save a young
single mother and a kid.
|
|
22:25
|
I marry her, I adopt him...
|
I marry her,
I adopt him...
|
|
22:26
|
You fell in love! Don't you dare forget that part!
|
You fell in love!
Don't you dare forget that part!
|
|
22:28
|
We fell madly in love.
|
We fell madly in love.
|
|
22:30
|
Yes, I fell in love.
|
Yes, I fell in love.
|
|
22:31
|
My God, I fell in love. But you know what?
|
My God, I fell in love.
But you know what?
|
|
22:33
|
I thought you were mysterious, like my mother...
|
I thought you were
mysterious, like my mother...
|
|
22:34
|
...until it turned out that "mysterious"...
|
...until it turned out
that "mysterious"...
|
|
22:36
|
...just meant "depressed," all right? "Hard to reach."
|
...just meant "depressed," all right?
"Hard to reach."
|
|
22:38
|
I mean, I'm dying here.
|
I mean, I'm dying here.
|
|
22:39
|
And you need somebody who's gonna be quiet...
|
And you need somebody
who's gonna be quiet...
|
|
22:41
|
...who's gonna be shy...
|
...who's gonna be shy...
|
|
22:42
|
...you're young, you're beautiful, you gotta find somebody else.
|
...you're young, you're beautiful,
you gotta find somebody else.
|
|
22:44
|
You gotta go out and get some friends, all right?
|
You gotta go out and get
some friends, all right?
|
|
22:46
|
I don't like going out.
|
I don't like going out.
|
|
22:47
|
You know that I get anxiety when I have to meet people.
|
You know that I get anxiety
when I have to meet people.
|
|
22:50
|
You know how hard that is.
|
You know how hard that is.
|
|
22:51
|
You cannot just stay in the house with a fucking sun lamp.
|
You cannot just stay in the
house with a fucking sun lamp.
|
|
22:55
|
All right?
|
All right?
|
|
22:56
|
And I cant... I mean, look, I can't trust you with Danny when you...
|
And I cant... I mean, look, I can't
trust you with Danny when you...
|
|
22:59
|
That fire and everything...
|
That fire and everything...
|
|
23:01
|
- I can't trust to leave you alone. - I put the fire out, Irving.
|
- I can't trust to leave you alone.
- I put the fire out, Irving.
|
|
23:02
|
There is no fire. Maybe if you were here more...
|
There is no fire.
Maybe if you were here more...
|
|
23:05
|
...then there wouldn't have been a fire in the first place.
|
...then there wouldn't have been
a fire in the first place.
|
|
23:06
|
Oh, what, there wouldn't have been a fire if I was here?
|
Oh, what, there wouldn't have
been a fire if I was here?
|
|
23:08
|
Just stop with the whole fire thing! God! It was a mistake!
|
Just stop with the whole fire thing!
God! It was a mistake!
|
|
23:11
|
I'm sure a million people do that, all the time.
|
I'm sure a million people
do that, all the time.
|
|
23:13
|
Those sun lamps are dangerous.
|
Those sun lamps are dangerous.
|
|
23:15
|
Shouldn't even have them in the house, really.
|
Shouldn't even have them
in the house, really.
|
|
23:18
|
I bet that happens all the time.
|
I bet that happens all the time.
|
|
23:21
|
This was nothing.
|
This was nothing.
|
|
23:24
|
We're not happy, all right?
|
We're not happy, all right?
|
|
23:30
|
You know that I could take Danny...
|
You know that I
could take Danny...
|
|
23:31
|
...you know that most of your work is illegal...
|
...you know that most of
your work is illegal...
|
|
23:33
|
...and you know that if you tried to divorce me, you know that...
|
...and you know that if you tried
to divorce me, you know that...
|
|
23:35
|
...I'm not saying that I would, but I'm saying that I could...
|
...I'm not saying that I would,
but I'm saying that I could...
|
|
23:38
|
...and I'm saying that that is why I don't like divorce, Irving.
|
...and I'm saying that that is why
I don't like divorce, Irving.
|
|
23:41
|
Women do that in divorces.
|
Women do that in divorces.
|
|
23:43
|
Women get the children and then the fathers never see them.
|
Women get the children and then
the fathers never see them.
|
|
23:46
|
My mother never got divorced.
|
My mother never got divorced.
|
|
23:47
|
My grandmother never got divorced.
|
My grandmother
never got divorced.
|
|
23:49
|
There are no divorces in my family. I am not getting a divorce.
|
There are no divorces in my family.
I am not getting a divorce.
|
|
23:52
|
Come on, what are we doing here?
|
Come on,
what are we doing here?
|
|
23:54
|
We fight and we fuck and that's what we do. That's our thing.
|
We fight and we fuck and
that's what we do. That's our thing.
|
|
23:57
|
She was the Picasso of passive-aggressive karate.
|
She was the Picasso
of passive-aggressive karate.
|
|
23:59
|
Come here. Come here.
|
Come here. Come here.
|
|
24:00
|
She was better than any con artist I ever met, including myself...
|
She was better than any con
artist I ever met, including myself...
|
|
24:04
|
...and she had me like nobody had me.
|
...and she had me
like nobody had me.
|
|
24:07
|
Irving, come to mama, come on.
|
Irving, come to mama,
come on.
|
|
24:09
|
You might say she was my karma...
|
You might say she was my karma...
|
|
24:11
|
...for how I took advantage of people.
|
...for how I took
advantage of people.
|
|
24:13
|
Irving...
|
Irving...
|
|
24:16
|
- Oh, my God. - Come here. Come on.
|
- Oh, my God.
- Come here. Come on.
|
|
24:20
|
- Get into bed. - All right.
|
- Get into bed.
- All right.
|
|
24:22
|
Baby, there's such good stuff here.
|
Baby,
there's such good stuff here.
|
|
24:24
|
I did not want to leave the kid behind.
|
I did not want
to leave the kid behind.
|
|
24:26
|
He was my son!
|
He was my son!
|
|
24:28
|
She had me. I was her mark.
|
She had me. I was her mark.
|
|
24:32
|
Now, I can't assure you that your loan will be approved...
|
Now, I can't assure you that
your loan will be approved...
|
|
24:35
|
...but I can tell you that any deal take, I close.
|
...but I can tell you that
any deal take, I close.
|
|
24:38
|
However, my fee is nonrefundable...
|
However, my fee is nonrefundable...
|
|
24:42
|
...just like my time.
|
...just like my time.
|
|
24:46
|
I want to thank you very much, Irving, for seeing me.
|
I want to thank you very
much, Irving, for seeing me.
|
|
24:48
|
I'm sorry I'm so nervous.
|
I'm sorry I'm so nervous.
|
|
24:50
|
Is that... Am I not buttoned?
|
Is that...
Am I not buttoned?
|
|
24:54
|
I just got to say, Mr. Rosenfeld, that Lady Edith was...
|
I just got to say, Mr. Rosenfeld,
that Lady Edith was...
|
|
24:58
|
...very adamant that you were top-notch.
|
...very adamant that
you were top-notch.
|
|
25:00
|
That's correct.
|
That's correct.
|
|
25:01
|
I really need your help, I'm desperate.
|
I really need your help,
I'm desperate.
|
|
25:04
|
I mean, I got the Audis...
|
I mean, I got the Audis...
|
|
25:05
|
...and two boats, and I forgot to mention...
|
...and two boats,
and I forgot to mention...
|
|
25:08
|
...that I have a little piece of real estate in Long Island.
|
...that I have a little piece
of real estate in Long Island.
|
|
25:11
|
No, you didn't mention that.
|
No, you didn't mention that.
|
|
25:12
|
Two lunches and you never mentioned that.
|
Two lunches and you
never mentioned that.
|
|
25:15
|
I was gonna mention it, then the guy with the hat walked in.
|
I was gonna mention it, then the
guy with the hat walked in.
|
|
25:18
|
- The hat? - You remember that?
|
- The hat?
- You remember that?
|
|
25:19
|
- I do remember. I forgot, I totally...
|
- I do remember.
I forgot, I totally...
|
|
25:22
|
It was the second time we had lunch.
|
It was the second
time we had lunch.
|
|
25:24
|
Yes.
|
Yes.
|
|
25:25
|
I thought he was... You couldn't see his eyes.
|
I thought he was...
You couldn't see his eyes.
|
|
25:27
|
It was like he had no eyes.
|
It was like he had no eyes.
|
|
25:28
|
Do they sell hats like that? I don't know.
|
Do they sell hats like that?
I don't know.
|
|
25:30
|
- It's like he made it. - Where do they come from?
|
- It's like he made it.
- Where do they come from?
|
|
25:31
|
- He's a great milliner. - Actually, I went to the store.
|
- He's a great milliner.
- Actually, I went to the store.
|
|
25:34
|
I saw a hat store down the street.
|
I saw a hat store
down the street.
|
|
25:35
|
I thought maybe he bought it there...
|
I thought maybe
he bought it there...
|
|
25:36
|
...and I was gonna get you one, as, like, a memento.
|
...and I was gonna get you one,
as, like, a memento.
|
|
25:38
|
- Two lunches? - Yes.
|
- Two lunches?
- Yes.
|
|
25:40
|
- Really? - It's two lunches.
|
- Really?
- It's two lunches.
|
|
25:41
|
- What's the big deal? - That's unusual.
|
- What's the big deal?
- That's unusual.
|
|
25:43
|
I was trying to get him to be more aggressive.
|
I was trying to get him
to be more aggressive.
|
|
25:46
|
On his loan, that is.
|
On his loan, that is.
|
|
25:47
|
You showed me a whole new side of the city I'd never seen before.
|
You showed me a whole new side of
the city I'd never seen before.
|
|
25:49
|
Yeah, it's...
|
Yeah, it's...
|
|
25:51
|
- You're welcome. - No. Thank you.
|
- You're welcome.
- No. Thank you.
|
|
25:54
|
Yeah, right. Should I take you there?
|
Yeah, right.
Should I take you there?
|
|
25:56
|
- Yeah, it's nice. - You liked it?
|
- Yeah, it's nice.
- You liked it?
|
|
25:57
|
All right, should I take you there twice?
|
All right, should I
take you there twice?
|
|
25:59
|
Stop.
|
Stop.
|
|
26:04
|
- What are you doing? - What?
|
- What are you doing?
- What?
|
|
26:06
|
- You like this guy? - Yes, I like this guy.
|
- You like this guy?
- Yes, I like this guy.
|
|
26:08
|
Is this messing with your judgement?
|
Is this messing
with your judgement?
|
|
26:10
|
No, it's not messing with my judgement.
|
No, it's not
messing with my judgement.
|
|
26:11
|
- Don't be stupid. - Hey, hey, hey.
|
- Don't be stupid.
- Hey, hey, hey.
|
|
26:13
|
Look at me.
|
Look at me.
|
|
26:14
|
Play your part.
|
Play your part.
|
|
26:16
|
Fine, you play your part.
|
Fine, you play your part.
|
|
26:18
|
Well, take it to your people in London.
|
Well, take it to
your people in London.
|
|
26:20
|
Please, take it to them.
|
Please, take it to them.
|
|
26:24
|
I got the cashier's check right here.
|
I got the cashier's
check right here.
|
|
26:28
|
I give you five, and you give me 50 back, right?
|
I give you five, and you
give me 50 back, right?
|
|
26:30
|
Please.
|
Please.
|
|
26:33
|
Please don't reject me.
|
Please don't reject me.
|
|
26:36
|
Give a guy a chance.
|
Give a guy a chance.
|
|
26:44
|
Zurich? You got an office in Zurich?
|
Zurich?
You got an office in Zurich?
|
|
26:48
|
Paris? I can call Paris.
|
Paris? I can call Paris.
|
|
26:49
|
Excuse me for a second.
|
Excuse me for a second.
|
|
26:50
|
- Yeah, take your time. - Excuse me.
|
- Yeah, take your time.
- Excuse me.
|
|
26:51
|
- Yeah. It's... - Just be one moment.
|
- Yeah. It's...
- Just be one moment.
|
|
26:52
|
Do whatever you need to do.
|
Do whatever you need to do.
|
|
26:54
|
Go ahead, take your time.
|
Go ahead, take your time.
|
|
26:58
|
Stick around for a little bit.
|
Stick around
for a little bit.
|
|
27:00
|
- See my friend over here? - I'm not moving anywhere, all right?
|
- See my friend over here?
- I'm not moving anywhere, all right?
|
|
27:02
|
You got the wrong office, you're gonna be embarrassed.
|
You got the wrong office,
you're gonna be embarrassed.
|
|
27:04
|
I don't think so.
|
I don't think so.
|
|
27:06
|
Hey, hey, hey, hey, hey, go easy on her.
|
Hey, hey, hey,
hey, hey, go easy on her.
|
|
27:08
|
I may not have you, Irving, but I have her on fraud.
|
I may not have you, Irving,
but I have her on fraud.
|
|
27:10
|
- Impersonating another individual. - On fraud?
|
- Impersonating another individual.
- On fraud?
|
|
27:12
|
- On fraud? What is that? - Yeah, she may not be--
|
- On fraud? What is that?
- Yeah, she may not be--
|
|
27:13
|
Identity fraud?
|
Identity fraud?
|
|
27:14
|
You may be from England, but you're not royal...
|
You may be from England,
but you're not royal...
|
|
27:17
|
...and you have no banking connections...
|
...and you have no
banking connections...
|
|
27:18
|
- ...and that's a felony. - You don't have to cuff me up.
|
- ...and that's a felony.
- You don't have to cuff me up.
|
|
27:20
|
How long is that? That's three to five years.
|
How long is that?
That's three to five years.
|
|
27:21
|
- Hey, not so... - Oh, really?
|
- Hey, not so...
- Oh, really?
|
|
27:23
|
That's interesting. I don't even know your name.
|
That's interesting.
I don't even know your name.
|
|
27:25
|
Richie DiMaso, FBI. Nice to meet you.
|
Richie DiMaso, FBI.
Nice to meet you.
|
|
27:29
|
You got to get away from this guy.
|
You got to get
away from this guy.
|
|
27:37
|
He wouldn't let me see her for three days.
|
He wouldn't let me
see her for three days.
|
|
27:39
|
Even managed to delay her lawyer.
|
Even managed to
delay her lawyer.
|
|
27:46
|
She couldn't handle it.
|
She couldn't handle it.
|
|
27:52
|
How come the fluorescents are on? Can we kill that, please?
|
How come the fluorescents are on?
Can we kill that, please?
|
|
27:54
|
Jesus Christ, I put this lamp here for you...
|
Jesus Christ,
I put this lamp here for you...
|
|
27:56
|
...'cause I thought it would be better for you.
|
...'cause I thought it
would be better for you.
|
|
27:57
|
There's a wire here, they're scared because people hang themselves...
|
There's a wire here, they're scared
because people hang themselves...
|
|
28:00
|
...but I know you're too smart for that.
|
...but I know you're
too smart for that.
|
|
28:02
|
Where's the table and chair? There's no bed here?
|
Where's the table and chair?
There's no bed here?
|
|
28:05
|
It's like a fucking asylum. Joe, is everybody off today?
|
It's like a fucking asylum.
Joe, is everybody off today?
|
|
28:07
|
Jesus Christ, it's scary.
|
Jesus Christ, it's scary.
|
|
28:09
|
Maybe I wanted to scare you, I don't know.
|
Maybe I wanted to scare
you, I don't know.
|
|
28:10
|
Maybe it was my idea.
|
Maybe it was my idea.
|
|
28:11
|
Maybe I'm a little off the beaten path.
|
Maybe I'm a little
off the beaten path.
|
|
28:14
|
You know, I don't know, maybe.
|
You know,
I don't know, maybe.
|
|
28:15
|
Hey, you look dehydrated.
|
Hey, you look dehydrated.
|
|
28:16
|
Here, you want to have some tea?
|
Here,
you want to have some tea?
|
|
28:18
|
Yeah, your lips are all chapped.
|
Yeah, your lips are all chapped.
|
|
28:24
|
It's herbal.
|
It's herbal.
|
|
28:26
|
It's my favorite.
|
It's my favorite.
|
|
28:30
|
I know you think... Look at me.
|
I know you think...
Look at me.
|
|
28:31
|
Hey, Edith, I know you think Irv loves you.
|
Hey, Edith, I know
you think Irv loves you.
|
|
28:36
|
I know you think you know him.
|
I know you think
you know him.
|
|
28:40
|
You think that he sees the world as this cold, dark place...
|
You think that he sees the world
as this cold, dark place...
|
|
28:44
|
...and he cares about nobody but a very few people on a shortlist.
|
...and he cares about nobody but a
very few people on a shortlist.
|
|
28:47
|
His son, his father, Rosalyn and you.
|
His son, his father,
Rosalyn and you.
|
|
28:49
|
And you think you're on the top of that list.
|
And you think you're
on the top of that list.
|
|
28:53
|
What if you're not? What if you're not on that list?
|
What if you're not?
What if you're not on that list?
|
|
28:54
|
What if you're not even on that list at all?
|
What if you're not
even on that list at all?
|
|
28:58
|
He'd be in here right now if he took the check...
|
He'd be in here right now
if he took the check...
|
|
29:00
|
...but no, you did.
|
...but no, you did.
|
|
29:03
|
God, it's so clear to me.
|
God, it's so clear to me.
|
|
29:05
|
It's so... It's clear to me, but it's not clear to you.
|
It's so... It's clear to me,
but it's not clear to you.
|
|
29:06
|
He uses you, Edith, to protect himself...
|
He uses you,
Edith, to protect himself...
|
|
29:09
|
...to protect his son and his wife in Long Island.
|
...to protect his son
and his wife in Long Island.
|
|
29:13
|
No? Yes, he put a ring on her finger.
|
No? Yes,
he put a ring on her finger.
|
|
29:15
|
He adopted her son.
|
He adopted her son.
|
|
29:17
|
They have a huge house, they have two cars.
|
They have a huge house,
they have two cars.
|
|
29:19
|
What does she do all day? I'll tell you what she does.
|
What does she do all day?
I'll tell you what she does.
|
|
29:21
|
She plays with her nails, she watches TV...
|
She plays with her nails,
she watches TV...
|
|
29:22
|
...and she spends your money, the money that you make.
|
...and she spends your money,
the money that you make.
|
|
29:28
|
I don't like that you're in jail while he's going free.
|
I don't like that you're in
jail while he's going free.
|
|
29:30
|
I don't like any of that. I want to help you.
|
I don't like any of that.
I want to help you.
|
|
29:34
|
All the razzle-dazzle that he does...
|
All the razzle-dazzle
that he does...
|
|
29:35
|
...it's not good, it's not real, it's fake, it's not real.
|
...it's not good, it's not real,
it's fake, it's not real.
|
|
29:37
|
Who you are is who you are, between you and God...
|
Who you are is who you are,
between you and God...
|
|
29:40
|
...you and your soul. That's what matters.
|
...you and your soul.
That's what matters.
|
|
29:41
|
That's what counts, that's what I'm about...
|
That's what counts,
that's what I'm about...
|
|
29:43
|
...and that's what I see in you.
|
...and that's what I see in you.
|
|
29:44
|
Tell me you didn't feel it the first time we saw each other.
|
Tell me you didn't feel it the
first time we saw each other.
|
|
29:46
|
Am I crazy? I don't think so.
|
Am I crazy? I don't think so.
|
|
29:50
|
I'm not supposed to be talking like this, but I don't care, I'll break the rules.
|
I'm not supposed to be talking like this,
but I don't care, I'll break the rules.
|
|
29:54
|
Ok, Edith, Edith, I want to help you.
|
Ok, Edith, Edith,
I want to help you.
|
|
29:57
|
I like you.
|
I like you.
|
|
29:59
|
I like you.
|
I like you.
|
|
30:03
|
I like you.
|
I like you.
|
|
30:12
|
Been in there three days.
|
Been in there three days.
|
|
30:15
|
Hasn't been so good for her.
|
Hasn't been so good for her.
|
|
30:23
|
How's that make you feel, her in there?
|
How's that make you feel,
her in there?
|
|
30:26
|
That check was for you, right?
|
That check
was for you, right?
|
|
30:27
|
But you knew something was off.
|
But you knew
something was off.
|
|
30:31
|
It's 'cause you're good. You're, like, the best at what you do...
|
It's 'cause you're good.
You're, like, the best at what you do...
|
|
30:33
|
...in the whole country, aren't you?
|
...in the whole country,
aren't you?
|
|
30:37
|
But you know what, if the country were run...
|
But you know what,
if the country were run...
|
|
30:38
|
...by people like you, Irving Rosenfeld...
|
...by people like you,
Irving Rosenfeld...
|
|
30:40
|
...we'd be living in Eastern Europe or Guatemala.
|
...we'd be living in Eastern
Europe or Guatemala.
|
|
30:42
|
You ever been to Guatemala? You ever been in jail in Guatemala?
|
You ever been to Guatemala?
You ever been in jail in Guatemala?
|
|
30:44
|
You ever try to get a telephone or a permit or anything in Guatemala?
|
You ever try to get a telephone or
a permit or anything in Guatemala?
|
|
30:47
|
That's what this country would be like...
|
That's what this
country would be like...
|
|
30:48
|
...if we let people that are liars like you run this country.
|
...if we let people that are liars
like you run this country.
|
|
30:51
|
Who made you God and judge, huh?
|
Who made you God
and judge, huh?
|
|
30:53
|
My grandmother lived to be 93 years old, never lied in her life.
|
My grandmother lived to be 93 years
old, never lied in her life.
|
|
30:56
|
Congratulations.
|
Congratulations.
|
|
30:57
|
Thank you.
|
Thank you.
|
|
30:58
|
I'm proud of that, too.
|
I'm proud of that, too.
|
|
31:00
|
Does that make her not a good person?
|
Does that make her
not a good person?
|
|
31:02
|
Is that not something to strive for?
|
Is that not
something to strive for?
|
|
31:03
|
Why you breaking my balls, huh?
|
Why you
breaking my balls, huh?
|
|
31:05
|
Get to the point.
|
Get to the point.
|
|
31:07
|
I see something in you, Irving. I get very excited.
|
I see something in you, Irving.
I get very excited.
|
|
31:10
|
I think that we have a lot of potential here.
|
I think that we have
a lot of potential here.
|
|
31:12
|
Now, look, I came up with the idea.
|
Now, look,
I came up with the idea.
|
|
31:15
|
It's all from me, I want to change things.
|
It's all from me,
I want to change things.
|
|
31:17
|
I want to go after white-collar crime.
|
I want to go after
white-collar crime.
|
|
31:19
|
Irving, you're very skilled...
|
Irving, you're very skilled...
|
|
31:21
|
...and I want you to teach me, and we can do this.
|
...and I want you to teach me,
and we can do this.
|
|
31:23
|
I want four people that do what you do.
|
I want four people
that do what you do.
|
|
31:24
|
Fraudulent investments, fake certificates of deposit...
|
Fraudulent investments,
fake certificates of deposit...
|
|
31:27
|
...stolen art, fake art.
|
...stolen art, fake art.
|
|
31:28
|
You get me four people, and you're off the hook.
|
You get me four people,
and you're off the hook.
|
|
31:30
|
Four busts...
|
Four busts...
|
|
31:33
|
...and you leave us alone?
|
...and you leave us alone?
|
|
31:35
|
We don't have to testify?
|
We don't have to testify?
|
|
31:36
|
You're good, you're done. Anything you want.
|
You're good, you're done.
Anything you want.
|
|
31:41
|
But if you run, then your life's over.
|
But if you run,
then your life's over.
|
|
31:42
|
You're gonna be hunted, and it's gonna be very difficult...
|
You're gonna be hunted,
and it's gonna be very difficult...
|
|
31:44
|
...for Rosalyn and your kid to live in this country.
|
...for Rosalyn and your kid
to live in this country.
|
|
31:49
|
We need to leave. We need to run, and we need to do it now.
|
We need to leave. We need
to run, and we need to do it now.
|
|
31:52
|
Right, we'll go to Estonia or Romania, I don't care...
|
Right, we'll go to Estonia
or Romania, I don't care...
|
|
31:54
|
...but we'll take the cash from the bed, and get out of here, all right?
|
...but we'll take the cash from the bed,
and get out of here, all right?
|
|
31:57
|
- We've talked about it 100 times. - What about Danny?
|
- We've talked about it 100 times.
- What about Danny?
|
|
31:59
|
What about Danny?
|
What about Danny?
|
|
32:00
|
I adopted him, I gave him my name. I'm not leaving him with Rosalyn.
|
I adopted him, I gave him my name.
I'm not leaving him with Rosalyn.
|
|
32:03
|
- She's unstable. - That is a manipulation.
|
- She's unstable.
- That is a manipulation.
|
|
32:05
|
Rosalyn will never let you go.
|
Rosalyn will never let you go.
|
|
32:07
|
She'll use Danny against you because she's too messed up to let you leave.
|
She'll use Danny against you because
she's too messed up to let you leave.
|
|
32:12
|
I can't leave him. I love him, all right?
|
I can't leave him.
I love him, all right?
|
|
32:15
|
He's my son.
|
He's my son.
|
|
32:19
|
Richie said you would say that.
|
Richie said you
would say that.
|
|
32:21
|
- Richie? - Yeah.
|
- Richie?
- Yeah.
|
|
32:22
|
What, the cop? You're on a first-name basis with him?
|
What, the cop? You're on a
first-name basis with him?
|
|
32:24
|
Yes, I am.
|
Yes, I am.
|
|
32:25
|
- I'm not even on your list, am I? - What list?
|
- I'm not even on your list, am I?
- What list?
|
|
32:27
|
Your list, your short list, your long list.
|
Your list, your short list,
your long list.
|
|
32:29
|
I'm not even on any one of your fucking lists.
|
I'm not even on any one
of your fucking lists.
|
|
32:30
|
- I don't know what you're talking about. - I thought you loved me.
|
- I don't know what you're talking about.
- I thought you loved me.
|
|
32:32
|
- I thought that we had something. - We do have something, it's perfect.
|
- I thought that we had something.
- We do have something, it's perfect.
|
|
32:35
|
What are you saying?
|
What are you saying?
|
|
32:36
|
We're gonna go to Romania, we're gonna take Danny.
|
We're gonna go to Romania,
we're gonna take Danny.
|
|
32:37
|
- Yes. - Is that what you're saying?
|
- Yes.
- Is that what you're saying?
|
|
32:38
|
Yes, that's what I'm saying.
|
Yes, that's what I'm saying.
|
|
32:39
|
- You, me, Danny, yes. - Really?
|
- You, me, Danny, yes.
- Really?
|
|
32:42
|
- Well, you never said that before. - Well, I'm saying it now.
|
- Well, you never said that before.
- Well, I'm saying it now.
|
|
32:44
|
We're us, we can make it an adventure like we did.
|
We're us, we can make it
an adventure like we did.
|
|
32:46
|
We can make it an adventure like we make everything, all right?
|
We can make it an adventure like
we make everything, all right?
|
|
32:49
|
- All right. - Ok?
|
- All right.
- Ok?
|
|
32:50
|
We have to go now, all right? Trust me, we have to leave right now.
|
We have to go now, all right?
Trust me, we have to leave right now.
|
|
32:54
|
I can't leave Danny, I'll lose custody.
|
I can't leave Danny,
I'll lose custody.
|
|
32:56
|
No, you have to take me away.
|
No, you have to take me away.
|
|
32:57
|
- I can't. - We have to leave.
|
- I can't.
- We have to leave.
|
|
32:58
|
- No, what are you saying? - What are you doing?
|
- No, what are you saying?
- What are you doing?
|
|
33:00
|
- What are you saying? - Please!
|
- What are you saying?
- Please!
|
|
33:02
|
- Oh, my God. - Will you pull it together?
|
- Oh, my God.
- Will you pull it together?
|
|
33:04
|
I can't believe this is happening.
|
I can't believe this is happening.
|
|
33:07
|
Don't say I don't love you. That's bullshit.
|
Don't say I don't love you.
That's bullshit.
|
|
33:10
|
This is bullshit.
|
This is bullshit.
|
|
33:12
|
We are bullshit.
|
We are bullshit.
|
|
33:15
|
You are bullshit.
|
You are bullshit.
|
|
33:18
|
You are bullshit.
|
You are bullshit.
|
|
33:20
|
Please don't do this.
|
Please don't do this.
|
|
33:25
|
I just never thought that you were conning me.
|
I just never thought
that you were conning me.
|
|
33:28
|
I could never con you.
|
I could never con you.
|
|
33:31
|
I love you.
|
I love you.
|
|
33:34
|
Please don't say this.
|
Please don't say this.
|
|
33:39
|
Babe.
|
Babe.
|
|
33:43
|
No, I'm done.
|
No, I'm done.
|
|
33:45
|
Don't say that.
|
Don't say that.
|
|
33:48
|
I'm gonna do these four busts, these four cons...
|
I'm gonna do these four busts,
these four cons...
|
|
33:52
|
...to get us out of this, not just me, but us.
|
...to get us out of this,
not just me, but us.
|
|
33:55
|
And I'm gonna get really close with Richie the cop...
|
And I'm gonna get really close
with Richie the cop...
|
|
34:01
|
...in case we need to use him, if we need another move.
|
...in case we need to use him,
if we need another move.
|
|
34:04
|
We don't need another move.
|
We don't need another move.
|
|
34:06
|
We need four busts, then we're done.
|
We need four busts,
then we're done.
|
|
34:10
|
We are gonna need another move.
|
We are gonna
need another move.
|
|
34:11
|
Trust me, and you're gonna be thanking me.
|
Trust me, and you're
gonna be thanking me.
|
|
34:14
|
The key to people is what they believe and what they want to believe.
|
The key to people is what they believe
and what they want to believe.
|
|
34:18
|
- So I want to believe that we were real. - We are real.
|
- So I want to believe that we were real.
- We are real.
|
|
34:20
|
And I want to believe that a man could want me...
|
And I want to believe
that a man could want me...
|
|
34:23
|
...and I'm gonna take all of that heartbreak...
|
...and I'm gonna take
all of that heartbreak...
|
|
34:25
|
...and all of that sorrow, and l am going to use it...
|
...and all of that sorrow,
and l am going to use it...
|
|
34:28
|
...and I am going to make Richie think that I want him and that I like him.
|
...and I am going to make Richie think
that I want him and that I like him.
|
|
34:35
|
And I'm gonna be very, very convincing.
|
And I'm gonna be very,
very convincing.
|
|
34:41
|
And I'm pissed at you.
|
And I'm pissed at you.
|
|
34:43
|
'Cause I am pissed at you.
|
'Cause I am pissed at you.
|
|
34:48
|
Maybe I do like him.
|
Maybe I do like him.
|
|
34:52
|
Maybe I like him a lot.
|
Maybe I like him a lot.
|
|
35:00
|
From the feet up, right?
|
From the feet up, right?
|
|
35:02
|
Baby.
|
Baby.
|
|
35:09
|
Quit your bellyaching and come up with something...
|
Quit your bellyaching and
come up with something...
|
|
35:10
|
...to get us out of this.
|
...to get us out of this.
|
|
35:12
|
And you're right, I'm in no state to deal with this.
|
And you're right, I'm in no
state to deal with this.
|
|
35:14
|
So what's it gonna be, Mr. Mastermind?
|
So what's it gonna be,
Mr. Mastermind?
|
|
35:20
|
An Arab sheik?
|
An Arab sheik?
|
|
35:22
|
What do we want an Arab sheik for?
|
What do we want
an Arab sheik for?
|
|
35:25
|
Well, how do you think this works' stupid?
|
Well, how do you
think this works' stupid?
|
|
35:27
|
If you could not call him stupid, which he isn't.
|
If you could not call him
stupid, which he isn't.
|
|
35:30
|
He's smarter than you.
|
He's smarter than you.
|
|
35:31
|
Last time I checked, he's in control and we work for him now...
|
Last time I checked, he's in
control and we work for him now...
|
|
35:34
|
...so be nice, ok?
|
...so be nice, ok?
|
|
35:37
|
Ok.
|
Ok.
|
|
35:42
|
To set this up, to bust the con artist...
|
To set this up,
to bust the con artist...
|
|
35:46
|
...we need to make the honeypot to attract the bees.
|
...we need to make the honeypot
to attract the bees.
|
|
35:50
|
To attract the bees, we need to offer them...
|
To attract the bees,
we need to offer them...
|
|
35:53
|
...a wealthy individual who they can take advantage of.
|
...a wealthy individual who
they can take advantage of.
|
|
35:56
|
Someone special, someone new, someone amazing.
|
Someone special, someone new,
someone amazing.
|
|
35:59
|
And those guys are going to want to sell...
|
And those guys
are going to want to sell...
|
|
36:00
|
...fake bank CDs to that guy.
|
...fake bank CDs to that guy.
|
|
36:03
|
Take the sheik's money, you see?
|
Take the sheik's money,
you see?
|
|
36:05
|
Only they can't get into his money unless they know someone...
|
Only they can't get into his
money unless they know someone...
|
|
36:07
|
- ...and that someone is us. - Oh, that's good.
|
- ...and that someone is us.
- Oh, that's good.
|
|
36:10
|
So, if you want to get somebody like...
|
So, if you want
to get somebody like...
|
|
36:12
|
...your con artist friend, Carl Elway...
|
...your con artist friend, Carl Elway...
|
|
36:15
|
- ...you get him to want to buy or sell-- - Keep your voice down.
|
- ...you get him to want to buy or sell--
- Keep your voice down.
|
|
36:17
|
Sell fake art or stolen art or fake certificates of deposit...
|
Sell fake art or stolen art
or fake certificates of deposit...
|
|
36:20
|
...he needs, who does he need? He needs a rich sheik-guy...
|
...he needs, who does he need?
He needs a rich sheik-guy...
|
|
36:22
|
...and there you go, we can pinch him.
|
...and there you go,
we can pinch him.
|
|
36:23
|
That's right, that's right, but I don't tell Elway shit.
|
That's right, that's right,
but I don't tell Elway shit.
|
|
36:26
|
I wait for him to call me.
|
I wait for him to call me.
|
|
36:28
|
The art world is a small world...
|
The art world is a small world...
|
|
36:31
|
...and one of Elway's acquaintances is clocking us right now.
|
...and one of Elway's acquaintances
is clocking us right now.
|
|
36:36
|
- Where? - Don't look. Don't look.
|
- Where?
- Don't look. Don't look.
|
|
36:43
|
You have a good look?
|
You have a good look?
|
|
36:45
|
How do you know the sheik?
|
How do you know the sheik?
|
|
36:48
|
This is my friend Al, from Queens.
|
This is my friend Al,
from Queens.
|
|
36:51
|
I do aluminum siding and roofing.
|
I do aluminum
siding and roofing.
|
|
36:57
|
I want to show you something.
|
I want to show you something.
|
|
36:59
|
This Rembrandt here...
|
This Rembrandt here...
|
|
37:01
|
...people come from all over the world to see this.
|
...people come from all over
the world to see this.
|
|
37:04
|
Yeah, he's good. Yeah.
|
Yeah, he's good. Yeah.
|
|
37:06
|
It's a fake.
|
It's a fake.
|
|
37:07
|
What? What are you talking about? That's impossible.
|
What? What are you talking about?
That's impossible.
|
|
37:09
|
People believe what they want to believe.
|
People believe what
they want to believe.
|
|
37:13
|
'Cause the guy who made this was so good...
|
'Cause the guy who
made this was so good...
|
|
37:16
|
...that it's real to everybody.
|
...that it's real to everybody.
|
|
37:19
|
Now, who's the master?
|
Now, who's the master?
|
|
37:22
|
The painter or the forger?
|
The painter or the forger?
|
|
37:25
|
That's a fake?
|
That's a fake?
|
|
37:28
|
That's the way the world works.
|
That's the
way the world works.
|
|
37:30
|
Not black-and-white, like you say.
|
Not black-and-white, like you say.
|
|
37:35
|
Extremely gray.
|
Extremely gray.
|
|
37:37
|
Irving, could I...
|
Irving, could I...
|
|
37:38
|
Arthur, how many times I got to tell you?
|
Arthur, how many
times I got to tell you?
|
|
37:40
|
You can't meet the sheik, all right?
|
You can't meet the sheik,
all right?
|
|
37:41
|
- Could I please meet him sometime? - Carl can't meet him.
|
- Could I please meet him sometime?
- Carl can't meet him.
|
|
37:43
|
Not yet. Another time.
|
Not yet. Another time.
|
|
37:44
|
Arthur. Hi. Come on.
|
Arthur. Hi. Come on.
|
|
37:46
|
- Edith. - Edith, hi.
|
- Edith.
- Edith, hi.
|
|
37:48
|
Yes, I wanted to introduce you to Robert Spencer.
|
Yes, I wanted to introduce
you to Robert Spencer.
|
|
37:50
|
We're advising the sheik together.
|
We're advising
the sheik together.
|
|
37:52
|
- Thank you. - Robert Spencer.
|
- Thank you.
- Robert Spencer.
|
|
37:54
|
Advisor to the sheik. Yeah.
|
Advisor to the sheik.
Yeah.
|
|
37:56
|
What's this about a goddamn sheik?
|
What's this about
a goddamn sheik?
|
|
37:58
|
Why are you leaving me out of this? Huh?
|
Why are you leaving
me out of this? Huh?
|
|
38:00
|
I got to hear it from my friends?
|
I got to hear it
from my friends?
|
|
38:02
|
- It ain't for you, Carl. - What do you mean, it ain't for me?
|
- It ain't for you, Carl.
- What do you mean, it ain't for me?
|
|
38:04
|
- Nah, it ain't for you. - What are you talking about?
|
- Nah, it ain't for you.
- What are you talking about?
|
|
38:05
|
We got to do certificates of deposit I can print as many as you need.
|
We got to do certificates of deposit
I can print as many as you need.
|
|
38:07
|
- I got my associates here. - What do you mean, guys?
|
- I got my associates here.
- What do you mean, guys?
|
|
38:09
|
Come on. This is not a one-man operation.
|
Come on.
This is not a one-man operation.
|
|
38:11
|
Look, I can get other guys. What are you talking about, Irving?
|
Look, I can get other guys. What
are you talking about, Irving?
|
|
38:13
|
I can get other guys. You're telling me that you can...
|
I can get other guys.
You're telling me that you can...
|
|
38:15
|
...get four guys to sell fake certificates of deposit
|
...get four guys to sell
fake certificates of deposit
|
|
38:19
|
...to my investor within a week?
|
...to my investor within a week?
|
|
38:21
|
Yes, I can make that happen.
|
Yes, I can
make that happen.
|
|
38:23
|
Carl Elway can do what he says he's going to do.
|
Carl Elway can do
what he says he's going to do.
|
|
38:25
|
That's interesting, but, you know...
|
That's interesting, but, you know...
|
|
38:26
|
...I got other guys lined up. I got a meeting.
|
...I got other guys lined up.
I got a meeting.
|
|
38:30
|
Here, look, these are my associates. I got to run.
|
Here, look, these are my associates.
I got to run.
|
|
38:31
|
- Carl, his associates are here. - Don't go.
|
- Carl, his associates are here.
- Don't go.
|
|
38:33
|
- He's got a meeting he's got to go to. - Listen, don't go...
|
- He's got a meeting he's got to go to.
- Listen, don't go...
|
|
38:34
|
- I got to run. - No, don't go... No, don't go.
|
- I got to run.
- No, don't go... No, don't go.
|
|
38:36
|
Crazy thing about people...
|
Crazy thing about people...
|
|
38:37
|
...the more you say no, the more they want in on something.
|
...the more you say no, the more
they want in on something.
|
|
38:40
|
Yeah, they're so stupid.
|
Yeah, they're so stupid.
|
|
38:41
|
I got to run. Come on.
|
I got to run. Come on.
|
|
38:43
|
I'll tell them. Don't worry. Don't worry. I'll tell...
|
I'll tell them. Don't worry.
Don't worry. I'll tell...
|
|
38:45
|
Hey, you know what Carl just told me?
|
Hey, you know what
Carl just told me?
|
|
38:47
|
He said he could do this whole thing with four guys within a week.
|
He said he could do this whole thing
with four guys within a week.
|
|
38:51
|
- Or we could do something much bigger. - All right.
|
- Or we could do something much bigger.
- All right.
|
|
38:52
|
Something bigger?
|
Something bigger?
|
|
38:53
|
Yeah, my guy deals with hundreds of millions of dollars.
|
Yeah, my guy deals
with hundreds of millions of dollars.
|
|
38:55
|
- How much bigger? - Hundreds of--
|
- How much bigger?
- Hundreds of--
|
|
38:56
|
I knew you were holding out on me, Irving!
|
I knew you were
holding out on me, Irving!
|
|
38:58
|
Hundreds of millions of dollars? Like, much bigger.
|
Hundreds of millions of dollars?
Like, much bigger.
|
|
39:01
|
Like, I'm talking about, we could say never the fuck mind the CDs...
|
Like, I'm talking about, we could
say never the fuck mind the CDs...
|
|
39:04
|
...and we could have some complete access to something huge.
|
...and we could have some complete
access to something huge.
|
|
39:06
|
Huge? Like what?
|
Huge? Like what?
|
|
39:07
|
Robert Spencer. I'm adviser to the sheik.
|
Robert Spencer.
I'm adviser to the sheik.
|
|
39:09
|
Carl Elway.
|
Carl Elway.
|
|
39:10
|
I want you to think of the most undervalued asset...
|
I want you to think of
the most undervalued asset...
|
|
39:12
|
...in the state of New Jersey today.
|
...in the state of
New Jersey today.
|
|
39:14
|
The rebuilding of Atlantic City.
|
The rebuilding of Atlantic City.
|
|
39:19
|
Look, maybe they... maybe they legalized gambling...
|
Look, maybe they... maybe
they legalized gambling...
|
|
39:21
|
- ...a year ago... - Wow.
|
- ...a year ago...
- Wow.
|
|
39:22
|
...and nothing's happening.
|
...and nothing's happening.
|
|
39:23
|
- Hey. - No licenses, no permits.
|
- Hey.
- No licenses, no permits.
|
|
39:25
|
Quit while you're ahead, Carl.
|
Quit while you're ahead, Carl.
|
|
39:27
|
I know the guy... I know the right people...
|
I know the guy...
I know the right people...
|
|
39:28
|
- ...who are going to help you out. - Who's the guy?
|
- ...who are going to help you out.
- Who's the guy?
|
|
39:30
|
The guy is Carmine Polito.
|
The guy is Carmine Polito.
|
|
39:32
|
Who's Carmine Polito?
|
Who's Carmine Polito?
|
|
39:33
|
Carmine Polito?
|
Carmine Polito?
|
|
39:35
|
Carmine Polito, no.
|
Carmine Polito, no.
|
|
39:37
|
My boss, Stoddard, proceeded to tell me...
|
My boss, Stoddard,
proceeded to tell me...
|
|
39:39
|
...that Carmine Polito was the most quietly powerful person
|
...that Carmine Polito was the
most quietly powerful person
|
|
39:42
|
...in the state of New Jersey.
|
...in the state of New Jersey.
|
|
39:43
|
A lifetime native of the very racially mixed Camden...
|
A lifetime native of the
very racially mixed Camden...
|
|
39:46
|
...which had become a ghetto.
|
...which had become a ghetto.
|
|
39:48
|
And where he had been mayor for ten years.
|
And where he had been
mayor for ten years.
|
|
39:50
|
A very beloved guy.
|
A very beloved guy.
|
|
39:52
|
A guy who never gave up on his people.
|
A guy who never
gave up on his people.
|
|
39:54
|
His father had emigrated from Italy and had stoked coal.
|
His father had emigrated from
Italy and had stoked coal.
|
|
39:59
|
A big family guy with five kids.
|
A big family guy
with five kids.
|
|
40:02
|
They even adopted some other kid, a black kid...
|
They even adopted some
other kid, a black kid...
|
|
40:04
|
...from the Boys and Girls Club who'd lost his family.
|
...from the Boys and Girls Club
who'd lost his family.
|
|
40:07
|
I mean, his household was a joyous place.
|
I mean, his household
was a joyous place.
|
|
40:11
|
And his wife, Dolly, well, she was the apple of his eye.
|
And his wife, Dolly, well,
she was the apple of his eye.
|
|
40:15
|
And the center of the household.
|
And the center
of the household.
|
|
40:17
|
I mean, everyone loved this guy.
|
I mean,
everyone loved this guy.
|
|
40:22
|
And he had a huge heart.
|
And he had a huge heart.
|
|
40:24
|
The WPA employed craftsmen to paint this during the Depression.
|
The WPA employed craftsmen
to paint this during the Depression.
|
|
40:29
|
Why can't we employ people today...
|
Why can't we
employ people today...
|
|
40:31
|
...to do work like this in rebuilding Atlantic City?
|
...to do work like this
in rebuilding Atlantic City?
|
|
40:34
|
He worked with all the unions...
|
He worked with all the unions...
|
|
40:36
|
...he was the leader of the State Assembly,
|
...he was the leader of
the State Assembly,
|
|
40:37
|
...and he had just gotten gambling legalized...
|
...and he had just
gotten gambling legalized...
|
|
40:39
|
...in New Jersey to create jobs.
|
...in New Jersey to create jobs.
|
|
40:41
|
But he couldn't get the funds to rebuild Atlantic City.
|
But he couldn't get the funds
to rebuild Atlantic City.
|
|
40:44
|
And that was his problem.
|
And that was his problem.
|
|
40:47
|
So, with our help, he was about to have his hand
|
So, with our help,
he was about to have his hand
|
|
40:49
|
...in the wrong pocket at the wrong time.
|
...in the wrong pocket
at the wrong time.
|
|
40:51
|
And to me, that meant corrupt.
|
And to me, that meant corrupt.
|
|
40:54
|
You said grifters, con artists.
|
You said grifters, con artists.
|
|
40:57
|
We're not going after some politician.
|
We're not going
after some politician.
|
|
40:58
|
This is a bad idea, Richard.
|
This is a bad idea, Richard.
|
|
41:01
|
Look, it's really simple.
|
Look, it's really simple.
|
|
41:02
|
All you need is to put two million in a Chase account...
|
All you need is to put two
million in a Chase account...
|
|
41:06
|
- What? - ...under the sheik's name.
|
- What?
- ...under the sheik's name.
|
|
41:08
|
Whose $2 million?
|
Whose $2 million?
|
|
41:10
|
Just listen.
|
Just listen.
|
|
41:11
|
$2 million under the sheik's name...
|
$2 million under
the sheik's name...
|
|
41:13
|
...in a Chase account that we control.
|
...in a Chase account
that we control.
|
|
41:17
|
Carmine calls up on the telephone...
|
Carmine calls up on the telephone...
|
|
41:21
|
...calls the bank and he sees that the sheik is real...
|
...calls the bank and he sees
that the sheik is real...
|
|
41:23
|
...and he has a real account.
|
...and he has a real account.
|
|
41:26
|
Five days.
|
Five days.
|
|
41:27
|
I'm not taking $2 million of the taxpayers' money...
|
I'm not taking $2 million
of the taxpayers' money...
|
|
41:30
|
...putting it anywhere for five days.
|
...putting it anywhere for five days.
|
|
41:32
|
I don't care if we control it the whole time.
|
I don't care if we
control it the whole time.
|
|
41:34
|
Stoddard, let us do what we need to do to rule out corruption...
|
Stoddard, let us do what we need
to do to rule out corruption...
|
|
41:37
|
...and to get rid of the pay-off guys...
|
...and to get rid of the pay-off guys...
|
|
41:39
|
...that are ruining this country. That's my dream.
|
...that are ruining this country.
That's my dream.
|
|
41:41
|
- Don't smother it, please. - You know, Richard,
|
- Don't smother it, please.
- You know, Richard,
|
|
41:42
|
...I understand your eagerness.
|
...I understand your eagerness.
|
|
41:44
|
I really do.
|
I really do.
|
|
41:46
|
You know I'm from Michigan, right?
|
You know I'm from Michigan,
right?
|
|
41:48
|
Let me tell you a story...
|
Let me tell you a story...
|
|
41:49
|
...about me and my dad and my brother.
|
...about me and my
dad and my brother.
|
|
41:51
|
We used to go ice fishing every November.
|
We used to go ice
fishing every November.
|
|
41:53
|
Ice fishing, that's all anybody...
|
Ice fishing,
that's all anybody...
|
|
41:55
|
- That's what we lived for. - Holy shit.
|
- That's what we lived for.
- Holy shit.
|
|
41:56
|
Just listen to me.
|
Just listen to me.
|
|
41:57
|
It's beautiful. You have a little stove.
|
It's beautiful.
You have a little stove.
|
|
41:59
|
You huddle around, you keep each other warm.
|
You huddle around,
you keep each other warm.
|
|
42:01
|
You drop a line and you just wait.
|
You drop a line
and you just wait.
|
|
42:04
|
One year, my brother says...
|
One year, my brother says...
|
|
42:05
|
"Let's go in October."
|
"Let's go in October."
|
|
42:06
|
He wants to go ice fishing in October.
|
He wants to go
ice fishing in October.
|
|
42:08
|
My dad says, "No, the ice is too thin."
|
My dad says,
"No, the ice is too thin."
|
|
42:11
|
My brother says, I love my brother, he says--
|
My brother says,
I love my brother, he says--
|
|
42:12
|
I understand. Your brother went out on the ice...
|
I understand. Your brother
went out on the ice...
|
|
42:14
|
...the ice was too thin, he fell through the ice...
|
...the ice was too thin,
he fell through the ice...
|
|
42:16
|
...he went in the water 'cause he was too eager...
|
...he went in the water
'cause he was too eager...
|
|
42:17
|
...and you're saying I'm too eager. That's what you're saying?
|
...and you're saying I'm too eager.
That's what you're saying?
|
|
42:18
|
No, that's not what I'm saying.
|
No, that's not
what I'm saying.
|
|
42:20
|
What are you saying?
|
What are you saying?
|
|
42:22
|
You know, we'll finish the ice story another time, young man.
|
You know, we'll finish the ice story
another time, young man.
|
|
42:25
|
For now, no Carmine Polito.
|
For now, no Carmine Polito.
|
|
42:28
|
Go do your job.
|
Go do your job.
|
|
42:29
|
Stoddard shot the whole thing down.
|
Stoddard shot
the whole thing down.
|
|
42:31
|
Boring.
|
Boring.
|
|
42:32
|
But Edith was a genius.
|
But Edith was a genius.
|
|
42:34
|
Yeah, you take me to Brenda.
|
Yeah, you take me to Brenda.
|
|
42:35
|
She somehow found this woman who controlled the wire room.
|
She somehow found this woman
who controlled the wire room.
|
|
42:39
|
A woman I'd never even heard of.
|
A woman I'd
never even heard of.
|
|
42:41
|
She's amazing. She's in charge of all the wire transfers.
|
She's amazing. She's in charge
of all the wire transfers.
|
|
42:45
|
Way back in a warren buried in the Bureau.
|
Way back in a warren
buried in the Bureau.
|
|
42:47
|
She likes cats.
|
She likes cats.
|
|
42:48
|
This cat lady no one ever even talked to.
|
This cat lady no one
ever even talked to.
|
|
42:52
|
And Edith met her in the ladies room and became friends with her.
|
And Edith met her in the ladies
room and became friends with her.
|
|
42:55
|
- Brenda? - Hi.
|
- Brenda?
- Hi.
|
|
42:57
|
- Hello. - How are you?
|
- Hello.
- How are you?
|
|
42:58
|
This lady handled all the wires, and now she was working with us.
|
This lady handled all the wires,
and now she was working with us.
|
|
43:02
|
She was excited to be included in an operation...
|
She was excited to be
included in an operation...
|
|
43:05
|
...instead of just being on the other end of a memo.
|
...instead of just being
on the other end of a memo.
|
|
43:07
|
You said you liked exotic booze, so...
|
You said you liked
exotic booze, so...
|
|
43:08
|
- It was beautiful. - That's from England.
|
- It was beautiful.
- That's from England.
|
|
43:09
|
- This is from England? - Yeah.
|
- This is from England?
- Yeah.
|
|
43:10
|
That's right. And I brought you some tea as well.
|
That's right. And I brought
you some tea as well.
|
|
43:12
|
- Oh, thank you so much. - I mean, nobody...
|
- Oh, thank you so much.
- I mean, nobody...
|
|
43:14
|
- ...ever talks to me. - I know.
|
- ...ever talks to me.
- I know.
|
|
43:15
|
I mean, they just say, "Brenda, do the clerical wiring stuff...
|
I mean, they just say, "Brenda,
do the clerical wiring stuff...
|
|
43:18
|
"...and don't ask questions."
|
"...and don't ask questions."
|
|
43:19
|
You need to tell Richie about your cats.
|
You need to tell
Richie about your cats.
|
|
43:20
|
- Oh, my cats? - He loves cats.
|
- Oh, my cats?
- He loves cats.
|
|
43:22
|
- Oh, my cats? - Yeah.
|
- Oh, my cats?
- Yeah.
|
|
43:23
|
Well, that's Harry.
|
Well, that's Harry.
|
|
43:24
|
Look at him standing up! Isn't that sweet?
|
Look at him standing up!
Isn't that sweet?
|
|
43:27
|
And that's Wendy. She's a rascal.
|
And that's Wendy.
She's a rascal.
|
|
43:29
|
But Barnaby, that's another story.
|
But Barnaby,
that's another story.
|
|
43:31
|
Barnaby plays the piano.
|
Barnaby plays the piano.
|
|
43:33
|
That's impressive.
|
That's impressive.
|
|
43:35
|
We got her to wire $2 million into an FBI-controlled account at Chase.
|
We got her to wire $2 million into
an FBI-controlled account at Chase.
|
|
43:39
|
It'd be there for five days, and if Polito called...
|
It'd be there for five days,
and if Polito called...
|
|
43:43
|
...he'd see that the sheik was real.
|
...he'd see that
the sheik was real.
|
|
43:44
|
And by the time Stoddard caught up to us...
|
And by the time
Stoddard caught up to us...
|
|
43:46
|
...Edith made sure his boss was impressed by my idea.
|
...Edith made sure his boss
was impressed by my idea.
|
|
43:49
|
So, before he even knew it was happening...
|
So, before he even
knew it was happening...
|
|
43:51
|
...his boss was calling to congratulate him...
|
...his boss was calling
to congratulate him...
|
|
43:53
|
The sheik with the money in the bank is a...
|
The sheik with the money
in the bank is a...
|
|
43:56
|
Anthony Amado. He had a major hard-on to make a name for himself.
|
Anthony Amado. He had a major
hard-on to make a name for himself.
|
|
44:00
|
I mean, this guy loved the idea of being famous.
|
I mean, this guy loved the
idea of being famous.
|
|
44:02
|
Don't be modest.
|
Don't be modest.
|
|
44:03
|
And Stoddard had to say...
|
And Stoddard had to say...
|
|
44:05
|
...it was his own idea or he'd look stupid in front of his boss.
|
...it was his own idea or he'd look
stupid in front of his boss.
|
|
44:07
|
You made me accept praise from my boss for thanking me...
|
You made me accept praise
from my boss for thanking me...
|
|
44:10
|
...for something that never should have happened...
|
...for something that
never should have happened...
|
|
44:12
|
- ...something that I didn't approve. - You should be happy.
|
- ...something that I didn't approve.
- You should be happy.
|
|
44:15
|
There's imaginative things happening in this office.
|
There's imaginative things
happening in this office.
|
|
44:17
|
All right? We're not just working in a box.
|
All right?
We're not just working in a box.
|
|
44:20
|
We got the $2 million to put Carmine and the sheik together.
|
We got the $2 million to put
Carmine and the sheik together.
|
|
44:23
|
Punk.
|
Punk.
|
|
44:25
|
I liked being on this side of the line.
|
I liked being on
this side of the line.
|
|
44:27
|
But someone had been left out.
|
But someone had been left out.
|
|
44:29
|
We succeeded because we stayed small.
|
We succeeded
because we stayed small.
|
|
44:31
|
I got you Carl Elway.
|
I got you Carl Elway.
|
|
44:34
|
He bought a stolen art, sold fake bank CD's.
|
He bought a stolen art,
sold fake bank CD's.
|
|
44:37
|
That's enough. That's one.
|
That's enough.
That's one.
|
|
44:38
|
I get you three more, no politicians.
|
I get you three more,
no politicians.
|
|
44:40
|
You're going to do this...
|
You're going to do this...
|
|
44:42
|
...because you got no choice, you work for me.
|
...because you got no choice,
you work for me.
|
|
44:44
|
Now, you keep changing the rules.
|
Now, you keep
changing the rules.
|
|
44:45
|
You know, you're getting a little power-drunk, Richard.
|
You know, you're getting
a little power-drunk, Richard.
|
|
44:48
|
You want to tell him, Edith? You want to wake him up?
|
You want to tell him, Edith?
You want to wake him up?
|
|
44:50
|
Oh, no. I said we shouldn't do any of it, Irving...
|
Oh, no. I said we shouldn't
do any of it, Irving...
|
|
44:51
|
...you know I said that, so now I support Richie.
|
...you know I said that,
so now I support Richie.
|
|
44:54
|
He's got vision. Do it heavy or don't do it.
|
He's got vision.
Do it heavy or don't do it.
|
|
44:56
|
Wait. What does that mean?
|
Wait. What does that mean?
|
|
44:57
|
I mean, he's the one ruining America, not me.
|
I mean, he's the one
ruining America, not me.
|
|
44:59
|
How the fuck am I ruining America?
|
How the fuck am I
ruining America?
|
|
45:01
|
Because people just got over Watergate and Vietnam, all right...
|
Because people just got over
Watergate and Vietnam, all right...
|
|
45:03
|
...and you're going to shit all over politicians again?
|
...and you're going to shit all
over politicians again?
|
|
45:06
|
And just because you want to be a big shot, get a promotion.
|
And just because you want to be
a big shot, get a promotion.
|
|
45:08
|
No. I'm thinking big, all right?
|
No. I'm thinking big, all right?
|
|
45:10
|
This is going to be fantastic. We're doing video surveillance.
|
This is going to be fantastic.
We're doing video surveillance.
|
|
45:12
|
I'm doing this from the feet up.
|
I'm doing this
from the feet up.
|
|
45:14
|
You will never do it properly...
|
You will never do it properly...
|
|
45:16
|
...because you got too much government attitude...
|
...because you got too much
government attitude...
|
|
45:17
|
...to be small and sleek.
|
...to be small and sleek.
|
|
45:19
|
I'm like the fucking Vietcong, man, all right?
|
I'm like the fucking
Vietcong, man, all right?
|
|
45:21
|
I'm in and I'm out. I was there the whole time.
|
I'm in and I'm out.
I was there the whole time.
|
|
45:23
|
You don't know it, all right?
|
You don't know it,
all right?
|
|
45:25
|
That's the fucking art of becoming somebody...
|
That's the fucking
art of becoming somebody...
|
|
45:27
|
...who people can pin their beliefs and their dreams on.
|
...who people can pin their
beliefs and their dreams on.
|
|
45:32
|
And you can't do it.
|
And you can't do it.
|
|
45:34
|
How about a suite at the Sheraton Hotel?
|
How about a suite
at the Sheraton Hotel?
|
|
45:35
|
For Carmine Polito...
|
For Carmine Polito...
|
|
45:36
|
- ...and rebuilding Atlantic City... - Why not?
|
- ...and rebuilding Atlantic City...
- Why not?
|
|
45:38
|
- ...you need a luxury hotel for the sheik. - Oh, come on.
|
- ...you need a luxury hotel for the sheik.
- Oh, come on.
|
|
45:41
|
Carmine does backdoor dealings all the time. We don't have a...
|
Carmine does backdoor dealings
all the time. We don't have a...
|
|
45:43
|
We don't got a budget for that, Irving.
|
We don't got
a budget for that, Irving.
|
|
45:44
|
You got to knock the mayor...
|
You got to knock the mayor...
|
|
45:47
|
...the speaker of the State Assembly...
|
...the speaker of
the State Assembly...
|
|
45:49
|
...you got to knock him off of his fucking feet, all right?
|
...you got to knock him off of
his fucking feet, all right?
|
|
45:51
|
He's got to feel like he's out of his league.
|
He's got to feel like
he's out of his league.
|
|
45:53
|
What you're offering, this deal...
|
What you're offering,
this deal...
|
|
45:55
|
...I mean, this is unheard of in the state of New Jersey...
|
...I mean, this is unheard of
in the state of New Jersey...
|
|
45:57
|
...maybe even the whole fucking country, all right?
|
...maybe even the whole
fucking country, all right?
|
|
45:59
|
A sheik with hundreds of millions of dollars...
|
A sheik with hundreds
of millions of dollars...
|
|
46:01
|
...to rebuild Atlantic City, are you fucking kidding me?
|
...to rebuild Atlantic City,
are you fucking kidding me?
|
|
46:04
|
That's gigantic, all right?
|
That's gigantic, all right?
|
|
46:06
|
And the mayor, he's going to want to see cash...
|
And the mayor, he's going
to want to see cash...
|
|
46:08
|
...he's going to want to see it in an account...
|
...he's going to want to
see it in an account...
|
|
46:10
|
...he's going to want to see it right now, and he will check.
|
...he's going to want to see it
right now, and he will check.
|
|
46:13
|
And that's why this meeting isn't happening.
|
And that's why this
meeting isn't happening.
|
|
46:15
|
Because to get millions, you need millions.
|
Because to get millions,
you need millions.
|
|
46:22
|
We already did it.
|
We already did it.
|
|
46:25
|
What?
|
What?
|
|
46:27
|
We got the Bureau to park $2 million for three days.
|
We got the Bureau to park
$2 million for three days.
|
|
46:29
|
We've got the account numbers.
|
We've got
the account numbers.
|
|
46:32
|
- "We" meaning you and him? - Yeah, we did it.
|
- "We" meaning you and him?
- Yeah, we did it.
|
|
46:36
|
Really?
|
Really?
|
|
46:37
|
Yeah, me and that guy.
|
Yeah, me and that guy.
|
|
46:39
|
- She showed me. - You showed him our thing?
|
- She showed me.
- You showed him our thing?
|
|
46:42
|
You did that without me?
|
You did that without me?
|
|
46:44
|
- Are you kidding? - What are you going to do?
|
- Are you kidding?
- What are you going to do?
|
|
47:01
|
You playing me?
|
You playing me?
|
|
47:04
|
Are you doing this? You playing him?
|
Are you doing this?
You playing him?
|
|
47:06
|
It'd be very bad for you if you're playing me.
|
It'd be very bad for
you if you're playing me.
|
|
47:08
|
You're going to have to decide for yourself, kid.
|
You're going to have to
decide for yourself, kid.
|
|
47:10
|
I just laid everything out on the table.
|
I just laid everything
out on the table.
|
|
47:17
|
It's all very exciting.
|
It's all very exciting.
|
|
47:23
|
I didn't know life could be like this.
|
I didn't know life
could be like this.
|
|
47:29
|
You're pretty wild.
|
You're pretty wild.
|
|
47:33
|
You know, we're taking down a...
|
You know,
we're taking down a...
|
|
47:38
|
A very important politician.
|
A very important
politician.
|
|
47:41
|
Mmm-hmm.
|
Mmm-hmm.
|
|
48:27
|
This is Agent Richard DiMaso.
|
This is Agent Richard DiMaso.
|
|
48:29
|
I'm placing $75, 000 in this briefcase...
|
I'm placing
$75, 000 in this briefcase...
|
|
48:31
|
...for Mayor Carmine Polito to procure casino license...
|
...for Mayor Carmine Polito
to procure casino license...
|
|
48:35
|
...and building permits for Atlantic City.
|
...and building permits
for Atlantic City.
|
|
48:45
|
What is this? What...
|
What is this? What...
|
|
48:47
|
Look, I don't know you. Excuse me, I don't...
|
Look, I don't know you.
Excuse me, I don't...
|
|
48:48
|
I don't know what that is, but this is very weird to me.
|
I don't know what that is,
but this is very weird to me.
|
|
48:51
|
This is very weird. I don't know what the fuck that is, but...
|
This is very weird. I don't know
what the fuck that is, but...
|
|
48:53
|
Go out there and get him now.
|
Go out there and get him now.
|
|
48:58
|
Mr. Mayor!
|
Mr. Mayor!
|
|
48:59
|
Please stop. Listen.
|
Please stop. Listen.
|
|
49:00
|
I apologize if that prick offended you.
|
I apologize if that
prick offended you.
|
|
49:03
|
- I really apologize. - Hey, I'm all right, thank you.
|
- I really apologize.
- Hey, I'm all right, thank you.
|
|
49:04
|
- I'm ok. - No, no, no, no, no.
|
- I'm ok.
- No, no, no, no, no.
|
|
49:05
|
I'm fucking embarrassed...
|
I'm fucking embarrassed...
|
|
49:06
|
- to be associated with that guy at all. - It's ok.
|
- to be associated with that guy at all.
- It's ok.
|
|
49:07
|
Can I just say something to you, please?
|
Can I just say
something to you, please?
|
|
49:10
|
Don't lose this opportunity to fucking Florida, all right...
|
Don't lose this opportunity
to fucking Florida, all right...
|
|
49:13
|
...because of some bullshit from that punk advisor, all right...
|
...because of some bullshit
from that punk advisor, all right...
|
|
49:18
|
...with his "diploma," all right...
|
...with his "diploma," all right...
|
|
49:20
|
...who could never get into the school that we come from.
|
...who could never get into
the school that we come from.
|
|
49:23
|
Don't lose that opportunity.
|
Don't lose that opportunity.
|
|
49:27
|
- Where you from? - I'm from the Bronx.
|
- Where you from?
- I'm from the Bronx.
|
|
49:31
|
Grand Concourse, 164th Street.
|
Grand Concourse,
164th Street.
|
|
49:36
|
I got a lot of friends that live up there. Yeah, I go to Tomaso's on...
|
I got a lot of friends that live up there.
Yeah, I go to Tomaso's on...
|
|
49:39
|
- Yeah, Tomaso's. Yeah, yeah. - You know Tomaso's...
|
- Yeah, Tomaso's. Yeah, yeah.
- You know Tomaso's...
|
|
49:41
|
- on Arthur Avenue? - Yeah, I love the clams there.
|
- on Arthur Avenue?
- Yeah, I love the clams there.
|
|
49:42
|
- The clam, the spicy clams. - Yes. Oh, so good.
|
- The clam, the spicy clams.
- Yes. Oh, so good.
|
|
49:44
|
- Oh, they're fucking to die for, those things. - Yeah.
|
- Oh, they're fucking to die for,
those things. - Yeah.
|
|
49:46
|
Yeah, I haven't been there in a while. I like that place.
|
Yeah, I haven't been there in a while.
I like that place.
|
|
49:49
|
Well, you know what?
|
Well, you know what?
|
|
49:51
|
Tell me, can I call you Carmine?
|
Tell me,
can I call you Carmine?
|
|
49:53
|
You know, Carmine...
|
You know, Carmine...
|
|
49:56
|
...hey, my fucking heart's going from running down the stairs.
|
...hey, my fucking heart's going
from running down the stairs.
|
|
49:58
|
I'm not used to running.
|
I'm not used to running.
|
|
50:00
|
There's a lot of green grass in that hotel room up there...
|
There's a lot of green grass
in that hotel room up there...
|
|
50:04
|
...all right, and all the deals would float through you.
|
...all right, and all the deals
would float through you.
|
|
50:06
|
You get a serious piece on both ends, all right?
|
You get a serious piece
on both ends, all right?
|
|
50:09
|
You do with it what you will.
|
You do with it what you will.
|
|
50:10
|
I mean, I live in the real world, all right?
|
I mean, I live in
the real world, all right?
|
|
50:11
|
I am a family man. I got mouths to feed...
|
I am a family man.
I got mouths to feed...
|
|
50:13
|
...and everything like that, but, you know, you got...
|
...and everything like that,
but, you know, you got...
|
|
50:15
|
We just... We got to grease you directly.
|
We just... We got to
grease you directly.
|
|
50:18
|
No middlemen, no bullshit, it's the Arab way.
|
No middlemen, no bullshit,
it's the Arab way.
|
|
50:20
|
- That's it. That's it. All right? - Yeah, look, I understand.
|
- That's it. That's it. All right?
- Yeah, look, I understand.
|
|
50:23
|
It's a great opportunity.
|
It's a great opportunity.
|
|
50:25
|
You understand, it's just... I got a little thrown...
|
You understand, it's just...
I got a little thrown...
|
|
50:27
|
...by going to have a meeting with somebody that ended up not being there, so...
|
...by going to have a meeting with somebody
that ended up not being there, so...
|
|
50:30
|
- I was thrown as well. - No, look, I understand.
|
- I was thrown as well.
- No, look, I understand.
|
|
50:32
|
I'll deal with you directly.
|
I'll deal with you directly.
|
|
50:34
|
I don't want any middleman or any of that bullshit.
|
I don't want any middleman
or any of that bullshit.
|
|
50:36
|
- Done. Done. You and me. - Deal with you directly.
|
- Done. Done. You and me.
- Deal with you directly.
|
|
50:37
|
I like you, eye to eye, we can do business together.
|
I like you, eye to eye,
we can do business together.
|
|
50:40
|
That's fine.
|
That's fine.
|
|
50:41
|
Yeah, how long you known this guy?
|
Yeah, how long you
known this guy?
|
|
50:43
|
I mean, you work with this guy before?
|
I mean, you work
with this guy before?
|
|
50:44
|
I got to work with him. It's the sheik, all right, you know...
|
I got to work with him. It's the
sheik, all right, you know...
|
|
50:46
|
But I still need to meet the sheik.
|
But I still need to
meet the sheik.
|
|
50:48
|
- Yeah. Done. After you. - Ok?
|
- Yeah. Done. After you.
- Ok?
|
|
50:50
|
I'm going out for dinner with Carmine and the wives in Camden.
|
I'm going out for dinner with
Carmine and the wives in Camden.
|
|
50:52
|
Who?
|
Who?
|
|
50:54
|
Carmine and myself and the wives.
|
Carmine and
myself and the wives.
|
|
50:55
|
What? Without me?
|
What? Without me?
|
|
50:57
|
He doesn't like you. What do you want from me?
|
He doesn't like you.
What do you want from me?
|
|
50:58
|
I got him to come back and take the money.
|
I got him to come
back and take the money.
|
|
51:00
|
You got him on tape, all right?
|
You got him on tape,
all right?
|
|
51:01
|
I mean, I can't make him like you.
|
I mean,
I can't make him like you.
|
|
51:03
|
You know, I mean... I did my job.
|
You know, I mean...
I did my job.
|
|
51:05
|
Did you tell him that you were working with me?
|
Did you tell him that
you were working with me?
|
|
51:07
|
That I'm the sheik's associate?
|
That I'm the sheik's associate?
|
|
51:10
|
I just fucking told you, he doesn't like you.
|
I just fucking told you,
he doesn't like you.
|
|
51:12
|
I mean, let him have a night out...
|
I mean,
let him have a night out...
|
|
51:12
|
...with a human being, for fuck's sake, all right?
|
...with a human being,
for fuck's sake, all right?
|
|
51:14
|
He's going to jail soon. You're done with him.
|
He's going to jail soon.
You're done with him.
|
|
51:16
|
You got him on tape taking a bribe.
|
You got him
on tape taking a bribe.
|
|
51:18
|
Carmine has got to deal with me, Irving.
|
Carmine has got
to deal with me, Irving.
|
|
51:20
|
We're going to use Carmine. Yeah, no, we're gonna get Carmine's...
|
We're going to use Carmine. Yeah,
no, we're gonna get Carmine's...
|
|
51:23
|
We're gonna use Carmine to get other people.
|
We're gonna use Carmine
to get other people.
|
|
51:24
|
That's what we're gonna do.
|
That's what we're gonna do.
|
|
51:25
|
What? Like who?
|
What? Like who?
|
|
51:27
|
Carmine's going to use the sheik to pay off people.
|
Carmine's going to use
the sheik to pay off people.
|
|
51:29
|
You fucking nuts? What are you... Are you fuck...
|
You fucking nuts? What are you...
Are you fuck...
|
|
51:31
|
We're going to let Carmine show the sheik Atlantic City...
|
We're going to let Carmine
show the sheik Atlantic City...
|
|
51:33
|
...how he's going to renovate hotels, and see who shows up and...
|
...how he's going to renovate hotels,
and see who shows up and...
|
|
51:36
|
...whoever the sheik pays off for licenses and casinos...
|
...whoever the sheik pays off
for licenses and casinos...
|
|
51:39
|
...that's who we're going to go after. We're going to go after all of them.
|
...that's who we're going to go after.
We're going to go after all of them.
|
|
51:42
|
More politicians?
|
More politicians?
|
|
51:43
|
Yeah.
|
Yeah.
|
|
51:44
|
You realize how fucking dangerous that is?
|
You realize how
fucking dangerous that is?
|
|
51:46
|
There's no fucking reasoning with you.
|
There's no fucking
reasoning with you.
|
|
51:47
|
All right, Edith and I were so successful for so long...
|
All right, Edith and I were
so successful for so long...
|
|
51:51
|
...because we kept it just small enough.
|
...because we kept it
just small enough.
|
|
51:52
|
You are taking us to a very fucking dangerous place...
|
You are taking us to a very
fucking dangerous place...
|
|
51:55
|
...with very serious numbers.
|
...with very serious numbers.
|
|
51:58
|
If you were that successful, how come you wound up...
|
If you were that successful,
how come you wound up...
|
|
51:59
|
...in this room with me right now, taking orders from me?
|
...in this room with me right
now, taking orders from me?
|
|
52:03
|
You're taking your wife out to dinner?
|
You're taking your
wife out to dinner?
|
|
52:05
|
Your fucking wife? Did I just hear you correctly?
|
Your fucking wife?
Did I just hear you correctly?
|
|
52:07
|
That's the one thing you heard me say.
|
That's the one thing
you heard me say.
|
|
52:10
|
I just find it rather shocking. That's all.
|
I just find it rather shocking.
That's all.
|
|
52:12
|
I get to handle two wives with one dinner.
|
I get to handle two
wives with one dinner.
|
|
52:14
|
All right? I take Rosalyn out, she keeps her mouth shut...
|
All right? I take Rosalyn out,
she keeps her mouth shut...
|
|
52:17
|
...she sees that my work is legitimate, I get to keep my kid...
|
...she sees that my work is
legitimate, I get to keep my kid...
|
|
52:20
|
...and I get to keep that fucking wife happy.
|
...and I get to keep
that fucking wife happy.
|
|
52:22
|
Both wives happy.
|
Both wives happy.
|
|
52:37
|
Richard, what are you doing?
|
Richard, what are you doing?
|
|
52:39
|
Richard, don't eat in the bathroom! I told you so many times!
|
Richard, don't eat in the bathroom!
I told you so many times!
|
|
52:43
|
And Diane brought napoleons.
|
And Diane brought napoleons.
|
|
52:45
|
Come out of the bathroom and pray!
|
Come out of
the bathroom and pray!
|
|
52:48
|
Oh, my God, what did you do?
|
Oh, my God,
what did you do?
|
|
52:49
|
Richard, the filter is broken in the fish tank.
|
Richard, the filter is
broken in the fish tank.
|
|
52:52
|
It's a problem.
|
It's a problem.
|
|
52:53
|
See, your job is to do the filter, Mom. Mine is to do the gravel.
|
See, your job is to do the filter, Mom.
Mine is to do the gravel.
|
|
52:56
|
When you don't do the filter right, all the fish die. See?
|
When you don't do the filter
right, all the fish die. See?
|
|
53:00
|
I can't get that top on the filter, that thing on there.
|
I can't get that top on the
filter, that thing on there.
|
|
53:03
|
We went over this 100 times, Mom.
|
We went over
this 100 times, Mom.
|
|
53:04
|
And please help Richard to marry Diane so that I...
|
And please help Richard
to marry Diane so that I...
|
|
53:07
|
...may have grandchildren and the Pope may have more followers.
|
...may have grandchildren and the
Pope may have more followers.
|
|
53:10
|
And please bless this food that we are about to eat.
|
And please bless this food
that we are about to eat.
|
|
53:13
|
- Richard! - Yeah, hello?
|
- Richard!
- Yeah, hello?
|
|
53:16
|
- Hi. - Who's this?
|
- Hi.
- Who's this?
|
|
53:19
|
It's Edith.
|
It's Edith.
|
|
53:20
|
- Sit down and pray properly! - Are you all right?
|
- Sit down and pray properly!
- Are you all right?
|
|
53:24
|
Yeah, yeah, I'm fine.
|
Yeah, yeah, I'm fine.
|
|
53:25
|
I'm just... I'm alone, you know.
|
I'm just...
I'm alone, you know.
|
|
53:27
|
Irving's out with Carmine.
|
Irving's out with Carmine.
|
|
53:29
|
Oh, yeah, that's right, he went outwith Carmine and his wife.
|
Oh, yeah, that's right, he went
outwith Carmine and his wife.
|
|
53:34
|
Yeah, you must not feel so good about that.
|
Yeah, you must not
feel so good about that.
|
|
53:35
|
Richard, sit down.
|
Richard, sit down.
|
|
53:37
|
Wait. Who's that? Who are you with?
|
Wait. Who's that?
Who are you with?
|
|
53:39
|
Oh, no, it's just people.
|
Oh, no, it's just people.
|
|
53:40
|
"People"? I'm your fiancé. Richard!
|
"People"?
I'm your fiancé. Richard!
|
|
53:43
|
Oh, you've got a fiancé. You're engaged.
|
Oh, you've got a fiancé.
You're engaged.
|
|
53:45
|
I don't know, I don't know. No fiancé.
|
I don't know, I don't know.
No fiancé.
|
|
53:47
|
I don't know, I don't know, I don't know.
|
I don't know,
I don't know, I don't know.
|
|
53:48
|
You don't know? You don't know if you have a fiancé?
|
You don't know? You don't
know if you have a fiancé?
|
|
53:51
|
No.
|
No.
|
|
53:52
|
- The fish filter is broken! - Hmm. Interesting.
|
- The fish filter is broken!
- Hmm. Interesting.
|
|
53:55
|
What, you want... You want to get together?
|
What, you want...
You want to get together?
|
|
53:57
|
Richard, do something about the fish tank.
|
Richard, do
something about the fish tank.
|
|
54:01
|
54th Street?
|
54th Street?
|
|
54:02
|
Ok, 54th Street.
|
Ok, 54th Street.
|
|
54:04
|
Ok. Great.
|
Ok. Great.
|
|
54:07
|
That's what that phone call was about
|
That's what that
phone call was about
|
|
54:09
|
Everybody thought, "Oh, Richie DiMaso's...
|
Everybody thought,
"Oh, Richie DiMaso's...
|
|
54:11
|
"...going to stay in the office pushing papers."
|
"...going to stay in
the office pushing papers."
|
|
54:13
|
That's not going to happen, Mom.
|
That's not going
to happen, Mom.
|
|
54:14
|
I'm outside in the field. I got people working for me.
|
I'm outside in the field.
I got people working for me.
|
|
54:17
|
My ideas. I'm running the show.
|
My ideas.
I'm running the show.
|
|
54:19
|
I'm the quarterback, and I'm not going to settle...
|
I'm the quarterback,
and I'm not going to settle...
|
|
54:22
|
...for no one, Mom.
|
...for no one, Mom.
|
|
54:26
|
"I feel a sudden urge to sing."
|
"I feel a sudden urge to sing."
|
|
54:30
|
"The kind of ditty that invokes the spring."
|
"The kind of ditty
that invokes the spring."
|
|
54:34
|
Hi. Good to see you. This is Irving.
|
Hi. Good to see you.
This is Irving.
|
|
54:35
|
- Dolly, Dolly. - Hi. How are you?
|
- Dolly, Dolly.
- Hi. How are you?
|
|
54:37
|
Hi. Nice to meet you. This is Rosalyn. Carmine.
|
Hi. Nice to meet you.
This is Rosalyn. Carmine.
|
|
54:40
|
The man's here.
|
The man's here.
|
|
54:41
|
Carmie's here.
|
Carmie's here.
|
|
54:42
|
The man's here.
|
The man's here.
|
|
54:44
|
You must be so proud.
|
You must be so proud.
|
|
54:45
|
Rocco, how are you?
|
Rocco, how are you?
|
|
54:48
|
Rocco, the... You know, like we do...
|
Rocco, the...
You know, like we do...
|
|
54:50
|
...with the chicken, very thin, right?
|
...with the chicken,
very thin, right?
|
|
54:51
|
Thin. Very thin. Absolutely.
|
Thin. Very thin.
Absolutely.
|
|
54:52
|
Really thin, look, the way he does this...
|
Really thin,
look, the way he does this...
|
|
54:55
|
- Does this chicken with the red sauce, right? - Beautiful.
|
- Does this chicken with the
red sauce, right? - Beautiful.
|
|
54:57
|
- With the red sauce, the lemon? - Oh, my God, the garlic.
|
- With the red sauce, the lemon?
- Oh, my God, the garlic.
|
|
54:59
|
- The garlic is amazing. It's so good. - It's so good.
|
- The garlic is amazing. It's so good.
- It's so good.
|
|
55:00
|
Here it is, right here. Here it is. This is it.
|
Here it is, right here.
Here it is. This is it.
|
|
55:03
|
This. This right here, this right here! Look at this!
|
This. This right here,
this right here! Look at this!
|
|
55:05
|
- Oh, my God! You're going to love it! - You see it?
|
- Oh, my God! You're going to love it!
- You see it?
|
|
55:06
|
This is so good' so good.
|
This is so good' so good.
|
|
55:08
|
It's the piccata of the gods.
|
It's the piccata of the gods.
|
|
55:10
|
- Really, so nice. - So what's this, Rocco?
|
- Really, so nice.
- So what's this, Rocco?
|
|
55:12
|
Carmie, this is a nice digestive.
|
Carmie,
this is a nice digestive.
|
|
55:14
|
Salute.
|
Salute.
|
|
55:16
|
- Thank you, Rocco. - Thank you, Rocco.
|
- Thank you, Rocco.
- Thank you, Rocco.
|
|
55:17
|
- Salute. - You're welcome.
|
- Salute.
- You're welcome.
|
|
55:19
|
I believe that you should treat people...
|
I believe that you
should treat people...
|
|
55:22
|
...the way that you want to be treated.
|
...the way that you
want to be treated.
|
|
55:23
|
- Yeah right. - Didn't Jesus say that or something?
|
- Yeah right.
- Didn't Jesus say that or something?
|
|
55:26
|
- He may have. - I think also...
|
- He may have.
- I think also...
|
|
55:27
|
...always take a favor over money.
|
...always take
a favor over money.
|
|
55:31
|
I think Jesus said that as well.
|
I think Jesus
said that as well.
|
|
55:32
|
I don't know if he said the second one, but he might have said the first one.
|
I don't know if he said the second one,
but he might have said the first one.
|
|
55:36
|
I chipped that moving furniture. It's my new obsession.
|
I chipped that moving furniture.
It's my new obsession.
|
|
55:39
|
Moving, redecorating, it makes me feel better, like exercise.
|
Moving, redecorating, it makes
me feel better, like exercise.
|
|
55:43
|
But there's this topcoat that you can only get from Switzerland.
|
But there's this topcoat that you
can only get from Switzerland.
|
|
55:46
|
And I don't know what I'm going to do...
|
And I don't know
what I'm going to do...
|
|
55:48
|
...because I'm running out of it, but I love the smell of it.
|
...because I'm running out of it,
but I love the smell of it.
|
|
55:49
|
- I can get it for you. - Irv and I can't get enough of it.
|
- I can get it for you.
- Irv and I can't get enough of it.
|
|
55:51
|
- I can get it for you. Of course. - That would be amazing.
|
- I can get it for you. Of course.
- That would be amazing.
|
|
55:53
|
There's something, the topcoat...
|
There's something,
the topcoat...
|
|
55:55
|
...It's, like, perfumey, but there's also something rotten.
|
...It's, like, perfumey, but
there's also something rotten.
|
|
55:58
|
And I know that sounds crazy, but I can't get enough of it.
|
And I know that sounds crazy,
but I can't get enough of it.
|
|
56:01
|
Smell it. It's true. Yeah.
|
Smell it. It's true.
Yeah.
|
|
56:02
|
- Dolly, historically... - Oh, my God.
|
- Dolly, historically...
- Oh, my God.
|
|
56:04
|
- ...The best perfumes in the world... - It's disgusting.
|
- ...The best perfumes in the world...
- It's disgusting.
|
|
56:06
|
...they're all laced with something nasty and foul.
|
...they're all laced with
something nasty and foul.
|
|
56:07
|
- It's true. Stop. Stop. - It is true. It is true.
|
- It's true. Stop. Stop.
- It is true. It is true.
|
|
56:09
|
It feels true. It feels true.
|
It feels true.
It feels true.
|
|
56:10
|
- Irving loves them. - Oh, my God.
|
- Irving loves them.
- Oh, my God.
|
|
56:12
|
- He can't get enough of that smell. - Can't get enough.
|
- He can't get enough of that smell.
- Can't get enough.
|
|
56:16
|
- Can't get enough. I can't get enough. - Carmine.
|
- Can't get enough. I can't get enough.
- Carmine.
|
|
56:17
|
- Carmine, smell her nails. Smell her nails. - Sweet and sour.
|
- Carmine, smell her nails. Smell her nails.
- Sweet and sour.
|
|
56:19
|
- Rotten and delicious. - What am I smelling?
|
- Rotten and delicious.
- What am I smelling?
|
|
56:21
|
- It smells like flowers. - Am I right?
|
- It smells like flowers.
- Am I right?
|
|
56:23
|
Flowers, but with garbage.
|
Flowers, but with garbage.
|
|
56:24
|
- And, like... Yeah. - Or like sour flowers.
|
- And, like... Yeah.
- Or like sour flowers.
|
|
56:28
|
You know what that is for me? It's coriander for me.
|
You know what that is for me?
It's coriander for me.
|
|
56:30
|
But Irv loves it. He can't get enough.
|
But Irv loves it.
He can't get enough.
|
|
56:32
|
- That's what hooks you. - Mmm.
|
- That's what hooks you.
- Mmm.
|
|
56:34
|
- He always comes back for it. - Yeah.
|
- He always comes back for it.
- Yeah.
|
|
56:35
|
I can't stop.
|
I can't stop.
|
|
56:38
|
I'm having a good time.
|
I'm having a good time.
|
|
56:38
|
Oh, you two are just so nice.
|
Oh, you two are just so nice.
|
|
56:42
|
Hey' listen...
|
Hey' listen...
|
|
56:43
|
- Yes? - He's going to...
|
- Yes?
- He's going to...
|
|
56:44
|
He's going to say, "We have to talk business."
|
He's going to say,
"We have to talk business."
|
|
56:47
|
In five.
|
In five.
|
|
56:48
|
- Four - Four
|
- Four
- Four
|
|
56:49
|
- Three. Two. One. - Three. Two. One.
|
- Three. Two. One.
- Three. Two. One.
|
|
56:51
|
Thank you. Dolly, can me and the man talk about business here?
|
Thank you. Dolly, can me and the
man talk about business here?
|
|
57:02
|
She's all right. She's all right.
|
She's all right.
She's all right.
|
|
57:03
|
No, no, no, no, no! Don't do that!
|
No, no, no, no, no!
Don't do that!
|
|
57:05
|
It makes me look more drunk than lam.
|
It makes me look
more drunk than lam.
|
|
57:06
|
- No, it's ok. - I got you. Ok.
|
- No, it's ok.
- I got you. Ok.
|
|
57:09
|
I don't think that's possible.
|
I don't think that's possible.
|
|
57:10
|
I'm not this drunk. No, it was just because I was laughing.
|
I'm not this drunk. No, it was
just because I was laughing.
|
|
57:13
|
- Irving, please don't make me go. - Oh, she's fine. She's fine.
|
- Irving, please don't make me go.
- Oh, she's fine. She's fine.
|
|
57:15
|
She's fine. All right. I was just starting to have fun.
|
She's fine. All right. I was
just starting to have fun.
|
|
57:16
|
- I was just starting to have fun. - Let's take her to the car.
|
- I was just starting to have fun.
- Let's take her to the car.
|
|
57:22
|
Didn't your fiancée want to come out tonight?
|
Didn't your fiancée
want to come out tonight?
|
|
57:25
|
Yeah. No...
|
Yeah. No...
|
|
57:27
|
I don't... Yeah, no.
|
I don't... Yeah, no.
|
|
57:29
|
No, I don't know.
|
No, I don't know.
|
|
57:33
|
Oh, God, I'm sorry. I'm sorry, we don't have to talk about it.
|
Oh, God, I'm sorry. I'm sorry,
we don't have to talk about it.
|
|
57:35
|
- I was just teasing you. I'm-- - It's all right.
|
- I was just teasing you. I'm--
- It's all right.
|
|
57:39
|
Do you ever think, like, how did I end up here?
|
Do you ever think, like,
how did I end up here?
|
|
57:40
|
Like, how did my life become this? Do you ever think that?
|
Like, how did my life become this?
Do you ever think that?
|
|
57:45
|
And you wonder, like...
|
And you wonder, like...
|
|
57:48
|
Am I ever gonna get out to a better place, or is this it?
|
Am I ever gonna get out to
a better place, or is this it?
|
|
57:53
|
You feel like that?
|
You feel like that?
|
|
57:55
|
Yeah.
|
Yeah.
|
|
57:57
|
Yeah, I do.
|
Yeah, I do.
|
|
58:00
|
I definitely know that.
|
I definitely know that.
|
|
58:02
|
I'm sorry, we don't have to go dancing.
|
I'm sorry,
we don't have to go dancing.
|
|
58:03
|
We can go have coffee or talk or something, just...
|
We can go have coffee or talk
or something, just...
|
|
58:05
|
No, no, no, no.
|
No, no, no, no.
|
|
58:06
|
No. No, I need this.
|
No. No, I need this.
|
|
58:10
|
Please, I need to go dancing with you.
|
Please, I need to go dancing with you.
|
|
58:14
|
Please.
|
Please.
|
|
58:17
|
Ok, baby, let's go dancing.
|
Ok, baby,
let's go dancing.
|
|
58:20
|
"Ooh, it's so good It's so good, it's so good."
|
"Ooh, it's so good
It's so good, it's so good."
|
|
58:25
|
"It's so good. It's so good."
|
"It's so good.
It's so good."
|
|
58:35
|
"Ooh, heaven knows. Heaven knows."
|
"Ooh, heaven knows.
Heaven knows."
|
|
58:40
|
"Heaven knows. Heaven knows. Heaven knows."
|
"Heaven knows. Heaven knows.
Heaven knows."
|
|
58:50
|
"Ooh, I feel love. I feel love."
|
"Ooh, I feel love.
I feel love."
|
|
58:55
|
"I feel love. I feel love. I feel love."
|
"I feel love. I feel love.
I feel love."
|
|
59:04
|
"I feel love."
|
"I feel love."
|
|
59:12
|
"I feel love."
|
"I feel love."
|
|
59:18
|
- Get out of the way. - Hey! There's a line!
|
- Get out of the way.
- Hey! There's a line!
|
|
59:20
|
Hey! What the fuck, man?
|
Hey! What the fuck, man?
|
|
59:22
|
What the fuck!
|
What the fuck!
|
|
59:25
|
Come on, I need to pee! Fucking A!
|
Come on, I need to pee!
Fucking A!
|
|
59:28
|
Hey! Hurry up and get out of there.
|
Hey! Hurry up and
get out of there.
|
|
59:31
|
I really fucking like you.
|
I really fucking like you.
|
|
59:33
|
- Hello! - Yeah.
|
- Hello!
- Yeah.
|
|
59:36
|
Yeah, I like you, too.
|
Yeah, I like you, too.
|
|
59:38
|
I want to live.
|
I want to live.
|
|
59:40
|
All right? For real.
|
All right? For real.
|
|
59:42
|
No more fake shit, all right?
|
No more fake shit,
all right?
|
|
59:46
|
We're gonna wait until we decide to go for love, Richie, for real.
|
We're gonna wait until we decide
to go for love, Richie, for real.
|
|
59:49
|
- Ok. - That's when we fuck.
|
- Ok.
- That's when we fuck.
|
|
59:53
|
All right? Not till then, ok?
|
All right?
Not till then, ok?
|
|
59:56
|
Ok.
|
Ok.
|
|
59:56
|
Are you gonna fuck for real, or get out of the stall for real?
|
Are you gonna fuck for real,
or get out of the stall for real?
|
|
59:59
|
All right?
|
All right?
|
|
1:00:00
|
- Yeah. - No more fake shit?
|
- Yeah.
- No more fake shit?
|
|
1:00:01
|
No more fake shit.
|
No more fake shit.
|
|
1:00:02
|
- No more fake shit. - No more fake shit!
|
- No more fake shit.
- No more fake shit!
|
|
1:00:04
|
- No more fake shit. - No more fake shit.
|
- No more fake shit.
- No more fake shit.
|
|
1:00:07
|
Fuck me, I got to piss!
|
Fuck me, I got to piss!
|
|
1:00:08
|
"Ohhh, baby! My heart is full of love and desire for you."
|
"Ohhh, baby! My heart is full
of love and desire for you."
|
|
1:00:15
|
"Now, come on down and do what you've got to do."
|
"Now, come on down and do
what you've got to do."
|
|
1:00:21
|
Get out.
|
Get out.
|
|
1:00:23
|
Get out.
|
Get out.
|
|
1:00:26
|
I want to be fucking real!
|
I want to be fucking real!
|
|
1:00:28
|
I want to be fucking... I want to live!
|
I want to be fucking...
I want to live!
|
|
1:00:39
|
Are you ready?
|
Are you ready?
|
|
1:00:41
|
"My, my, my."
|
"My, my, my."
|
|
1:00:44
|
"Delilah."
|
"Delilah."
|
|
1:00:48
|
"Why, why, Why?"
|
"Why, why, Why?"
|
|
1:00:52
|
"Delilah?"
|
"Delilah?"
|
|
1:00:56
|
"So before..."
|
"So before..."
|
|
1:00:59
|
"...they come to break down the door..."
|
"...they come to break
down the door..."
|
|
1:01:03
|
"...forgive me, Delilah."
|
"...forgive me, Delilah."
|
|
1:01:05
|
"I just couldn't take anymore."
|
"I just couldn't take anymore."
|
|
1:01:11
|
"Forgive me, Delilah."
|
"Forgive me, Delilah."
|
|
1:01:13
|
"I just couldn't take anymore."
|
"I just couldn't take anymore."
|
|
1:01:22
|
Hey, boys, this guy right here, Julius.
|
Hey, boys,
this guy right here, Julius.
|
|
1:01:25
|
This guy...
|
This guy...
|
|
1:01:27
|
Irving Rosenfeld, you know what he's gonna do?
|
Irving Rosenfeld,
you know what he's gonna do?
|
|
1:01:29
|
He's gonna bring the sheik to Atlantic City...
|
He's gonna bring
the sheik to Atlantic City...
|
|
1:01:31
|
...that's what he's gonna do.
|
...that's what he's gonna do.
|
|
1:01:33
|
Where we can rebuild all those resorts there...
|
Where we can rebuild
all those resorts there...
|
|
1:01:35
|
...put everybody back to work.
|
...put everybody back to work.
|
|
1:01:37
|
He's gonna get this community, he's gonna get this state...
|
He's gonna get this community,
he's gonna get this state...
|
|
1:01:40
|
...back on its feet to where it belongs.
|
...back on its feet
to where it belongs.
|
|
1:01:43
|
Isn't that right?
|
Isn't that right?
|
|
1:01:45
|
He's gonna grow our tax base and create thousands...
|
He's gonna grow our tax base
and create thousands...
|
|
1:01:48
|
...and thousands of jobs for everyone.
|
...and thousands
of jobs for everyone.
|
|
1:01:51
|
You understand that? You know what that means?
|
You understand that?
You know what that means?
|
|
1:01:53
|
To Irving.
|
To Irving.
|
|
1:01:54
|
- To Irving. - To Irving.
|
- To Irving.
- To Irving.
|
|
1:01:56
|
Come on, this guy right here, he's got a big heart.
|
Come on, this guy right here,
he's got a big heart.
|
|
1:02:01
|
I'd just hate it if it didn't work out.
|
I'd just hate it
if it didn't work out.
|
|
1:02:04
|
What do you mean?
|
What do you mean?
|
|
1:02:05
|
Of course it's gonna work out, Irv.
|
Of course it's gonna work out, Irv.
|
|
1:02:07
|
Come on, guys like you and me?
|
Come on,
guys like you and me?
|
|
1:02:08
|
Come on, man. Right? We dream and we build.
|
Come on, man. Right?
We dream and we build.
|
|
1:02:13
|
We never give up, we never quit.
|
We never give up,
we never quit.
|
|
1:02:20
|
Hey, can I ask you a question?
|
Hey, can I ask you a question?
|
|
1:02:24
|
- Yeah, sure. - Is the sheik black?
|
- Yeah, sure.
- Is the sheik black?
|
|
1:02:29
|
He's from... He's... He's an Arab.
|
He's from... He's...
He's an Arab.
|
|
1:02:34
|
Well, that... That's black, isn't it?
|
Well, that...
That's black, isn't it?
|
|
1:02:38
|
I don't know.
|
I don't know.
|
|
1:02:40
|
I don't know, maybe it's a dumb question, but...
|
I don't know, maybe it's
a dumb question, but...
|
|
1:02:42
|
...I'm just wondering.
|
...I'm just wondering.
|
|
1:02:44
|
Why are you asking?
|
Why are you asking?
|
|
1:02:46
|
I would like to arrange for the sheik to see Camden.
|
I would like to arrange
for the sheik to see Camden.
|
|
1:02:51
|
To see the people of Camden.
|
To see the people of Camden.
|
|
1:02:53
|
The people I serve. The people I love.
|
The people I serve.
The people I love.
|
|
1:02:55
|
Who are mostly black and Puerto Rican.
|
Who are mostly
black and Puerto Rican.
|
|
1:02:59
|
Irv, I really want him to see...
|
Irv, I really want him to see...
|
|
1:03:02
|
...how good this is going to be for the community...
|
...how good this is going to be
for the community...
|
|
1:03:05
|
...how ready we are for this opportunity.
|
...how ready we are
for this opportunity.
|
|
1:03:08
|
And he can see how far his dollar will go.
|
And he can see how
far his dollar will go.
|
|
1:03:11
|
You know what I mean? What do you think?
|
You know what I mean?
What do you think?
|
|
1:03:12
|
Yeah.
|
Yeah.
|
|
1:03:13
|
Yeah, we can do that. Yeah.
|
Yeah, we can do that. Yeah.
|
|
1:03:15
|
- Yeah? - He can see Camden. Yeah.
|
- Yeah?
- He can see Camden. Yeah.
|
|
1:03:17
|
All right.
|
All right.
|
|
1:03:18
|
All right, good. Yo, hey,
|
All right, good. Yo, hey,
|
|
1:03:20
|
I got something I want to give you.
|
I got something
I want to give you.
|
|
1:03:22
|
- Come on. - For me?
|
- Come on.
- For me?
|
|
1:03:23
|
Yeah, I got... I got you a gift.
|
Yeah, I got...
I got you a gift.
|
|
1:03:25
|
- Let's get out of here. - Ok.
|
- Let's get out of here.
- Ok.
|
|
1:03:27
|
The girls are going to kill us.
|
The girls are going to kill us.
|
|
1:03:33
|
Right here.
|
Right here.
|
|
1:03:36
|
There you go.
|
There you go.
|
|
1:03:40
|
What is it?
|
What is it?
|
|
1:03:41
|
It's a microwave. It heats up everything.
|
It's a microwave.
It heats up everything.
|
|
1:03:43
|
Pasta, lasagna, meatballs, whatever.
|
Pasta, lasagna,
meatballs, whatever.
|
|
1:03:46
|
- Really? - It's science. Yeah, that's how it...
|
- Really?
- It's science. Yeah, that's how it...
|
|
1:03:47
|
...heats up the food, it's scientific.
|
...heats up the food,
it's scientific.
|
|
1:03:49
|
And you specifically bought this science oven for me?
|
And you specifically
bought this science oven for me?
|
|
1:03:56
|
Yeah.
|
Yeah.
|
|
1:03:59
|
A new friend.
|
A new friend.
|
|
1:04:04
|
Thank you. Thank you.
|
Thank you. Thank you.
|
|
1:04:10
|
Don't put metal in it.
|
Don't put metal in it.
|
|
1:04:11
|
Come on, let's get it out of here.
|
Come on,
let's get it out of here.
|
|
1:04:13
|
I need a jet at Teterboro.
|
I need a jet at Teterboro.
|
|
1:04:15
|
I need a jet at Teterboro for the sheik. I told you that.
|
I need a jet at Teterboro for the sheik.
I told you that.
|
|
1:04:17
|
You don't need a jet.
|
You don't need a jet.
|
|
1:04:18
|
You just let him walk to the curb at JFK.
|
You just let him
walk to the curb at JFK.
|
|
1:04:21
|
That's not how it works.
|
That's not how it works.
|
|
1:04:22
|
No, you got to start from the feet up.
|
No, you got to
start from the feet up.
|
|
1:04:24
|
That doesn't mean anything. What does that mean?
|
That doesn't mean anything.
What does that mean?
|
|
1:04:26
|
It means you got to be committed.
|
It means you got
to be committed.
|
|
1:04:27
|
It means you got to be committed to something...
|
It means you got to be
committed to something...
|
|
1:04:28
|
...in your life, for Christ's sake, all right?
|
...in your life, for
Christ's sake, all right?
|
|
1:04:30
|
I want a jet at Teterboro for the sheik.
|
I want a jet at Teterboro
for the sheik.
|
|
1:04:32
|
It could be a small jet, doesn't even have to take off.
|
It could be a small jet,
doesn't even have to take off.
|
|
1:04:34
|
'Cause I know you're so worried about how much money...
|
'Cause I know you're so
worried about how much money...
|
|
1:04:35
|
...the Bureau's gonna fucking spend.
|
...the Bureau's
gonna fucking spend.
|
|
1:04:37
|
You take off and land on the tarmac ok?
|
You take off and land
on the tarmac ok?
|
|
1:04:41
|
All right, I'll... You can have a jet for an hour, but it...
|
All right, I'll... You can
have a jet for an hour, but it...
|
|
1:04:43
|
- ...takes off and lands at Teterboro. - I got the jet?
|
- ...takes off and lands at Teterboro.
- I got the jet?
|
|
1:04:45
|
- You got the jet, yeah. - All right, thank you.
|
- You got the jet, yeah.
- All right, thank you.
|
|
1:04:49
|
All right, so tell me the rest of the ice fishing story.
|
All right, so tell me the rest
of the ice fishing story.
|
|
1:04:52
|
Where was I?
|
Where was I?
|
|
1:04:53
|
Your father woke you up, it was a blizzard, it was Lake Canoga.
|
Your father woke you up,
it was a blizzard, it was Lake Canoga.
|
|
1:04:55
|
Come on, come on.
|
Come on, come on.
|
|
1:04:58
|
Ok, well, my brother and I were on the ice...
|
Ok, well, my brother
and I were on the ice...
|
|
1:05:00
|
...and my father came out of the house and I could see him coming.
|
...and my father came out of the
house and I could see him coming.
|
|
1:05:03
|
He was holding a lantern and he was in the blizzard...
|
He was holding a lantern
and he was in the blizzard...
|
|
1:05:05
|
...and I knew he was gonna be angry.
|
...and I knew
he was gonna be angry.
|
|
1:05:07
|
So I went to intercept my father...
|
So I went
to intercept my father...
|
|
1:05:09
|
...because I knew if he saw what my brother was doing, he was gonna kill him.
|
...because I knew if he saw what my
brother was doing, he was gonna kill him.
|
|
1:05:12
|
Oh, so you tried to protect your brother...
|
Oh, so you tried to
protect your brother...
|
|
1:05:13
|
...but you couldn't, and that's why you feel bad...
|
...but you couldn't,
and that's why you feel bad...
|
|
1:05:15
|
...because you're trying to protect me...
|
...because you're
trying to protect me...
|
|
1:05:16
|
...and you're worried about me. Is that what the story is about?
|
...and you're worried about me. Is
that what the story is about?
|
|
1:05:18
|
- It's about protection. - No, it's not about protection.
|
- It's about protection.
- No, it's not about protection.
|
|
1:05:20
|
- It's not? - No.
|
- It's not?
- No.
|
|
1:05:22
|
All right, fine.
|
All right, fine.
|
|
1:05:25
|
"Don't put metal in that science oven, Rosalyn.
|
"Don't put metal in that
science oven, Rosalyn.
|
|
1:05:28
|
"Don't put metal in the science..."
|
"Don't put metal
in the science..."
|
|
1:05:31
|
He always treats me like a fucking child.
|
He always treats me
like a fucking child.
|
|
1:05:33
|
I'll do whatever I want.
|
I'll do whatever I want.
|
|
1:05:37
|
Oh!
|
Oh!
|
|
1:05:39
|
- Another fire! - No, Danny, not that one!
|
- Another fire!
- No, Danny, not that one!
|
|
1:05:41
|
That one's empty. We got to use the big one.
|
That one's empty.
We got to use the big one.
|
|
1:05:44
|
I told you not to put metal in the science oven.
|
I told you not to put metal
in the science oven.
|
|
1:05:46
|
What'd you do that for?
|
What'd you do that for?
|
|
1:05:47
|
Don't make such a big deal. We'll just get another one.
|
Don't make such a big deal.
We'll just get another one.
|
|
1:05:50
|
I don't want another one.
|
I don't want another one.
|
|
1:05:51
|
I want the one that Carmine gave me.
|
I want the one
that Carmine gave me.
|
|
1:05:52
|
"Oh, Carmine. I want the one that Carmine gave me.
|
"Oh, Carmine. I want the
one that Carmine gave me.
|
|
1:05:55
|
"Carmine, Carmine." Why don't you just marry Carmine?
|
"Carmine, Carmine."
Why don't you just marry Carmine?
|
|
1:05:57
|
Get a little gold microwave and put it on a chain around your neck.
|
Get a little gold microwave and
put it on a chain around your neck.
|
|
1:06:00
|
You want to be more like Carmine?
|
You want to be
more like Carmine?
|
|
1:06:02
|
Why don't you build something, like he does?
|
Why don't you build
something, like he does?
|
|
1:06:04
|
Instead of all your empty deals...
|
Instead of all
your empty deals...
|
|
1:06:05
|
...that are just like your fucking science oven.
|
...that are just like
your fucking science oven.
|
|
1:06:07
|
You know, I read that it takes all of the nutrition out of our food.
|
You know, I read that it takes
all of the nutrition out of our food.
|
|
1:06:10
|
It's empty, just like your deals.
|
It's empty,
just like your deals.
|
|
1:06:12
|
- Empty, empty. - Listen to this bullshit.
|
- Empty, empty.
- Listen to this bullshit.
|
|
1:06:14
|
It's not bullshit.
|
It's not bullshit.
|
|
1:06:16
|
I read it in an article. Look.
|
I read it
in an article. Look.
|
|
1:06:18
|
By Paul Brodeur.
|
By Paul Brodeur.
|
|
1:06:21
|
Bring something into this house...
|
Bring something into this house...
|
|
1:06:22
|
...that's gonna take all the nutrition out of our food...
|
...that's gonna take all the
nutrition out of our food...
|
|
1:06:24
|
...and then light our house on fire?
|
...and then light our house on fire?
|
|
1:06:26
|
Thank God for me.
|
Thank God for me.
|
|
1:06:56
|
All right, you've got this.
|
All right,
you've got this.
|
|
1:07:05
|
I don't think you should come to Carmine's party tonight.
|
I don't think you should come
to Carmine's party tonight.
|
|
1:07:09
|
You look beautiful, by the way.
|
You look beautiful,
by the way.
|
|
1:07:12
|
Don't look at me. All right?
|
Don't look at me.
All right?
|
|
1:07:15
|
Don't look at my legs, don't look at my hair...
|
Don't look at my legs,
don't look at my hair...
|
|
1:07:17
|
...don't smell my hair, don't ask me how I am...
|
...don't smell my hair,
don't ask me how I am...
|
|
1:07:19
|
...don't talk to me outside of these roles...
|
...don't talk to me
outside of these roles...
|
|
1:07:20
|
- ...'cause we're done. - Where are you going?
|
- ...'cause we're done.
- Where are you going?
|
|
1:07:22
|
Just stand still. Get under the umbrella.
|
Just stand still.
Get under the umbrella.
|
|
1:07:24
|
Come on. It's just, Carmine wants Rosalyn to come.
|
Come on. It's just, Carmine
wants Rosalyn to come.
|
|
1:07:28
|
I don't care.
|
I don't care.
|
|
1:07:30
|
You weren't listening. I don't care if Rosalyn comes.
|
You weren't listening.
I don't care if Rosalyn comes.
|
|
1:07:32
|
Just do your job, ok?
|
Just do your job, ok?
|
|
1:07:35
|
You're nothing to me until you're everything.
|
You're nothing to me
until you're everything.
|
|
1:07:39
|
I'm not Rosalyn, I'm not gonna put up with that shit.
|
I'm not Rosalyn,
I'm not gonna put up with that shit.
|
|
1:07:48
|
- That's a fucking jet, right? - It's good.
|
- That's a fucking jet, right?
- It's good.
|
|
1:07:51
|
That's the kind of moves you need to make.
|
That's the kind of
moves you need to make.
|
|
1:07:54
|
- Paco Hernandez? - Hi. How's it going?
|
- Paco Hernandez?
- Hi. How's it going?
|
|
1:07:56
|
- Richie DiMaso. - Nice to meet you.
|
- Richie DiMaso.
- Nice to meet you.
|
|
1:07:57
|
Nice to meet you in person.
|
Nice to meet
you in person.
|
|
1:07:59
|
This is Irving Rosenfeld.
|
This is Irving Rosenfeld.
|
|
1:08:00
|
Paco Hernandez. Nice to meet you.
|
Paco Hernandez.
Nice to meet you.
|
|
1:08:02
|
- Paco? He's... - He's not a real Arab.
|
- Paco? He's...
- He's not a real Arab.
|
|
1:08:05
|
No, I'm Mexican, from Tucson.
|
No, I'm Mexican, from Tucson.
|
|
1:08:08
|
Where's my guy? Where's Al? Where's Al from Queens?
|
Where's my guy? Where's Al?
Where's Al from Queens?
|
|
1:08:10
|
Who? My friend from Queens. Where is he?
|
Who? My friend from Queens.
Where is he?
|
|
1:08:12
|
- What are you doing? - I got to hire an FBI guy.
|
- What are you doing?
- I got to hire an FBI guy.
|
|
1:08:14
|
- You speak any Arabic? - Yeah.
|
- You speak any Arabic?
- Yeah.
|
|
1:08:16
|
- That's it? - That's good.
|
- That's it?
- That's good.
|
|
1:08:17
|
No, I have a couple of phrases.
|
No, I have
a couple of phrases.
|
|
1:08:19
|
From the feet up, you motherfucker. What are you doing? Come on.
|
From the feet up, you motherfucker.
What are you doing? Come on.
|
|
1:08:22
|
Act noble. That's it, just, you know...
|
Act noble. That's it, just, you know...
|
|
1:08:23
|
...like you can't barely understand English...
|
...like you can't barely
understand English...
|
|
1:08:25
|
...you can't speak it, you say as little as possible...
|
...you can't speak it, you say
as little as possible...
|
|
1:08:27
|
...you follow my lead, all right? All right?
|
...you follow my lead, all right?
All right?
|
|
1:08:29
|
Ok. Who's running this? I thought you were running it.
|
Ok. Who's running this?
I thought you were running it.
|
|
1:08:30
|
I am running this, but you got to listen to him.
|
I am running this, but you
got to listen to him.
|
|
1:08:32
|
He's the guy with the vision.
|
He's the guy with the vision.
|
|
1:08:33
|
I got the vision? Know what vision I had?
|
I got the vision?
Know what vision I had?
|
|
1:08:35
|
You just kissing my girl, right outside. That's what vision I had.
|
You just kissing my girl, right outside.
That's what vision I had.
|
|
1:08:37
|
I thought you guys broke up.
|
I thought
you guys broke up.
|
|
1:08:39
|
I'm giving you a compliment.
|
I'm giving you
a compliment.
|
|
1:08:41
|
What's going on?
|
What's going on?
|
|
1:08:43
|
- Don't worry about it, all right? - You got a knife.
|
- Don't worry about it, all right?
- You got a knife.
|
|
1:08:45
|
All right, this is for the mayor.
|
All right,
this is for the mayor.
|
|
1:08:47
|
You got to present it to the mayor.
|
You got to present it
to the mayor.
|
|
1:08:49
|
Just look at me, all right?
|
Just look at me,
all right?
|
|
1:08:50
|
Look me in the eye.
|
Look me in the eye.
|
|
1:08:52
|
This means a lot to you, right?
|
This means a lot
to you, right?
|
|
1:08:54
|
- That knife. - Oh.
|
- That knife.
- Oh.
|
|
1:08:55
|
Play it. You present it, all right?
|
Play it. You present
it, all right?
|
|
1:08:57
|
Friendship for life, all right?
|
Friendship for life, all right?
|
|
1:08:59
|
- You got to feel it. - Right.
|
- You got to feel it.
- Right.
|
|
1:09:00
|
- Sacred, can you do it? - Sacred.
|
- Sacred, can you do it?
- Sacred.
|
|
1:09:01
|
- You got to sell it. You got to sell it. - Sell it.
|
- You got to sell it. You got to sell it.
- Sell it.
|
|
1:09:03
|
If you believe it's sacred, it's sacred. Right.
|
If you believe it's sacred,
it's sacred. Right.
|
|
1:09:05
|
- All right? Can you do it? - Listen to what he's saying.
|
- All right? Can you do it?
- Listen to what he's saying.
|
|
1:09:07
|
It's the details, that's what makes this guy a genius.
|
It's the details, that's what
makes this guy a genius.
|
|
1:09:08
|
Again? You compliment me again?
|
Again?
You compliment me again?
|
|
1:09:10
|
What is this, rubbing salt in the wound? What are you?
|
What is this, rubbing salt
in the wound? What are you?
|
|
1:09:12
|
I'm complimenting you.
|
I'm complimenting you.
|
|
1:09:16
|
You got any other questions?
|
You got any
other questions?
|
|
1:09:17
|
Yeah, I think the name of this operation is offensive.
|
Yeah, I think the name
of this operation is offensive.
|
|
1:09:20
|
What, Abscam. Arab scam?
|
What, Abscam.
Arab scam?
|
|
1:09:22
|
It's racist.
|
It's racist.
|
|
1:09:23
|
Are you fucking kidding?
|
Are you fucking kidding?
|
|
1:09:24
|
What do you care? You're Mexican.
|
What do you care?
You're Mexican.
|
|
1:09:42
|
Hello, Sheik.
|
Hello, Sheik.
|
|
1:09:44
|
Hello, Sheik, my friend.
|
Hello, Sheik, my friend.
|
|
1:09:46
|
Welcome. On behalf of the great state of New Jersey,
|
Welcome. On behalf of the
great state of New Jersey,
|
|
1:09:49
|
I want to welcome you to New Jersey.
|
I want to welcome
you to New Jersey.
|
|
1:09:50
|
I know that was redundant. I'm sorry. I'm just very nervous.
|
I know that was redundant.
I'm sorry. I'm just very nervous.
|
|
1:09:55
|
Thank you, thank you.
|
Thank you, thank you.
|
|
1:09:59
|
We have a great party planned for you this evening.
|
We have a great party planned
for you this evening.
|
|
1:10:02
|
What are you talking about, I can't go?
|
What are you talking
about, I can't go?
|
|
1:10:04
|
I just did my hair and makeup and everything.
|
I just did my hair
and makeup and everything.
|
|
1:10:06
|
Sheiks are very particular.
|
Sheiks are very particular.
|
|
1:10:07
|
It's international cultural protocol, you know.
|
It's international cultural
protocol, you know.
|
|
1:10:10
|
- You don't know that? - International protocol?
|
- You don't know that?
- International protocol?
|
|
1:10:12
|
- Yep. - What the fuck are you talking about?
|
- Yep.
- What the fuck are you talking about?
|
|
1:10:14
|
Do not answer that.
|
Do not answer that.
|
|
1:10:15
|
- Do not answer that! - Hello?
|
- Do not answer that!
- Hello?
|
|
1:10:17
|
Robert Spencer for Irving.
|
Robert Spencer for Irving.
|
|
1:10:18
|
Robert Spencer? I don't know a Robert Spencer.
|
Robert Spencer?
I don't know a Robert Spencer.
|
|
1:10:21
|
- What do you want? - I'm a business associate...
|
- What do you want?
- I'm a business associate...
|
|
1:10:22
|
- Who is that? Who is that? - I tell you, for God's sake...
|
- Who is that? Who is that?
- I tell you, for God's sake...
|
|
1:10:25
|
- ...I told you not to call here, all right? - What is that about?
|
- ...I told you not to call here, all right?
- What is that about?
|
|
1:10:27
|
- Two more federal agents tonight. - What?
|
- Two more federal agents tonight.
- What?
|
|
1:10:30
|
- No. No way. - Two feds.
|
- No. No way.
- Two feds.
|
|
1:10:32
|
- No. - I need them.
|
- No.
- I need them.
|
|
1:10:33
|
Bodyguards for the sheik.
|
Bodyguards for the sheik.
|
|
1:10:35
|
No, no, no, that's too many guys for me to control.
|
No, no, no, that's too many
guys for me to control.
|
|
1:10:37
|
- No. No. - Irving, remember who's in charge here.
|
- No. No.
- Irving, remember who's in charge here.
|
|
1:10:40
|
Rosalyn, get off the extension.
|
Rosalyn, get off the extension.
|
|
1:10:43
|
I'm not on it.
|
I'm not on it.
|
|
1:10:44
|
Look, don't call here again, all right?
|
Look, don't call
here again, all right?
|
|
1:10:45
|
- Don't call at home. - All right. Good night.
|
- Don't call at home.
- All right. Good night.
|
|
1:10:47
|
All right.
|
All right.
|
|
1:10:49
|
If it's a business call, don't interrupt, all right?
|
If it's a business call,
don't interrupt, all right?
|
|
1:10:52
|
Federal agents?
|
Federal agents?
|
|
1:10:54
|
No, it's bodyguards for the, uh, visiting dignitaries' that's all.
|
No, it's bodyguards for the, uh,
visiting dignitaries' that's all.
|
|
1:10:57
|
What is it, an IRS thing? Like a tax investigation?
|
What is it, an IRS thing?
Like a tax investigation?
|
|
1:11:00
|
Why do you got to say that? I mean, that's why...
|
Why do you got to say that?
I mean, that's why...
|
|
1:11:01
|
...I can't invite you... It's too complicated.
|
...I can't invite you...
It's too complicated.
|
|
1:11:03
|
- Are you in trouble? - Look, stop being so nosy.
|
- Are you in trouble?
- Look, stop being so nosy.
|
|
1:11:05
|
- Look at this shit. - Well, I'm only nosy...
|
- Look at this shit.
- Well, I'm only nosy...
|
|
1:11:06
|
...'cause you never tell me anything.
|
...'cause you never
tell me anything.
|
|
1:11:07
|
Can we clean up this fridge?
|
Can we clean up this fridge?
|
|
1:11:08
|
I mean, what are you causing trouble for all the time?
|
I mean, what are you
causing trouble for all the time?
|
|
1:11:11
|
Do not answer that!
|
Do not answer that!
|
|
1:11:13
|
- Hello? - Hello, it's Carmine.
|
- Hello?
- Hello, it's Carmine.
|
|
1:11:14
|
Oh, hi, Carmine. We were just talking about you.
|
Oh, hi, Carmine. We were
just talking about you.
|
|
1:11:17
|
Yeah, Irving's being a mean, boring man...
|
Yeah, Irving's being
a mean, boring man...
|
|
1:11:19
|
...saying that he doesn't want me to come tonight.
|
...saying that he doesn't
want me to come tonight.
|
|
1:11:20
|
- Tell him he's crazy. - Well, I agree.
|
- Tell him he's crazy.
- Well, I agree.
|
|
1:11:22
|
- Tell him yourself. - It wouldn't be a party without you.
|
- Tell him yourself.
- It wouldn't be a party without you.
|
|
1:11:24
|
- Can you imagine? - 'Cause you're coming!
|
- Can you imagine?
- 'Cause you're coming!
|
|
1:11:26
|
- Yeah. Tell him yourself. - All right. Hey, Carmie.
|
- Yeah. Tell him yourself.
- All right. Hey, Carmie.
|
|
1:11:29
|
Irving, you're crazy. Your wife is coming.
|
Irving, you're crazy.
Your wife is coming.
|
|
1:11:31
|
You kidding me? She's the life of the party.
|
You kidding me?
She's the life of the party.
|
|
1:11:33
|
- Everybody loves her. - I'm the life of the party.
|
- Everybody loves her.
- I'm the life of the party.
|
|
1:11:36
|
You know what she's like. She's unpredictable. She's just...
|
You know what she's like.
She's unpredictable. She's just...
|
|
1:11:38
|
Hey, don't talk about me like that!
|
Hey, don't talk
about me like that!
|
|
1:11:40
|
- What is Carmine saying? - I can't hear what he's saying.
|
- What is Carmine saying?
- I can't hear what he's saying.
|
|
1:11:41
|
- Let me listen. - Hey, look, Irving...
|
- Let me listen.
- Hey, look, Irving...
|
|
1:11:42
|
- ...it's very important that she comes, you understand? - Carmine loves me.
|
- ...it's very important that she comes,
you understand? - Carmine loves me.
|
|
1:11:44
|
This is a really big, big night for us, you understand?
|
This is a really big, big
night for us, you understand?
|
|
1:11:46
|
Come on, you got to bring your wife.
|
Come on,
you got to bring your wife.
|
|
1:11:48
|
And Dolly's got something special for her' right?
|
And Dolly's got something
special for her' right?
|
|
1:11:49
|
- Yeah, I do, I got your nail polish. - See? Listen, listen.
|
- Yeah, I do, I got your nail polish.
- See? Listen, listen.
|
|
1:11:52
|
Yeah, I got your nail polish for you, sweetie!
|
Yeah, I got your nail
polish for you, sweetie!
|
|
1:11:54
|
See? Something special for you. What is it? What is it?
|
See? Something special for you.
What is it? What is it?
|
|
1:11:57
|
Come on. Tell me. What... What...
|
Come on. Tell me.
What... What...
|
|
1:12:00
|
What is it? You got a girlfriend coming?
|
What is it?
You got a girlfriend coming?
|
|
1:12:02
|
Come on, I thought we were friends.
|
Come on,
I thought we were friends.
|
|
1:12:03
|
You're not gonna tell me you got a girlfriend? This is ridiculous.
|
You're not gonna tell me you
got a girlfriend? This is ridiculous.
|
|
1:12:06
|
- What is it? - Nah, it's...
|
- What is it?
- Nah, it's...
|
|
1:12:08
|
Look, we handle this like men, you understand?
|
Look, we handle this
like men, you understand?
|
|
1:12:10
|
You're bringing your wife. We're gonna have a good time.
|
You're bringing your wife.
We're gonna have a good time.
|
|
1:12:12
|
All right, we'll see you there. It'll be fun.
|
All right, we'll see you there.
It'll be fun.
|
|
1:12:14
|
That's an order from the mayor. Goodbye.
|
That's an order from the mayor.
Goodbye.
|
|
1:12:16
|
All right, you happy? Go get ready.
|
All right, you happy?
Go get ready.
|
|
1:12:20
|
Yes, I am happy.
|
Yes, I am happy.
|
|
1:12:29
|
"When are you gonna come down?"
|
"When are you gonna
come down?"
|
|
1:12:33
|
"When are you going to land."
|
"When are you going to land."
|
|
1:12:36
|
"I should have stayed on the farm."
|
"I should have stayed
on the farm."
|
|
1:12:39
|
"I should have listened to my old man."
|
"I should have listened
to my old man."
|
|
1:12:44
|
"You know you can't hold me forever."
|
"You know you can't
hold me forever."
|
|
1:12:48
|
"I didn't sign up with you."
|
"I didn't sign up with you."
|
|
1:12:52
|
"I'm not a present for your friends to open."
|
"I'm not a present
for your friends to open."
|
|
1:12:56
|
"This boy's too young to be singing."
|
"This boy's too young
to be singing."
|
|
1:13:00
|
"The blues."
|
"The blues."
|
|
1:13:04
|
"Aaa-ahh."
|
"Aaa-ahh."
|
|
1:13:12
|
"So goodbye yellow brick road where the dogs of society howl."
|
"So goodbye yellow brick road
where the dogs of society howl."
|
|
1:13:17
|
I know who you are.
|
I know who you are.
|
|
1:13:20
|
You can't plant me in your penthouse
|
You can't plant me
in your penthouse
|
|
1:13:23
|
- I know who that is, Irving. - Yeah. Come on.
|
- I know who that is, Irving.
- Yeah. Come on.
|
|
1:13:28
|
"Back to the howling old owl in the woods huntin' the horny back toad."
|
"Back to the howling old owl in the
woods huntin' the horny back toad."
|
|
1:13:34
|
- Oh, it looks so beautiful. - So, this is the lobby.
|
- Oh, it looks so beautiful.
- So, this is the lobby.
|
|
1:13:37
|
Want me to take your coats?
|
Want me to take your coats?
|
|
1:13:39
|
Now, mind you, a week ago, this place was a mess.
|
Now, mind you, a week ago,
this place was a mess.
|
|
1:13:41
|
But what existed was this plasterwork.
|
But what existed
was this plasterwork.
|
|
1:13:44
|
Look at the detail. This is beautiful.
|
Look at the detail.
This is beautiful.
|
|
1:13:46
|
My sons are craftsmen. Please, tell them what you did.
|
My sons are craftsmen.
Please, tell them what you did.
|
|
1:13:48
|
- The birds, sky, clouds, wood... - Trompe I'oeil.
|
- The birds, sky, clouds, wood...
- Trompe I'oeil.
|
|
1:13:51
|
- Trompe I'oeil. - "Trick of the eye."
|
- Trompe I'oeil.
- "Trick of the eye."
|
|
1:13:53
|
We restore all of this, you see?
|
We restore
all of this, you see?
|
|
1:13:55
|
Saved you $50 million. Look at me. $50 million...
|
Saved you $50 million.
Look at me. $50 million...
|
|
1:13:57
|
- ...right off the bat, like that. - Right off the bat.
|
- ...right off the bat, like that.
- Right off the bat.
|
|
1:13:59
|
I waive the law that I helped write...
|
I waive the law
that I helped write...
|
|
1:14:01
|
...that said casino construction had to be built...
|
...that said casino
construction had to be built...
|
|
1:14:02
|
...ground-up new. We don't do new.
|
...ground-up new.
We don't do new.
|
|
1:14:04
|
- No. We renovate. - We renovate, right?
|
- No. We renovate.
- We renovate, right?
|
|
1:14:05
|
We put in some temporary fun.
|
We put in some temporary fun.
|
|
1:14:07
|
Some gaming tables, some play money for people to have a good time.
|
Some gaming tables, some play money
for people to have a good time.
|
|
1:14:11
|
This is for charity, for the Boys and Girls Club...
|
This is for charity,
for the Boys and Girls Club...
|
|
1:14:14
|
...and, uh, some arts programs. Hey, how are you?
|
...and, uh, some arts programs.
Hey, how are you?
|
|
1:14:20
|
This is the Ocean Room.
|
This is the Ocean Room.
|
|
1:14:26
|
There's some gentlemen sitting over there at the bar.
|
There's some gentlemen sitting
over there at the bar.
|
|
1:14:31
|
That's 130 years sitting right there.
|
That's 130 years
sitting right there.
|
|
1:14:33
|
That's how much time between them.
|
That's how much
time between them.
|
|
1:14:34
|
They run the biggest casinos in the United States...
|
They run the biggest casinos
in the United States...
|
|
1:14:37
|
- ...and we have to work with them. - Right.
|
- ...and we have to work with them.
- Right.
|
|
1:14:39
|
The good news is...
|
The good news is...
|
|
1:14:41
|
...they know how it's done, they get it done...
|
...they know how it's done,
they get it done...
|
|
1:14:43
|
...you don't have to worry, everyone makes their money.
|
...you don't have to worry,
everyone makes their money.
|
|
1:14:44
|
You mean the Mob?
|
You mean the Mob?
|
|
1:14:46
|
Yes, but they're businessmen, ok?
|
Yes, but they're
businessmen, ok?
|
|
1:14:48
|
Now, spend as much or as little time with them...
|
Now, spend as much or as
little time with them...
|
|
1:14:50
|
...as you like, but we do have to deal with them.
|
...as you like, but we do
have to deal with them.
|
|
1:14:52
|
All we got to do is go say hello.
|
All we got to do
is go say hello.
|
|
1:14:53
|
- We just got to say hi. That's it. - Carmine, maybe...
|
- We just got to say hi. That's it.
- Carmine, maybe...
|
|
1:14:55
|
I'm not sure that's such a good idea.
|
I'm not sure
that's such a good idea.
|
|
1:14:56
|
We got to confer before we talk to these guys.
|
We got to confer before
we talk to these guys.
|
|
1:14:58
|
Confer? What is there to confer about? I don't understand.
|
Confer? What is there to confer about?
I don't understand.
|
|
1:15:01
|
They're casino guys.
|
They're casino guys.
|
|
1:15:03
|
They're casino guys. They're the businessmen.
|
They're casino guys.
They're the businessmen.
|
|
1:15:05
|
Yeah, we come all this way.
|
Yeah, we come all this way.
|
|
1:15:06
|
Irving, we came all this way, we should be here.
|
Irving, we came all this way,
we should be here.
|
|
1:15:07
|
What's everybody scared of? What's everybody scared of?
|
What's everybody scared of?
What's everybody scared of?
|
|
1:15:10
|
You just got to be delicate.
|
You just got to be delicate.
|
|
1:15:11
|
Those are the guys that you guys are all scared of?
|
Those are the guys that you
guys are all scared of?
|
|
1:15:13
|
Those guys over there? They don't scare me.
|
Those guys over there?
They don't scare me.
|
|
1:15:15
|
- I'm not scared. - Rosalyn? Rosalyn?
|
- I'm not scared.
- Rosalyn? Rosalyn?
|
|
1:15:21
|
Hi. Can I join you?
|
Hi. Can I join you?
|
|
1:15:30
|
Irv, that's not the way to do this.
|
Irv, that's
not the way to do this.
|
|
1:15:32
|
It's not a good idea.
|
It's not a good idea.
|
|
1:15:35
|
I love this.
|
I love this.
|
|
1:15:37
|
Everybody over there's really scared of you guys, do you know that?
|
Everybody over there's really scared
of you guys, do you know that?
|
|
1:15:39
|
- No. - Mm-hmm.
|
- No.
- Mm-hmm.
|
|
1:15:41
|
Kids, I want you to go up and get some soda and pizza, please.
|
Kids, I want you to go up
and get some soda and pizza, please.
|
|
1:15:44
|
It's a disaster.
|
It's a disaster.
|
|
1:15:48
|
I think they got this room all wrong.
|
I think they got
this room all wrong.
|
|
1:15:50
|
Yeah? What would you do?
|
Yeah?
What would you do?
|
|
1:15:53
|
I would do it in all black and gold...
|
I would do it in
all black and gold...
|
|
1:15:55
|
...and I would do this bar like a big warm golden mirror.
|
...and I would do this bar
like a big warm golden mirror.
|
|
1:15:59
|
Sounds beautiful.
|
Sounds beautiful.
|
|
1:16:00
|
- Oh, thank you. - But you expect that from her...
|
- Oh, thank you.
- But you expect that from her...
|
|
1:16:02
|
- ...because she's so beautiful. - Oh, God, stop.
|
- ...because she's so beautiful.
- Oh, God, stop.
|
|
1:16:04
|
- Gorgeous. - And I love her hair...
|
- Gorgeous.
- And I love her hair...
|
|
1:16:06
|
...so I know I'm gonna love what you do.
|
...so I know I'm gonna
love what you do.
|
|
1:16:07
|
- Oh, my God. It's messy. - How do you do?
|
- Oh, my God. It's messy.
- How do you do?
|
|
1:16:08
|
I'm sorry, is she your wife?
|
I'm sorry,
is she your wife?
|
|
1:16:09
|
No, she's my wife. She's my wife.
|
No, she's my wife.
She's my wife.
|
|
1:16:11
|
- Look at these fine gentlemen. - Hey, Carmine, there you are.
|
- Look at these fine gentlemen.
- Hey, Carmine, there you are.
|
|
1:16:13
|
- How you doing? - How are you?
|
- How you doing?
- How are you?
|
|
1:16:14
|
You well? Good to see you.
|
You well?
Good to see you.
|
|
1:16:15
|
- How you doing? - Hey, how are you?
|
- How you doing?
- Hey, how are you?
|
|
1:16:16
|
That's enough of that right now.
|
That's enough
of that right now.
|
|
1:16:18
|
Hey! Hey! Hey!
|
Hey! Hey! Hey!
|
|
1:16:19
|
- Come on. Come on. - Oh, stop it.
|
- Come on. Come on.
- Oh, stop it.
|
|
1:16:22
|
Hey, oh, no, it's because he's a party pooper.
|
Hey, oh, no, it's because
he's a party pooper.
|
|
1:16:24
|
He's so boring.
|
He's so boring.
|
|
1:16:26
|
May I present...
|
May I present...
|
|
1:16:28
|
Sheik Abdullah, gentlemen...
|
Sheik Abdullah,
gentlemen...
|
|
1:16:30
|
...from Abu Dhabi. Sheik, these are professionals...
|
...from Abu Dhabi. Sheik,
these are professionals...
|
|
1:16:32
|
...and they run the best casinos in the United States.
|
...and they run the best casinos
in the United States.
|
|
1:16:35
|
Mr. Sheik, as a sign of our seriousness...
|
Mr. Sheik, as a sign
of our seriousness...
|
|
1:16:37
|
...Mr. Tellegio came from Miami to meet you tonight.
|
...Mr. Tellegio came from
Miami to meet you tonight.
|
|
1:16:39
|
Mr. Tellegio?
|
Mr. Tellegio?
|
|
1:16:42
|
Why didn't you tell me Mr. Tellegio was...
|
Why didn't you tell me
Mr. Tellegio was...
|
|
1:16:44
|
He's in the back room.
|
He's in the back room.
|
|
1:16:45
|
It's a sign of disrespect to talk, uh, business on the first meeting.
|
It's a sign of disrespect to talk,
uh, business on the first meeting.
|
|
1:16:48
|
- That's not true. - It's disrespectful...
|
- That's not true.
- It's disrespectful...
|
|
1:16:50
|
Yeah, I don't know what you're talking about...
|
Yeah, I don't know
what you're talking about...
|
|
1:16:52
|
- He's got it all wrong. - You want to leave him back there in...
|
- He's got it all wrong.
- You want to leave him back there in...
|
|
1:16:54
|
...the back room waiting? Come on, let's go...
|
...the back room waiting?
Come on, let's go...
|
|
1:16:55
|
- ...we got to go meet him. - My friend from New York...
|
- ...we got to go meet him.
- My friend from New York...
|
|
1:16:57
|
- ...doesn't know the customs-- ...Hey, no disrespect, pal.
|
- ...doesn't know the customs--
...Hey, no disrespect, pal.
|
|
1:16:59
|
Hey, Irving, I'm gonna be having fun.
|
Hey, Irving,
I'm gonna be having fun.
|
|
1:17:00
|
Maybe it'll be contagious, huh?
|
Maybe it'll be
contagious, huh?
|
|
1:17:03
|
You and me, we're gonna visit.
|
You and me,
we're gonna visit.
|
|
1:17:04
|
- She's a fun girl. - I'm having fun.
|
- She's a fun girl.
- I'm having fun.
|
|
1:17:08
|
Can you believe he talks to me that way?
|
Can you believe
he talks to me that way?
|
|
1:17:19
|
Carmine.
|
Carmine.
|
|
1:17:20
|
Victor Tellegio was from Miami.
|
Victor Tellegio
was from Miami.
|
|
1:17:23
|
He was Meyer Lansky's right-hand man.
|
He was Meyer Lansky's
right-hand man.
|
|
1:17:25
|
With his prior reputation as an enforcer from 20 years ago...
|
With his prior reputation as
an enforcer from 20 years ago...
|
|
1:17:30
|
...he was known to never bury a body, because he felt it sent...
|
...he was known to never bury a
body, because he felt it sent...
|
|
1:17:32
|
...a stronger message to leave it in the street.
|
...a stronger message to
leave it in the street.
|
|
1:17:36
|
He looked at me like...
|
He looked at me like...
|
|
1:17:39
|
This is the guy we now had to deal with.
|
This is the guy
we now had to deal with.
|
|
1:17:45
|
You sure you don't want to go into the Ocean Bar?
|
You sure you don't
want to go into the Ocean Bar?
|
|
1:17:46
|
It's really, it's beautiful in there.
|
It's really,
it's beautiful in there.
|
|
1:17:48
|
No, I don't have to go there. I like it here. There's an exit.
|
No, I don't have to go there. I like it here.
There's an exit.
|
|
1:17:51
|
I'm like a ghost.
|
I'm like a ghost.
|
|
1:17:53
|
Nobody knows I'm here.
|
Nobody knows I'm here.
|
|
1:17:56
|
Look, tell him I speak for our friends in Florida.
|
Look, tell him I speak
for our friends in Florida.
|
|
1:18:00
|
We're very excited. It's been our lifelong dream...
|
We're very excited.
It's been our lifelong dream...
|
|
1:18:02
|
...to build casino resorts on the East Coast.
|
...to build casino resorts
on the East Coast.
|
|
1:18:08
|
You told him that?
|
You told him that?
|
|
1:18:10
|
They didn't want the Jews to make money.
|
They didn't want
the Jews to make money.
|
|
1:18:12
|
They didn't want the Italians to make money.
|
They didn't want the
Italians to make money.
|
|
1:18:13
|
They definitely don't want the blacks to make money.
|
They definitely don't want
the blacks to make money.
|
|
1:18:15
|
After the oil embargo, gasoline crisis...
|
After the oil embargo,
gasoline crisis...
|
|
1:18:19
|
...the hijackings, the Olympics...
|
...the hijackings, the Olympics...
|
|
1:18:21
|
...they don't want to see Arabs make money...
|
...they don't want to
see Arabs make money...
|
|
1:18:24
|
...trust me, not on our soil.
|
...trust me, not on our soil.
|
|
1:18:26
|
And, I don't know, you can tell him this in your own way.
|
And, I don't know, you can
tell him this in your own way.
|
|
1:18:29
|
I've been in the casino business 40 years'...
|
I've been in the casino
business 40 years'...
|
|
1:18:31
|
...it's scrutinized more carefully than any other business.
|
...it's scrutinized more carefully
than any other business.
|
|
1:18:35
|
Carmine made this legal, but we must be careful, or they'll take it away.
|
Carmine made this legal, but we must
be careful, or they'll take it away.
|
|
1:18:41
|
So, Mr. Tellegio, how do you think we should approach this?
|
So, Mr. Tellegio, how do you
think we should approach this?
|
|
1:18:45
|
What do you think? What do you want to do?
|
What do you think?
What do you want to do?
|
|
1:18:47
|
Well, if you want to get the gaming license and keep it...
|
Well, if you want to get the
gaming license and keep it...
|
|
1:18:51
|
...we have to make our principal investor here, the sheik...
|
...we have to make our principal
investor here, the sheik...
|
|
1:18:55
|
...an American citizen.
|
...an American citizen.
|
|
1:19:05
|
Well, to expedite citizenship...
|
Well, to expedite citizenship...
|
|
1:19:07
|
...that requires very special treatment.
|
...that requires very
special treatment.
|
|
1:19:11
|
Well, you would know the right people to do that, Carmine.
|
Well, you would know the right
people to do that, Carmine.
|
|
1:19:14
|
Carmie knows everybody.
|
Carmie knows everybody.
|
|
1:19:15
|
What are we talking about?
|
What are we talking about?
|
|
1:19:16
|
Uh, U.S. senators...
|
Uh, U.S. senators...
|
|
1:19:18
|
Uh, U.S. congressmen and senators.
|
Uh, U.S. congressmen
and senators.
|
|
1:19:20
|
Wow! That's fantastic.
|
Wow!
That's fantastic.
|
|
1:19:23
|
I say stay away from that.
|
I say stay away from that.
|
|
1:19:24
|
That's bad, that's trouble.
|
That's bad, that's trouble.
|
|
1:19:27
|
- It's not good. That's trouble. - Irving, please.
|
- It's not good. That's trouble.
- Irving, please.
|
|
1:19:30
|
Who is this guy? Who are you? Huh?
|
Who is this guy?
Who are you? Huh?
|
|
1:19:33
|
What are you, a farmer?
|
What are you, a farmer?
|
|
1:19:34
|
- This is, uh... - Mr. Tellegio, I'm sorry.
|
- This is, uh...
- Mr. Tellegio, I'm sorry.
|
|
1:19:36
|
- This is Irving. - Irving.
|
- This is Irving.
- Irving.
|
|
1:19:38
|
This is Irving Rosenfeld.
|
This is Irving Rosenfeld.
|
|
1:19:39
|
- Irving, Irving. - Yes. New York businessman.
|
- Irving, Irving.
- Yes. New York businessman.
|
|
1:19:42
|
What's the matter, Irving? What's the problem?
|
What's the matter, Irving?
What's the problem?
|
|
1:19:45
|
Nothing. No problem.
|
Nothing.
No problem.
|
|
1:19:46
|
Eh, you know, don't get your balls in an uproar.
|
Eh, you know, don't get
your balls in an uproar.
|
|
1:19:48
|
Everything's fine, everything's good.
|
Everything's fine,
everything's good.
|
|
1:19:50
|
It's all good, it's all good.
|
It's all good, it's all good.
|
|
1:19:52
|
It's all good. I just hope...
|
It's all good. I just hope...
|
|
1:19:54
|
...the other part of this is all good.
|
...the other part of this is all good.
|
|
1:19:56
|
And real. Because we're real.
|
And real.
Because we're real.
|
|
1:19:59
|
- You know that. - Yes. That's correct.
|
- You know that.
- Yes. That's correct.
|
|
1:20:00
|
You deal with us, we're a real organization.
|
You deal with us,
we're a real organization.
|
|
1:20:03
|
We're dealing with you, we don't know what we're dealing with.
|
We're dealing with you, we don't
know what we're dealing with.
|
|
1:20:13
|
Where is he from?
|
Where is he from?
|
|
1:20:15
|
Abu Dhabi.
|
Abu Dhabi.
|
|
1:20:16
|
- Oh, he's from the Emirates. - Yeah.
|
- Oh, he's from the Emirates.
- Yeah.
|
|
1:20:19
|
Can I count on you?
|
Can I count on you?
|
|
1:20:21
|
You gotta be honest about this. Did you understand me?
|
You gotta be honest about this.
Did you understand me?
|
|
1:20:24
|
"Good" means good.
|
"Good" means good.
|
|
1:20:26
|
No bullshit.
|
No bullshit.
|
|
1:20:32
|
Did you hear what I said?
|
Did you hear what I said?
|
|
1:20:34
|
Do you want me to repeat it?
|
Do you want me to repeat it?
|
|
1:20:41
|
What do you think now?
|
What do you think now?
|
|
1:20:42
|
Tell me.
|
Tell me.
|
|
1:20:45
|
Tell me.
|
Tell me.
|
|
1:20:51
|
Uh.
|
Uh.
|
|
1:20:56
|
I think... I think, what is, uh...
|
I think...
I think, what is, uh...
|
|
1:20:58
|
No, no, let him speak for himself.
|
No, no,
let him speak for himself.
|
|
1:21:01
|
Uh...
|
Uh...
|
|
1:21:03
|
It's ok. He's a friend of mine.
|
It's ok.
He's a friend of mine.
|
|
1:21:04
|
- It's ok, - I know him, I know him.
|
- It's ok,
- I know him, I know him.
|
|
1:21:06
|
I know him, he's a friend of mine.
|
I know him,
he's a friend of mine.
|
|
1:21:07
|
You guys are way too serious for a party.
|
You guys are way too
serious for a party.
|
|
1:21:09
|
Holy cow. What are you drinking?
|
Holy cow.
What are you drinking?
|
|
1:21:11
|
- Hey, Al, listen to me. - You got a drink?
|
- Hey, Al, listen to me.
- You got a drink?
|
|
1:21:12
|
- We're in a very serious meeting. - I apologize.
|
- We're in a very serious meeting.
- I apologize.
|
|
1:21:14
|
- You got to come with me now. - You got a speech that...
|
- You got to come with me now.
- You got a speech that...
|
|
1:21:16
|
- Everybody's waiting for you. - Al, I'll be right behind you.
|
- Everybody's waiting for you.
- Al, I'll be right behind you.
|
|
1:21:18
|
- Ok, trust me. Right behind you, ok? - Come on.
|
- Ok, trust me. Right behind you, ok?
- Come on.
|
|
1:21:20
|
It'll be great doing business with you.
|
It'll be great
doing business with you.
|
|
1:21:23
|
The investment is real.
|
The investment is real.
|
|
1:21:26
|
It was a pleasure to meet you.
|
It was a pleasure to meet you.
|
|
1:21:30
|
What are the fucking odds of an Italian guy from Miami knowing Arabic?
|
What are the fucking odds of an
Italian guy from Miami knowing Arabic?
|
|
1:21:34
|
It turns out he's got casino investments in the Mid-east...
|
It turns out he's got casino
investments in the Mid-east...
|
|
1:21:36
|
...and he spent two years learning it Io keep the upper hand.
|
...and he spent two years learning
it Io keep the upper hand.
|
|
1:21:39
|
Listen to me carefully.
|
Listen to me carefully.
|
|
1:21:42
|
If you really put $10 million...
|
If you really put $10 million...
|
|
1:21:43
|
...in the bank of our choice in the next two weeks.
|
...in the bank of our choice
in the next two weeks.
|
|
1:21:45
|
Carmine, listen to me carefully.
|
Carmine, listen to me carefully.
|
|
1:21:46
|
If you really put $10 million...
|
If you really put $10 million...
|
|
1:21:48
|
...in the bank of our choice in the next two weeks...
|
...in the bank of our choice
in the next two weeks...
|
|
1:21:49
|
...or not only will the sheik feel insulted...
|
...or not only will
the sheik feel insulted...
|
|
1:21:52
|
...but our friends in Florida will feel deeply disrespected.
|
...but our friends in Florida
will feel deeply disrespected.
|
|
1:21:55
|
So will I.
|
So will I.
|
|
1:22:06
|
What a girl.
|
What a girl.
|
|
1:22:07
|
Rosalyn, you need to come with me, all right?
|
Rosalyn, you need to
come with me, all right?
|
|
1:22:09
|
Oh, I need to come with you?
|
Oh, I need to come with you?
|
|
1:22:10
|
Yeah, you need to come with me, this needs to stop, all right?
|
Yeah, you need to come with me,
this needs to stop, all right?
|
|
1:22:12
|
Oh, you think I should come with you? Why don't you go...
|
Oh, you think I should come with you?
Why don't you go...
|
|
1:22:14
|
Get your fucking hands off me, you fucking whore.
|
Get your fucking hands off me,
you fucking whore.
|
|
1:22:16
|
- You're a whore. - Oh, ok. That's really nice.
|
- You're a whore.
- Oh, ok. That's really nice.
|
|
1:22:18
|
We're not gonna do this in the Ocean Room tonight, please.
|
We're not gonna do this in the
Ocean Room tonight, please.
|
|
1:22:20
|
This is my husband's whore!
|
This is my husband's whore!
|
|
1:22:22
|
You know, you stay here right now, darling.
|
You know, you stay
here right now, darling.
|
|
1:22:24
|
- Please, please, please. - You stay over here with me.
|
- Please, please, please.
- You stay over here with me.
|
|
1:22:25
|
Everybody just calm down. I don't know what's going on.
|
Everybody just calm down.
I don't know what's going on.
|
|
1:22:27
|
You all right? Take it easy, ok?
|
You all right?
Take it easy, ok?
|
|
1:22:30
|
- All right. - These things happen.
|
- All right.
- These things happen.
|
|
1:22:31
|
Whatever's meant to be is meant to be.
|
Whatever's meant
to be is meant to be.
|
|
1:22:33
|
- All right? - I always say that.
|
- All right?
- I always say that.
|
|
1:22:35
|
- You say that? - Yeah.
|
- You say that?
- Yeah.
|
|
1:22:36
|
See, kindred spirits.
|
See, kindred spirits.
|
|
1:22:37
|
- Whatever's meant to be will be. - Whatever's meant to be will be.
|
- Whatever's meant to be will be.
- Whatever's meant to be will be.
|
|
1:22:55
|
What the hell do you think you're doing?
|
What the hell do you
think you're doing?
|
|
1:22:56
|
What do I think I'm doing? Yeah.
|
What do I think I'm doing? Yeah.
|
|
1:22:58
|
What the fuck do you think you're doing?
|
What the fuck do you
think you're doing?
|
|
1:22:59
|
You're gonna come in here and judge me...
|
You're gonna come
in here and judge me...
|
|
1:23:00
|
...for flirting with someone after you've been fucking
|
...for flirting with someone
after you've been fucking
|
|
1:23:02
|
- ...my husband for how many years? - I'm not fucking judging you.
|
- ...my husband for how many years?
- I'm not fucking judging you.
|
|
1:23:04
|
You don't have any fucking clue what's going on!
|
You don't have any fucking
clue what's going on!
|
|
1:23:05
|
I got a ring on my finger.
|
I got a ring
on my finger.
|
|
1:23:07
|
We have a child together.
|
We have a child together.
|
|
1:23:09
|
He doesn't love you, Rosalyn.
|
He doesn't love you,
Rosalyn.
|
|
1:23:10
|
He loves me, and you know it, and I know it, and he knows it.
|
He loves me, and you know it,
and I know it, and he knows it.
|
|
1:23:14
|
And it might be done now, but it was beautiful and it was real.
|
And it might be done now, but it
was beautiful and it was real.
|
|
1:23:17
|
- Stop it. - And we loved each other.
|
- Stop it.
- And we loved each other.
|
|
1:23:18
|
- Shut up. - You scare him...
|
- Shut up.
- You scare him...
|
|
1:23:20
|
...and you manipulate him, and you use your son.
|
...and you manipulate him,
and you use your son.
|
|
1:23:26
|
Well, he must like it on some level. He must want it...
|
Well, he must like it on some level.
He must want it...
|
|
1:23:28
|
...because he keeps coming back for it.
|
...because he keeps
coming back for it.
|
|
1:23:30
|
It's like that perfume that you love that you can't stop smelling...
|
It's like that perfume that you
love that you can't stop smelling...
|
|
1:23:32
|
even when there's something sour in it.
|
even when there's
something sour in it.
|
|
1:23:35
|
You can't get enough of it.
|
You can't get enough of it.
|
|
1:23:37
|
But guess what? He's never gonna leave me.
|
But guess what?
He's never gonna leave me.
|
|
1:23:40
|
He's always going to want me...
|
He's always
going to want me...
|
|
1:23:42
|
...and I will make you so sorry, Edith.
|
...and I will make
you so sorry, Edith.
|
|
1:23:45
|
I will make you so sorry for what you've done to my family.
|
I will make you so sorry for
what you've done to my family.
|
|
1:23:48
|
- Mark my words. - That is fucked-up.
|
- Mark my words.
- That is fucked-up.
|
|
1:23:51
|
I would never say anything that fucked-up to anybody...
|
I would never say anything
that fucked-up to anybody...
|
|
1:23:53
|
...but you do because you're gross inside.
|
...but you do because
you're gross inside.
|
|
1:23:55
|
- You're so fucked-up and gross. Yeah. - Oh, I'm gross inside?
|
- You're so fucked-up and gross. Yeah.
- Oh, I'm gross inside?
|
|
1:23:57
|
Maybe you're gross inside.
|
Maybe you're gross inside.
|
|
1:23:58
|
What, robbing people and all that shit that you do.
|
What, robbing people and
all that shit that you do.
|
|
1:24:00
|
Maybe we're both gross inside. That's what Irving loves about us.
|
Maybe we're both gross inside.
That's what Irving loves about us.
|
|
1:24:03
|
At least he's consistent.
|
At least he's consistent.
|
|
1:24:04
|
You know, sometimes in life, all you have are fucked-up'...
|
You know, sometimes in life,
all you have are fucked-up'...
|
|
1:24:08
|
...poisonous choices.
|
...poisonous choices.
|
|
1:24:19
|
Jesus Christ.
|
Jesus Christ.
|
|
1:24:23
|
"How can you stop the rain from falling down?"
|
"How can you stop the rain
from falling down?"
|
|
1:24:29
|
"How can you stop the sun from shining?"
|
"How can you stop
the sun from shining?"
|
|
1:24:36
|
"What makes the world go round?"
|
"What makes the world
go round?"
|
|
1:24:47
|
"I can still feel the breeze that rustles through the trees,"
|
"I can still feel the breeze
that rustles through the trees,"
|
|
1:24:54
|
"And misty memories of days gone by."
|
"And misty memories
of days gone by."
|
|
1:25:00
|
"We could never see tomorrow."
|
"We could never see tomorrow."
|
|
1:25:07
|
"No one said a word about the sorrow."
|
"No one said a word
about the sorrow."
|
|
1:25:16
|
"And how can you mend a broken heart?"
|
"And how can you mend
a broken heart?"
|
|
1:25:27
|
"How can you stop the rain from falling down?"
|
"How can you stop the rain
from falling down?"
|
|
1:25:31
|
Ladies and gentlemen, our friend...
|
Ladies and gentlemen, our friend...
|
|
1:25:33
|
...the working man's friend, my friend, Mayor Carmine Polito!
|
...the working man's friend, my friend,
Mayor Carmine Polito!
|
|
1:25:43
|
Hello, Camden.
|
Hello, Camden.
|
|
1:25:45
|
Hello, New Jersey.
|
Hello, New Jersey.
|
|
1:25:47
|
- Hello, Atlantic City! - How can you mend this broken man?
|
- Hello, Atlantic City!
- How can you mend this broken man?
|
|
1:25:54
|
"How can a loser ever win?"
|
"How can a loser ever win?"
|
|
1:25:58
|
A lot of my friends have been out of work.
|
A lot of my friends
have been out of work.
|
|
1:26:01
|
A lot of good working families just want to work and live.
|
A lot of good working families
just want to work and live.
|
|
1:26:07
|
They say there's no money nowhere.
|
They say there's
no money nowhere.
|
|
1:26:10
|
You got to be kidding me.
|
You got to be kidding me.
|
|
1:26:13
|
Don't they know who built this country?
|
Don't they know who
built this country?
|
|
1:26:18
|
But one thing we can all agree upon in the state of New Jersey...
|
But one thing we can all agree
upon in the state of New Jersey...
|
|
1:26:21
|
...is that we never, never, ever give up. Do we?
|
...is that we never, never,
ever give up. Do we?
|
|
1:26:25
|
No!
|
No!
|
|
1:26:30
|
Please, raise a glass with me...
|
Please, raise a glass with me...
|
|
1:26:34
|
...to a new era that begins tonight.
|
...to a new era
that begins tonight.
|
|
1:26:38
|
From me and my family...
|
From me and my family...
|
|
1:26:41
|
...we thank you...
|
...we thank you...
|
|
1:26:43
|
...for all the hard work that you've given us in the community.
|
...for all the hard work that you've
given us in the community.
|
|
1:26:48
|
Look what you've done. This is beautiful.
|
Look what you've done.
This is beautiful.
|
|
1:26:51
|
Thank you.
|
Thank you.
|
|
1:28:15
|
Edith!
|
Edith!
|
|
1:28:23
|
Use your phone?
|
Use your phone?
|
|
1:28:29
|
Last night was insane. I got it all figured out.
|
Last night was insane.
I got it all figured out.
|
|
1:28:36
|
Stoddard Thorsen.
|
Stoddard Thorsen.
|
|
1:28:38
|
Listen, I need the Sherman Suite at the Plaza Hotel, ok?
|
Listen, I need the Sherman Suite
at the Plaza Hotel, ok?
|
|
1:28:42
|
That's a whole floor of the hotel.
|
That's a whole
floor of the hotel.
|
|
1:28:43
|
No, no, no, no, I need the whole floor. I need it for my operation.
|
No, no, no, no, I need the whole floor.
I need it for my operation.
|
|
1:28:47
|
Stop calling it your operation, Richard. It's not your operation...
|
Stop calling it your operation, Richard.
It's not your operation...
|
|
1:28:50
|
...and I'm not giving you a whole floor of the Plaza Hotel.
|
...and I'm not giving you a whole
floor of the Plaza Hotel.
|
|
1:28:53
|
I have members of Congress that are gonna come in right now...
|
I have members of Congress that
are gonna come in right now...
|
|
1:28:55
|
...and try to give the sheik citizenship, all right?
|
...and try to give the sheik
citizenship, all right?
|
|
1:28:57
|
They're taking bribes.
|
They're taking bribes.
|
|
1:28:59
|
That's happening right now. That's what's happening right now.
|
That's happening right now.
That's what's happening right now.
|
|
1:29:01
|
Bribing members of Congress? Are you out of your fucking mind?
|
Bribing members of Congress?
Are you out of your fucking mind?
|
|
1:29:05
|
Stoddard, Stoddard, no, shut up!
|
Stoddard, Stoddard, no, shut up!
|
|
1:29:06
|
Listen, do you know who Victor Tellegio is?
|
Listen, do you know
who Victor Tellegio is?
|
|
1:29:08
|
Victor Tellegio. Works for Meyer Lansky. You know who that is?
|
Victor Tellegio. Works for Meyer Lansky.
You know who that is?
|
|
1:29:12
|
- I know who Victor... - Resorts International, all right?
|
- I know who Victor...
- Resorts International, all right?
|
|
1:29:15
|
He wants $10 million. I have two weeks, I have two...
|
He wants $10 million. I have
two weeks, I have two...
|
|
1:29:18
|
Listen to me, just listen to me. Listen to me!
|
Listen to me, just listen to me.
Listen to me!
|
|
1:29:21
|
You're not listening to me!
|
You're not
listening to me!
|
|
1:29:23
|
I have two weeks!
|
I have two weeks!
|
|
1:29:24
|
I have two weeks to put this thing together.
|
I have two weeks to
put this thing together.
|
|
1:29:26
|
And I need you to get me the Sherman Suite at the Plaza Hotel!
|
And I need you to get me the
Sherman Suite at the Plaza Hotel!
|
|
1:29:29
|
- Lower your voice. - And you're gonna fucking do it!
|
- Lower your voice.
- And you're gonna fucking do it!
|
|
1:29:32
|
You don't get to say what happens and you don't get to yell at me.
|
You don't get to say what happens
and you don't get to yell at me.
|
|
1:29:38
|
Calm me down, baby.
|
Calm me down, baby.
|
|
1:29:39
|
Calm me down.
|
Calm me down.
|
|
1:29:42
|
You've got to calm me down.
|
You've got to calm me down.
|
|
1:29:44
|
You got to calm me down, baby.
|
You got to calm
me down, baby.
|
|
1:29:47
|
You got to calm me down.
|
You got to calm me down.
|
|
1:29:52
|
You got to calm me down, baby.
|
You got to calm
me down, baby.
|
|
1:29:53
|
Let's do it, let's do this right now.
|
Let's do it,
let's do this right now.
|
|
1:29:54
|
- No, no, no. - Let's do it.
|
- No, no, no.
- Let's do it.
|
|
1:29:55
|
- We're not gonna do it unless... - No, I want to do it right now.
|
- We're not gonna do it unless...
- No, I want to do it right now.
|
|
1:29:57
|
I want to do this right now.
|
I want to do
this right now.
|
|
1:29:59
|
- I want you so bad. Look at your skin. - No, no, no.
|
- I want you so bad. Look at your skin.
- No, no, no.
|
|
1:30:00
|
Oh, my God, your fucking skin is glowing.
|
Oh, my God, your fucking
skin is glowing.
|
|
1:30:02
|
No, no, no. Baby, your fucking skin is glowing.
|
No, no, no. Baby, your
fucking skin is glowing.
|
|
1:30:04
|
We're not gonna go all the way until we do it for real.
|
We're not gonna go all the
way until we do it for real.
|
|
1:30:05
|
- I want to do it now. - Remember, we agreed on that...
|
- I want to do it now.
- Remember, we agreed on that...
|
|
1:30:07
|
That's what we agreed on, all right?
|
That's what we agreed
on, all right?
|
|
1:30:08
|
So we're not gonna do that, all right?
|
So we're not gonna
do that, all right?
|
|
1:30:10
|
All right? Where are you?
|
All right?
Where are you?
|
|
1:30:12
|
- I'm here. - You're acting all scary.
|
- I'm here.
- You're acting all scary.
|
|
1:30:13
|
- Honey, I'm here, ok? Yeah. - Ok, are you here with me?
|
- Honey, I'm here, ok? Yeah.
- Ok, are you here with me?
|
|
1:30:15
|
I love you.
|
I love you.
|
|
1:30:19
|
It is real now. I just... I just said it.
|
It is real now.
I just... I just said it.
|
|
1:30:22
|
So now's the time.
|
So now's the time.
|
|
1:30:24
|
Look at me, look at me.
|
Look at me,
look at me.
|
|
1:30:25
|
I love you.
|
I love you.
|
|
1:30:31
|
I just said that.
|
I just said that.
|
|
1:30:33
|
I'm in love with you.
|
I'm in love with you.
|
|
1:30:51
|
Do you want the truth? You want real? Yeah.
|
Do you want the truth?
You want real? Yeah.
|
|
1:30:53
|
You want real, ok.
|
You want real, ok.
|
|
1:30:55
|
I'm ready for real.
|
I'm ready for real.
|
|
1:30:57
|
This is real. Do you hear my voice, huh?
|
This is real.
Do you hear my voice, huh?
|
|
1:31:01
|
This is real.
|
This is real.
|
|
1:31:03
|
This is real, what you hear is real.
|
This is real,
what you hear is real.
|
|
1:31:06
|
This is real.
|
This is real.
|
|
1:31:07
|
What?
|
What?
|
|
1:31:10
|
- This is me. - What do you mean?
|
- This is me.
- What do you mean?
|
|
1:31:12
|
What, are you doing an accent?
|
What, are you
doing an accent?
|
|
1:31:13
|
The American accent?
|
The American accent?
|
|
1:31:14
|
No, there is no English.
|
No, there is no English.
|
|
1:31:15
|
There's only American, there is no English.
|
There's only American,
there is no English.
|
|
1:31:18
|
I'm not...
|
I'm not...
|
|
1:31:19
|
What are you talking about?
|
What are you talking about?
|
|
1:31:21
|
Stop it. You're Edith, you're Edith Greensly. No.
|
Stop it. You're Edith,
you're Edith Greensly. No.
|
|
1:31:23
|
Not royal, but you're British. I checked your records.
|
Not royal, but you're British.
I checked your records.
|
|
1:31:25
|
No, I falsified my records back to birth.
|
No, I falsified
my records back to birth.
|
|
1:31:28
|
I falsified them. I...
|
I falsified them.
I...
|
|
1:31:32
|
My name is Sydney Presser, and I'm from Albuquerque, New Mexico.
|
My name is Sydney Presser, and I'm
from Albuquerque, New Mexico.
|
|
1:31:37
|
I'm not Edith Greensly. There is no Edith Greensly.
|
I'm not Edith Greensly.
There is no Edith Greensly.
|
|
1:31:50
|
You're freaking me out.
|
You're freaking me out.
|
|
1:32:01
|
No, you said in the stall...
|
No, you said in the stall...
|
|
1:32:03
|
...that we were gonna be real...
|
...that we were gonna be real...
|
|
1:32:06
|
...and that we weren't gonna fake it.
|
...and that we weren't
gonna fake it.
|
|
1:32:08
|
I'm being real now.
|
I'm being real now.
|
|
1:32:10
|
This is who I am. I'm Sydney Prosser, ok?
|
This is who I am. I'm
Sydney Prosser, ok?
|
|
1:32:14
|
So...
|
So...
|
|
1:32:15
|
Why did you do an English accent after that?
|
Why did you do an English
accent after that?
|
|
1:32:21
|
I'm sorry I didn't tell you in the stall.
|
I'm sorry I didn't
tell you in the stall.
|
|
1:32:23
|
I created Edith because I needed her to survive, ok?
|
I created Edith because I
needed her to survive, ok?
|
|
1:32:26
|
But I'm done with that now.
|
But I'm done with that now.
|
|
1:32:27
|
I'm so fucking done with it.
|
I'm so fucking done with it.
|
|
1:32:30
|
All right, like, you do what you need to survive, right?
|
All right, like, you do what
you need to survive, right?
|
|
1:32:31
|
You, like...
|
You, like...
|
|
1:32:34
|
You, um, you know, you live with your mom.
|
You, um, you know,
you live with your mom.
|
|
1:32:37
|
You have a fiancé you don't even acknowledge, right?
|
You have a fiancé you don't
even acknowledge, right?
|
|
1:32:39
|
That's what you do, and you curl your hair...
|
That's what you do,
and you curl your hair...
|
|
1:32:41
|
...in little fucking curlers, which is...
|
...in little fucking curlers,
which is...
|
|
1:32:44
|
No, it's ok. You look good with it, but...
|
No, it's ok.
You look good with it, but...
|
|
1:32:46
|
You know, you have straight hair. So that's what you do to survive.
|
You know, you have straight hair.
So that's what you do to survive.
|
|
1:32:49
|
You do all sorts of things, you know?
|
You do all sorts
of things, you know?
|
|
1:32:50
|
We all do.
|
We all do.
|
|
1:32:52
|
Please don't talk about that.
|
Please don't talk about that.
|
|
1:32:56
|
I'm confused. I'm confused.
|
I'm confused.
I'm confused.
|
|
1:32:59
|
I'm fucking confused, too, all right?
|
I'm fucking confused,
too, all right?
|
|
1:33:00
|
I think we should fuck, and then we'll feel it...
|
I think we should fuck,
and then we'll feel it...
|
|
1:33:04
|
...and then we won't be confused anymore.
|
...and then we won't
be confused anymore.
|
|
1:33:09
|
No, I want to talk. I don't want to fuck, ok?
|
No, I want to talk.
I don't want to fuck, ok?
|
|
1:33:11
|
- No. No. - I think that will be better.
|
- No. No.
- I think that will be better.
|
|
1:33:14
|
- No. - Let's just see how we feel.
|
- No.
- Let's just see how we feel.
|
|
1:33:15
|
No, I'm not fucking you! I'm not fucking fucking you!
|
No, I'm not fucking you!
I'm not fucking fucking you!
|
|
1:33:21
|
Oh, shit.
|
Oh, shit.
|
|
1:33:26
|
Oh, my God.
|
Oh, my God.
|
|
1:33:32
|
Can you please step away from Edith?
|
Can you please
step away from Edith?
|
|
1:33:33
|
What the... Please, I'm asking you nicely.
|
What the... Please, I'm
asking you nicely.
|
|
1:33:34
|
Please step away from Edith right now.
|
Please step away
from Edith right now.
|
|
1:33:36
|
Come on, step away from her. Please.
|
Come on, step away
from her. Please.
|
|
1:33:38
|
You mean Sydney?
|
You mean Sydney?
|
|
1:33:43
|
I told him. I'm sorry.
|
I told him. I'm sorry.
|
|
1:33:46
|
I just don't give a fuck anymore.
|
I just don't give a fuck anymore.
|
|
1:33:47
|
I don't give a fuck, I don't fucking care.
|
I don't give a fuck,
I don't fucking care.
|
|
1:33:50
|
I don't fucking...
|
I don't fucking...
|
|
1:33:52
|
Irving has a gun, huh?
|
Irving has a gun, huh?
|
|
1:33:55
|
What Richie's got us into, is worse than jail.
|
What Richie's got us
into, is worse than jail.
|
|
1:33:58
|
I told you last night, don't sit down with those goons.
|
I told you last night,
don't sit down with those goons.
|
|
1:34:01
|
And what? Now what, huh?
|
And what?
Now what, huh?
|
|
1:34:03
|
No one's getting $10 million for Tellegio. It's over.
|
No one's getting $10 million
for Tellegio. It's over.
|
|
1:34:06
|
I don't think so.
|
I don't think so.
|
|
1:34:07
|
What? What do you mean?
|
What?
What do you mean?
|
|
1:34:12
|
Because when Tellegio finds out what happened...
|
Because when Tellegio
finds out what happened...
|
|
1:34:13
|
...you think he's gonna go after me?
|
...you think he's
gonna go after me?
|
|
1:34:16
|
Someone from the Bureau?
|
Someone from the Bureau?
|
|
1:34:18
|
Or he's gonna go after a politician?
|
Or he's gonna go after a politician?
|
|
1:34:21
|
He's gonna kill you.
|
He's gonna kill you.
|
|
1:34:24
|
And he's gonna go after your son...
|
And he's gonna go after your son...
|
|
1:34:28
|
...and Sydney.
|
...and Sydney.
|
|
1:34:37
|
Stoddard Thorsen.
|
Stoddard Thorsen.
|
|
1:34:38
|
You got to get me the Sherman Suite. The whole ?oor.
|
You got to get me the Sherman Suite.
The whole ?oor.
|
|
1:34:42
|
That's a no. I said no, wacko. Jesus.
|
That's a no.
I said no, wacko. Jesus.
|
|
1:34:45
|
Then you're gonna tell me the point of that fucking fishing story.
|
Then you're gonna tell me the point
of that fucking fishing story.
|
|
1:34:49
|
Not the way you're behaving.
|
Not the way you're behaving.
|
|
1:34:51
|
What's the matter with you? Where are you right now?
|
What's the matter with you?
Where are you right now?
|
|
1:34:53
|
I... Why does that make a difference?
|
I... Why does that
make a difference?
|
|
1:34:54
|
Just tell me where the fuck you are.
|
Just tell me where
the fuck you are.
|
|
1:34:56
|
The field office on 61st Street.
|
The field office
on 61st Street.
|
|
1:34:58
|
I'm coming to 61st Street right now.
|
I'm coming to 61st
Street right now.
|
|
1:35:01
|
- You're gonna do what? - To beat your ass.
|
- You're gonna do what?
- To beat your ass.
|
|
1:35:05
|
You're gonna what?
|
You're gonna what?
|
|
1:35:14
|
You were right.
|
You were right.
|
|
1:35:17
|
Should've gone away.
|
Should've gone away.
|
|
1:35:20
|
I should've gone away with you.
|
I should've
gone away with you.
|
|
1:35:22
|
We were supposed to do it from the feet up, like you always said.
|
We were supposed to do it from the
feet up, like you always said.
|
|
1:35:25
|
That's how we were meant to do it, only you didn't do it like that.
|
That's how we were meant to do it,
only you didn't do it like that.
|
|
1:35:28
|
You didn't do it like that.
|
You didn't do it like that.
|
|
1:35:29
|
You played it safe, so there was always a danger...
|
You played it safe,
so there was always a danger...
|
|
1:35:31
|
...you were gonna end up with Rosalyn in the dead space...
|
...you were gonna end up with
Rosalyn in the dead space...
|
|
1:35:34
|
...floating on some dead spaceship with the furnitures and the curtains.
|
...floating on some dead spaceship
with the furnitures and the curtains.
|
|
1:35:39
|
And I was your lifeline out, and you were mine...
|
And I was your lifeline out,
and you were mine...
|
|
1:35:41
|
...and that was ok, you know?
|
...and that was ok,
you know?
|
|
1:35:45
|
I wish I could get you back.
|
I wish I could get you back.
|
|
1:35:51
|
Yeah.
|
Yeah.
|
|
1:35:59
|
You know I can't do it without you.
|
You know I can't do it without you.
|
|
1:36:02
|
You know that.
|
You know that.
|
|
1:36:07
|
Come on.
|
Come on.
|
|
1:36:09
|
Me, you and Danny, like we said.
|
Me, you and Danny,
like we said.
|
|
1:36:12
|
Like I said.
|
Like I said.
|
|
1:36:14
|
You never said that. I said that.
|
You never said that.
I said that.
|
|
1:36:19
|
We got to get over on all these guys.
|
We got to get over
on all these guys.
|
|
1:36:22
|
That's what we need to be thinking about right now.
|
That's what we need to be
thinking about right now.
|
|
1:36:27
|
Fuck, shit, that's, uh...
|
Fuck, shit, that's, uh...
|
|
1:36:31
|
That's big.
|
That's big.
|
|
1:36:33
|
That's fucking crazy.
|
That's fucking crazy.
|
|
1:36:42
|
Whatever it is...
|
Whatever it is...
|
|
1:36:46
|
...it's got to be the best we've ever done.
|
...it's got to be the best
we've ever done.
|
|
1:36:54
|
Ok?
|
Ok?
|
|
1:37:01
|
"Agent DiMaso called me late on the night of the 21st."
|
"Agent DiMaso called me
late on the night of the 21st."
|
|
1:37:04
|
"I believe that he was intoxicated."
|
"I believe that he was intoxicated."
|
|
1:37:07
|
"He threatened me. I told him this was inappropriate."
|
"He threatened me.
I told him this was inappropriate."
|
|
1:37:10
|
"Procedures exist for purposes that we must respect."
|
"Procedures exist for purposes
that we must respect."
|
|
1:37:15
|
"This is the third such call I received from Agent DiMaso."
|
"This is the third such call
I received from Agent DiMaso."
|
|
1:37:18
|
"He called me again on the night of the 5th at 2:00 a.m....
|
"He called me again on the
night of the 5th at 2:00 a.m....
|
|
1:37:22
|
...and he threatened to kill me."
|
...and he threatened to kill me."
|
|
1:37:24
|
"Subsequently, he demanded that I allow him...
|
"Subsequently, he
demanded that I allow him...
|
|
1:37:27
|
...to use the Sherman Suite of the Plaza Hotel...
|
...to use the Sherman
Suite of the Plaza Hotel...
|
|
1:37:30
|
....for purposes of bribing members of Congress."
|
....for purposes of bribing
members of Congress."
|
|
1:37:34
|
I...
|
I...
|
|
1:37:36
|
I am so sorry.
|
I am so sorry.
|
|
1:37:38
|
I'm not finished. There's a lot more.
|
I'm not finished.
There's a lot more.
|
|
1:37:44
|
I have nothing but the utmost respect for you as my mentor and...
|
I have nothing but the utmost
respect for you as my mentor and...
|
|
1:37:47
|
It's ok, it's ok.
|
It's ok, it's ok.
|
|
1:37:48
|
As my mentor and as...
|
As my mentor and as...
|
|
1:37:50
|
What are you doing?
|
What are you doing?
|
|
1:37:51
|
I just want to talk from my heart.
|
I just want
to talk from my heart.
|
|
1:37:53
|
I don't want to put it on record or anything. I want to get vulnerable.
|
I don't want to put it on record
or anything. I want to get vulnerable.
|
|
1:37:55
|
Can I finish my--
|
Can I finish my--
|
|
1:37:58
|
- Can I finish my statement? - Of course, of course.
|
- Can I finish my statement?
- Of course, of course.
|
|
1:38:00
|
That's why we're here.
|
That's why we're here.
|
|
1:38:02
|
I respect you.
|
I respect you.
|
|
1:38:03
|
I think you do other things besides respect me.
|
I think you do other
things besides respect me.
|
|
1:38:07
|
- Hello. - Hey, hey, hey.
|
- Hello.
- Hey, hey, hey.
|
|
1:38:08
|
Hey, hey, what are you doing?
|
Hey, hey,
what are you doing?
|
|
1:38:09
|
What are you doing?
|
What are you doing?
|
|
1:38:14
|
It's just hard for me to control my passion. I'm a very passionate person.
|
It's just hard for me to control my passion.
I'm a very passionate person.
|
|
1:38:17
|
We're from New York. You understand this.
|
We're from New York.
You understand this.
|
|
1:38:19
|
He goes ice fishing in the Mid-west.
|
He goes ice fishing
in the Mid-west.
|
|
1:38:21
|
That was told to you in confidence.
|
That was told
to you in confidence.
|
|
1:38:23
|
He's an ice fishing guy. Look at him.
|
He's an ice fishing guy.
Look at him.
|
|
1:38:28
|
What are you doing?
|
What are you doing?
|
|
1:38:29
|
It's not you, that's not you with the gun. Stop it.
|
It's not you, that's not
you with the gun. Stop it.
|
|
1:38:31
|
No, it's me, it's me.
|
No, it's me, it's me.
|
|
1:38:33
|
Don't do something you don't know anything about, all right?
|
Don't do something you don't
know anything about, all right?
|
|
1:38:36
|
- Wait, wait, put that... - I'll show you who gets shot.
|
- Wait, wait, put that...
- I'll show you who gets shot.
|
|
1:38:37
|
Do not load that gun!
|
Do not load that gun!
|
|
1:38:38
|
You drop that gun!
|
You drop that gun!
|
|
1:38:40
|
I'm not even gonna hit you.
|
I'm not even gonna hit you.
|
|
1:38:40
|
- Don't! Don't! - Watch this, fucko.
|
- Don't! Don't!
- Watch this, fucko.
|
|
1:38:48
|
So...
|
So...
|
|
1:38:50
|
You want to use the Sherman Suite?
|
You want to use the Sherman Suite?
|
|
1:38:52
|
- The entire floor? - Yes.
|
- The entire floor?
- Yes.
|
|
1:38:54
|
- Oh, God. - Of the Plaza Hotel.
|
- Oh, God.
- Of the Plaza Hotel.
|
|
1:38:56
|
What happened to the Mafia? I thought you...
|
What happened to the Mafia?
I thought you...
|
|
1:38:58
|
Yes, no, no, no, this is where they intersect.
|
Yes, no, no, no, this is
where they intersect.
|
|
1:38:59
|
This is where the two things intersect
|
This is where
the two things intersect
|
|
1:39:01
|
The two worlds, the politicians and the Mafia.
|
The two worlds, the
politicians and the Mafia.
|
|
1:39:03
|
Victor Tellegio's people, who run Resorts International...
|
Victor Tellegio's people, who
run Resorts International...
|
|
1:39:05
|
Wait a minute. Victor Tellegio showed his face?
|
Wait a minute. Victor
Tellegio showed his face?
|
|
1:39:08
|
Yeah, I sat with Victor Tellegio.
|
Yeah, I sat with Victor Tellegio.
|
|
1:39:10
|
I hung out with him.
|
I hung out with him.
|
|
1:39:11
|
Yeah, we can get him, we can get his whole organization...
|
Yeah, we can get him,
we can get his whole organization...
|
|
1:39:14
|
...as well as getting any number of congressmen.
|
...as well as getting
any number of congressmen.
|
|
1:39:18
|
I mean, that's just...
|
I mean, that's just...
|
|
1:39:19
|
That's just peeling the first layer of the onion.
|
That's just peeling the
first layer of the onion.
|
|
1:39:21
|
Wow.
|
Wow.
|
|
1:39:23
|
How you gonna do that?
|
How you gonna do that?
|
|
1:39:25
|
- We would get $10 million, that we-- - $10 million?
|
- We would get $10 million, that we--
- $10 million?
|
|
1:39:28
|
And that's how we just let them know we're for real.
|
And that's how we just let
them know we're for real.
|
|
1:39:29
|
$10 million?
|
$10 million?
|
|
1:39:30
|
All right, so what does he say he's gonna do for us?
|
All right, so what does he
say he's gonna do for us?
|
|
1:39:31
|
- How are we trapping him? - They're gonna promise...
|
- How are we trapping him?
- They're gonna promise...
|
|
1:39:33
|
...to build casinos, handle the skims, do the licensing...
|
...to build casinos, handle the
skims, do the licensing...
|
|
1:39:37
|
And you have what? You have him on tape saying this?
|
And you have what?
You have him on tape saying this?
|
|
1:39:40
|
You have that, right? No.
|
You have that, right? No.
|
|
1:39:42
|
I want you to find a safer way to get Victor Tellegio on a wire.
|
I want you to find a safer way to
get Victor Tellegio on a wire.
|
|
1:39:46
|
No $10 million. That's crazy.
|
No $10 million.
That's crazy.
|
|
1:39:48
|
- Thank you. - Right?
|
- Thank you.
- Right?
|
|
1:39:49
|
Even to entrap Tellegio, it's crazy.
|
Even to entrap Tellegio,
it's crazy.
|
|
1:39:52
|
But you can have the Sherman Suite.
|
But you can have
the Sherman Suite.
|
|
1:39:55
|
- No, no. - Stoddard, please.
|
- No, no.
- Stoddard, please.
|
|
1:39:57
|
- To go and get me some congressmen. - Oh, my God.
|
- To go and get me some congressmen.
- Oh, my God.
|
|
1:40:00
|
Go get some congressmen taking bribes.
|
Go get some congressmen
taking bribes.
|
|
1:40:03
|
I want to pinch us some congressmen, ok?
|
I want to pinch us some
congressmen, ok?
|
|
1:40:05
|
You come back to me, I'm proud of you.
|
You come back to me,
I'm proud of you.
|
|
1:40:08
|
Thank you.
|
Thank you.
|
|
1:40:09
|
And Stoddard.
|
And Stoddard.
|
|
1:40:11
|
Good luck keeping your job, by the way...
|
Good luck keeping
your job, by the way...
|
|
1:40:13
|
...and staying out of jail, and not being killed by the Mob...
|
...and staying out of jail, and
not being killed by the Mob...
|
|
1:40:16
|
...but otherwise, you're doing a great job.
|
...but otherwise,
you're doing a great job.
|
|
1:40:20
|
What's the end of the ice fishing story?
|
What's the end of
the ice fishing story?
|
|
1:40:21
|
I'm not telling you the end of the ice fishing story!
|
I'm not telling you the end
of the ice fishing story!
|
|
1:40:22
|
I'm gonna call your fucking brother and find out the end.
|
I'm gonna call your fucking brother
and find out the end.
|
|
1:40:24
|
My brother's dead!
|
My brother's dead!
|
|
1:40:25
|
That's how it ends!
|
That's how it ends!
|
|
1:40:26
|
He fell through the fucking ice!
|
He fell through
the fucking ice!
|
|
1:40:28
|
Not, that's not... He died a different way, many years later.
|
Not, that's not... He died a
different way, many years later.
|
|
1:40:38
|
Listen, I know it's awkward, and, uh,
|
Listen, I know
it's awkward, and, uh,
|
|
1:40:41
|
I just wanted to say I'm sorry, all right?
|
I just wanted to say
I'm sorry, all right?
|
|
1:40:43
|
But I think we can stick together and, uh, still fulfill our goal.
|
But I think we can stick together
and, uh, still fulfill our goal.
|
|
1:40:46
|
- I mean, we got the Sherman Suite. - Yeah, you got the whole floor?
|
- I mean, we got the Sherman Suite.
- Yeah, you got the whole floor?
|
|
1:40:49
|
- Got the whole floor, yeah. - Whole floor?
|
- Got the whole floor, yeah.
- Whole floor?
|
|
1:40:50
|
That's good.
|
That's good.
|
|
1:40:51
|
Yeah, you ok?
|
Yeah, you ok?
|
|
1:40:53
|
Yeah. You?
|
Yeah. You?
|
|
1:40:54
|
Yeah, you know, it's all right. Just got hit a little bit.
|
Yeah, you know, it's all right.
Just got hit a little bit.
|
|
1:40:57
|
My eye is a little blurry.
|
My eye is a little blurry.
|
|
1:40:59
|
I got drops at the pharmacy.
|
I got drops at the pharmacy.
|
|
1:41:01
|
- Uh, you ok? - Yeah, I'm good.
|
- Uh, you ok?
- Yeah, I'm good.
|
|
1:41:03
|
- Listen, I'm sorry. - Yeah.
|
- Listen, I'm sorry.
- Yeah.
|
|
1:41:04
|
I'm sorry.
|
I'm sorry.
|
|
1:41:06
|
I'm sorry, Irv.
|
I'm sorry, Irv.
|
|
1:41:12
|
You can put a camera here.
|
You can put a camera here.
|
|
1:41:13
|
Right in here, maybe, and we get it all on film.
|
Right in here, maybe,
and we get it all on film.
|
|
1:41:16
|
- You like it? - We do.
|
- You like it?
- We do.
|
|
1:41:17
|
You know what, give me those flowers.
|
You know what,
give me those flowers.
|
|
1:41:18
|
If we put the flower vase here, put a camera in there...
|
If we put the flower vase
here, put a camera in there...
|
|
1:41:21
|
...and then we can get a clear shot of the couch...
|
...and then we can get
a clear shot of the couch...
|
|
1:41:22
|
...where we can put the congressmen.
|
...where we can put the congressmen.
|
|
1:41:23
|
That's right. That's the idea.
|
That's right. That's the idea.
|
|
1:41:25
|
And Carmine will go to jail after he delivers us...
|
And Carmine will go
to jail after he delivers us...
|
|
1:41:27
|
...congressmen soon-to-be felons.
|
...congressmen soon-to-be felons.
|
|
1:41:29
|
- We really need the help. - Please sit down.
|
- We really need the help.
- Please sit down.
|
|
1:41:31
|
Representative of the congressman on the phone.
|
Representative of the congressman
on the phone.
|
|
1:41:33
|
I got to take this, you guys. Everyone out, please.
|
I got to take this, you guys.
Everyone out, please.
|
|
1:41:36
|
This is sad, it's just sad.
|
This is sad,
it's just sad.
|
|
1:41:38
|
Darling, please, I got to take this.
|
Darling, please, I got to take this.
|
|
1:41:39
|
Ok, sorry, everyone out. Go out.
|
Ok, sorry, everyone out.
Go out.
|
|
1:41:41
|
Congressman, how you doing? It's Carmine.
|
Congressman, how you doing?
It's Carmine.
|
|
1:41:44
|
Everybody out, please.
|
Everybody out, please.
|
|
1:41:45
|
Tell me you're gonna be in Trenton this week.
|
Tell me you're gonna
be in Trenton this week.
|
|
1:41:46
|
We have an amazing investment opportunity
|
We have an amazing
investment opportunity
|
|
1:41:48
|
I'd like to discuss with you.
|
I'd like to discuss with you.
|
|
1:41:50
|
I'm Federal Agent Richard DiMaso.
|
I'm Federal Agent
Richard DiMaso.
|
|
1:41:52
|
I placed $75, 000 into this briefcase...
|
I placed $75, 000
into this briefcase...
|
|
1:41:55
|
...for Representative John O'Connell of the Ninth District.
|
...for Representative John O'Connell
of the Ninth District.
|
|
1:41:57
|
Representative O'Connell was contacted by Carmine Polito...
|
Representative O'Connell was
contacted by Carmine Polito...
|
|
1:42:00
|
...to ask if he could obtain rapid citizenship through an act of Congress...
|
...to ask if he could obtain rapid
citizenship through an act of Congress...
|
|
1:42:03
|
...for one Sheik Abdullah, investor.
|
...for one Sheik Abdullah, investor.
|
|
1:42:05
|
- How you doing? Robert Spencer. - Nice to meet you.
|
- How you doing? Robert Spencer.
- Nice to meet you.
|
|
1:42:07
|
I'm excited to be here.
|
I'm excited to be here.
|
|
1:42:09
|
Oh, John, please, this brings the state back.
|
Oh, John, please,
this brings the state back.
|
|
1:42:12
|
How long we known each other?
|
How long we known each other?
|
|
1:42:13
|
You know what this is gonna do for us?
|
You know what this
is gonna do for us?
|
|
1:42:15
|
This is huge for the state of New Jersey.
|
This is huge for the
state of New Jersey.
|
|
1:42:17
|
Stabilizes our economy.
|
Stabilizes our economy.
|
|
1:42:18
|
Hotels, restaurants.
|
Hotels, restaurants.
|
|
1:42:20
|
Carmine sees it. It's waiting to happen.
|
Carmine sees it.
It's waiting to happen.
|
|
1:42:21
|
This fucking thing is waiting to happen.
|
This fucking thing
is waiting to happen.
|
|
1:42:23
|
But the goddamn bankers...
|
But the goddamn bankers...
|
|
1:42:25
|
...they're keeping their money on the sidelines.
|
...they're keeping their
money on the sidelines.
|
|
1:42:26
|
How we supposed to get anything done?
|
How we supposed to get anything done?
|
|
1:42:27
|
Bankers only put money in the game...
|
Bankers only put money in the game...
|
|
1:42:30
|
...when they can reap insane profit.
|
...when they can reap insane profit.
|
|
1:42:33
|
The only problem is this, uh...
|
The only problem
is this, uh...
|
|
1:42:35
|
This citizenship situation.
|
This citizenship situation.
|
|
1:42:36
|
I mean, we got to expedite as soon as possible.
|
I mean, we got to expedite
as soon as possible.
|
|
1:42:44
|
Well, I'll tell you, you came to the right place.
|
Well, I'll tell you,
you came to the right place.
|
|
1:42:47
|
- Yeah? - You know? Yeah.
|
- Yeah?
- You know? Yeah.
|
|
1:42:48
|
- We can make it happen. - Oh, hey.
|
- We can make it happen.
- Oh, hey.
|
|
1:42:50
|
This is going to happen.
|
This is going to happen.
|
|
1:42:51
|
You understand, this is real.
|
You understand, this is real.
|
|
1:42:53
|
On my family, on my kids, on my life, on my work.
|
On my family, on my kids,
on my life, on my work.
|
|
1:42:56
|
I know that, Carmine. You're a good man.
|
I know that, Carmine.
You're a good man.
|
|
1:42:58
|
I'm Federal Agent Richard DiMaso.
|
I'm Federal Agent
Richard DiMaso.
|
|
1:42:59
|
I placed $75, 000 in this briefcase...
|
I placed $75, 000 in this briefcase...
|
|
1:43:01
|
...for one Representative Gerald Sanders of the Third District.
|
...for one Representative Gerald
Sanders of the Third District.
|
|
1:43:04
|
I don't want to do anything illegal.
|
I don't want to do
anything illegal.
|
|
1:43:06
|
Please, Gerry, use it...
|
Please, Gerry, use it...
|
|
1:43:07
|
...as a campaign donation, whatever you want to do.
|
...as a campaign donation,
whatever you want to do.
|
|
1:43:09
|
- All right. It means a lot. - Thank you.
|
- All right. It means a lot.
- Thank you.
|
|
1:43:10
|
I'm placing $60, 000 into this briefcase...
|
I'm placing $60, 000
into this briefcase...
|
|
1:43:13
|
...for one Congressman Eric Keshoygan of the Fourth District.
|
...for one Congressman Eric Keshoygan
of the Fourth District.
|
|
1:43:16
|
I'm gonna do what I can to help, Carmine.
|
I'm gonna do what
I can to help, Carmine.
|
|
1:43:18
|
$100, 000 into this briefcase...
|
$100, 000 into this briefcase...
|
|
1:43:20
|
...for two-term United States Senator...
|
...for two-term United States Senator...
|
|
1:43:23
|
...Horton Mitchell of New Jersey.
|
...Horton Mitchell of New Jersey.
|
|
1:43:25
|
- Atlantic City. - That's right.
|
- Atlantic City.
- That's right.
|
|
1:43:26
|
All the way down the shore.
|
All the way down the shore.
|
|
1:43:28
|
A mecca by the sea.
|
A mecca by the sea.
|
|
1:43:30
|
Carmine, you're beloved by your people.
|
Carmine, you're beloved
by your people.
|
|
1:43:33
|
Your constituency is not even a constituency. It's your family.
|
Your constituency is not even
a constituency. It's your family.
|
|
1:43:37
|
That's what you represent, family.
|
That's what you
represent, family.
|
|
1:43:39
|
The one small thing you do for this man...
|
The one small thing
you do for this man...
|
|
1:43:41
|
...is a huge thing we do for the people of New Jersey.
|
...is a huge thing we do for
the people of New Jersey.
|
|
1:43:43
|
This is what we can leave--
|
This is what we can leave--
|
|
1:43:44
|
Hey, Irving, what are you doing?
|
Hey, Irving,
what are you doing?
|
|
1:43:47
|
Where you going?
|
Where you going?
|
|
1:43:48
|
Just got to go see a man about a dog. I'm sorry.
|
Just got to go see a man about a dog.
I'm sorry.
|
|
1:43:52
|
I've been a senator a very long time. 16 years.
|
I've been a senator
a very long time. 16 years.
|
|
1:43:55
|
Trust me, this is probably the biggest opportunity that we could have here.
|
Trust me, this is probably the biggest
opportunity that we could have here.
|
|
1:43:58
|
I will do whatever I can in the United States Senate.
|
I will do whatever I can
in the United States Senate.
|
|
1:44:02
|
I appreciate this. On my family...
|
I appreciate this.
On my family...
|
|
1:44:05
|
...on my kids, this needs to happen. It's got to happen.
|
...on my kids, this needs to happen.
It's got to happen.
|
|
1:44:08
|
You have my word.
|
You have my word.
|
|
1:44:23
|
I want to save us, I want to save us, I want to save Carmine.
|
I want to save us, I want to
save us, I want to save Carmine.
|
|
1:44:26
|
It's killing me, it's fucking killing me.
|
It's killing me,
it's fucking killing me.
|
|
1:44:27
|
You know the only way to help Carmine is through the Tellegio thing.
|
You know the only way to help Carmine
is through the Tellegio thing.
|
|
1:44:30
|
Yes.
|
Yes.
|
|
1:44:31
|
It's dangerous, it's dangerous. We got to get in there...
|
It's dangerous, it's dangerous.
We got to get in there...
|
|
1:44:33
|
...we got to get a wire in there, we got to make him feel safe.
|
...we got to get a wire in there,
we got to make him feel safe.
|
|
1:44:36
|
There's only one thing that could really fuck this up...
|
There's only one thing that
could really fuck this up...
|
|
1:44:38
|
...and that's your wife.
|
...and that's your wife.
|
|
1:44:41
|
Yeah.
|
Yeah.
|
|
1:45:21
|
I don't like your husband. You're no good together.
|
I don't like your husband.
You're no good together.
|
|
1:45:23
|
He doesn't appreciate you.
|
He doesn't appreciate you.
|
|
1:45:25
|
I mean, it happens, it happened to my marriage.
|
I mean, it happens,
it happened to my marriage.
|
|
1:45:28
|
That's why I went to Miami.
|
That's why
I went to Miami.
|
|
1:45:30
|
Sometimes you just got to be tough.
|
Sometimes you just
got to be tough.
|
|
1:45:32
|
You got to stand up and you got to leave, you know?
|
You got to stand up and you
got to leave, you know?
|
|
1:45:36
|
Sometimes you got to let something die to let something live.
|
Sometimes you got to let something
die to let something live.
|
|
1:45:39
|
You're too beautiful to be unhappy.
|
You're too beautiful
to be unhappy.
|
|
1:45:43
|
I know.
|
I know.
|
|
1:45:44
|
I mean, I don't want to badmouth my husband...
|
I mean, I don't want
to badmouth my husband...
|
|
1:45:47
|
...but just let me badmouth my husband for a second.
|
...but just let me badmouth
my husband for a second.
|
|
1:45:50
|
He just thinks that he knows everything...
|
He just thinks that
he knows everything...
|
|
1:45:51
|
...and he's so full of shit. He's such a liar.
|
...and he's so full of shit.
He's such a liar.
|
|
1:45:54
|
He thinks that I'm stupid, but I'm not stupid.
|
He thinks that I'm stupid,
but I'm not stupid.
|
|
1:45:56
|
I hear him on the phone, arguing.
|
I hear him on the phone,
arguing.
|
|
1:45:58
|
He loves Carmine, but he hates that other guy...
|
He loves Carmine, but he
hates that other guy...
|
|
1:46:00
|
...that curly-headed IRS guy or whatever...
|
...that curly-headed
IRS guy or whatever...
|
|
1:46:03
|
...who's carting around my husband's ex-lover, that redheaded whore.
|
...who's carting around my husband's
ex-lover, that redheaded whore.
|
|
1:46:08
|
IRS?
|
IRS?
|
|
1:46:08
|
Anyway, you can see that it drives him crazy.
|
Anyway, you can see
that it drives him crazy.
|
|
1:46:11
|
When you said IRS, what IRS guy? What are you talking about?
|
When you said IRS, what IRS guy?
What are you talking about?
|
|
1:46:14
|
I hear them on the phone.
|
I hear them on the phone.
|
|
1:46:15
|
I think that he's got Irv in some sort of bind or something...
|
I think that he's got Irv in
some sort of bind or something...
|
|
1:46:18
|
...and he's making him do all of this stuff.
|
...and he's making him
do all of this stuff.
|
|
1:46:20
|
And so Irv and Carmine right now are at the Plaza Hotel...
|
And so Irv and Carmine right
now are at the Plaza Hotel...
|
|
1:46:23
|
...like, throwing all of this money away at, like, Congress or whatever.
|
...like, throwing all of this money
away at, like, Congress or whatever.
|
|
1:46:27
|
They're giving money to Congress or something.
|
They're giving money
to Congress or something.
|
|
1:46:29
|
I don't really know, but I overheard it on the phone.
|
I don't really know, but I
overheard it on the phone.
|
|
1:46:34
|
Well, I hate to do this to you.
|
Well,
I hate to do this to you.
|
|
1:46:37
|
I got to go talk to your husband.
|
I got to go talk
to your husband.
|
|
1:46:39
|
My boss, he's already angry.
|
My boss,
he's already angry.
|
|
1:46:41
|
You stay here. I'm gonna give you some money for a taxi home.
|
You stay here. I'm gonna give you
some money for a taxi home.
|
|
1:46:45
|
Have some dessert, finish the bottle of Prosecco.
|
Have some dessert, finish
the bottle of Prosecco.
|
|
1:46:48
|
I'm sorry.
|
I'm sorry.
|
|
1:46:56
|
You all right?
|
You all right?
|
|
1:46:58
|
I don't like change.
|
I don't like change.
|
|
1:47:04
|
It's really hard for me. Yeah.
|
It's really hard for me.
Yeah.
|
|
1:47:09
|
Sometimes I think that I'll die before I change.
|
Sometimes I think that
I'll die before I change.
|
|
1:47:13
|
It's all right.
|
It's all right.
|
|
1:47:19
|
It's gonna be ok.
|
It's gonna be ok.
|
|
1:47:21
|
You got to come with me to Miami.
|
You got to come with me to Miami.
|
|
1:47:23
|
Don't hurt him too bad. He's still Danny's father.
|
Don't hurt him too bad.
He's still Danny's father.
|
|
1:47:30
|
"When you were young and your heart was an open book."
|
"When you were young
and your heart was an open book."
|
|
1:47:38
|
"You used to say. "Live and let live."
|
"You used to say.
"Live and let live."
|
|
1:47:43
|
"You know you did, you know you did."
|
"You know you did,
you know you did."
|
|
1:47:45
|
"You know you did."
|
"You know you did."
|
|
1:47:47
|
"But in this ever-changing world..."
|
"But in this
ever-changing world..."
|
|
1:47:50
|
"...in which we're living..."
|
"...in which we're living..."
|
|
1:47:53
|
"...makes you give in and cry."
|
"...makes you give in and cry."
|
|
1:47:59
|
Say live and let die
|
Say live and let die
|
|
1:48:05
|
"Live and let die."
|
"Live and let die."
|
|
1:48:09
|
"Live and let die."
|
"Live and let die."
|
|
1:48:12
|
"Live and let die."
|
"Live and let die."
|
|
1:48:28
|
Life is ridiculous...
|
Life is ridiculous...
|
|
1:48:30
|
...and you know that I would never say anything bad...
|
...and you know that I would
never say anything bad...
|
|
1:48:32
|
...about your father in front of you, but your father is a sick son of a bitch.
|
...about your father in front of you,
but your father is a sick son of a bitch.
|
|
1:48:37
|
Daddy's a sick son of a bitch?
|
Daddy's a sick
son of a bitch?
|
|
1:48:40
|
Don't repeat that.
|
Don't repeat that.
|
|
1:48:42
|
But yes.
|
But yes.
|
|
1:48:52
|
Rosalyn!
|
Rosalyn!
|
|
1:48:54
|
Rosalyn!
|
Rosalyn!
|
|
1:48:56
|
- What? - This is a dark moment in our relationship.
|
- What?
- This is a dark moment in our relationship.
|
|
1:48:58
|
You know where I was recently? What are you talking about?
|
You know where I was recently?
What are you talking about?
|
|
1:48:59
|
I was in your boyfriend's fucking car, all right?
|
I was in your boyfriend's
fucking car, all right?
|
|
1:49:01
|
I saw your nail polish.
|
I saw your nail polish.
|
|
1:49:07
|
What's this I hear about your curly-haired friend working for the government?
|
What's this I hear about your curly-haired
friend working for the government?
|
|
1:49:10
|
- Who says this? - What are you talking about?
|
- Who says this?
- What are you talking about?
|
|
1:49:11
|
- Who said that? Who said that? - That's bullshit.
|
- Who said that? Who said that?
- That's bullshit.
|
|
1:49:12
|
- That's bullshit. - Your fucking wife.
|
- That's bullshit.
- Your fucking wife.
|
|
1:49:14
|
- That's-- - Rosalyn?
|
- That's--
- Rosalyn?
|
|
1:49:15
|
He put a fucking canvas bag over my head!
|
He put a fucking
canvas bag over my head!
|
|
1:49:19
|
- Hey, hey, what the fuck? - Shut up.
|
- Hey, hey, what the fuck?
- Shut up.
|
|
1:49:21
|
- What... - Shut the fuck up.
|
- What...
- Shut the fuck up.
|
|
1:49:22
|
Are you happy now? Because he is trying to kill me!
|
Are you happy now?
Because he is trying to kill me!
|
|
1:49:26
|
- What are you talking about? - What are you doing?
|
- What are you talking about?
- What are you doing?
|
|
1:49:28
|
- What do you think you're doing? Huh? - Get out of here!
|
- What do you think you're doing? Huh?
- Get out of here!
|
|
1:49:30
|
- I'm not doing anything! - Why are you talking so much?
|
- I'm not doing anything!
- Why are you talking so much?
|
|
1:49:32
|
You're gonna get us all killed! Danny.
|
You're gonna get us
all killed! Danny.
|
|
1:49:34
|
Come here, buddy. All right.
|
Come here, buddy.
All right.
|
|
1:49:36
|
Go draw a picture or something. All right?
|
Go draw a picture
or something. All right?
|
|
1:49:38
|
You are a sick son of a bitch...
|
You are a sick son of a bitch...
|
|
1:49:39
|
...for screaming at me like that in front of Danny.
|
...for screaming at me like
that in front of Danny.
|
|
1:49:42
|
Attaboy, all right?
|
Attaboy, all right?
|
|
1:49:43
|
I'm a sick son of a bitch? You're trying to get me fucking killed.
|
I'm a sick son of a bitch?
You're trying to get me fucking killed.
|
|
1:49:46
|
I'm a sick son of a bitch? Oh, my God!
|
I'm a sick son of a bitch?
Oh, my God!
|
|
1:49:48
|
You drive me so fucking crazy. What are you doing?
|
You drive me so fucking crazy.
What are you doing?
|
|
1:49:50
|
Your boyfriend, your fucking boyfriend will kill me...
|
Your boyfriend, your fucking
boyfriend will kill me...
|
|
1:49:54
|
...he will kill Danny, and he'll kill you.
|
...he will kill Danny,
and he'll kill you.
|
|
1:49:56
|
- Stop talking like that. - That's who you're dealing with.
|
- Stop talking like that.
- That's who you're dealing with.
|
|
1:49:57
|
He's a mobster, all right? That's who you're dealing with.
|
He's a mobster, all right?
That's who you're dealing with.
|
|
1:50:00
|
What do you think you're doing?
|
What do you think
you're doing?
|
|
1:50:01
|
- Stop, all right? Fine! - What are you doing to us?
|
- Stop, all right? Fine!
- What are you doing to us?
|
|
1:50:02
|
Yes, I wanted to hurt you, but how do you think that I feel?
|
Yes, I wanted to hurt you, but
how do you think that I feel?
|
|
1:50:06
|
All day when you leave me alone, all day...
|
All day when you leave
me alone, all day...
|
|
1:50:09
|
...and all I've ever wanted you to do is love me.
|
...and all I've ever wanted
you to do is love me.
|
|
1:50:12
|
That's all I've ever wanted is for us...
|
That's all I've
ever wanted is for us...
|
|
1:50:14
|
...to stay married and for you to love me.
|
...to stay married and
for you to love me.
|
|
1:50:17
|
And that's why I'm going to Miami!
|
And that's why
I'm going to Miami!
|
|
1:50:19
|
- You're not going to Miami. - That's why I'm going to Miami...
|
- You're not going to Miami.
- That's why I'm going to Miami...
|
|
1:50:20
|
- ...with Pete! - You're not going to Miami!
|
- ...with Pete!
- You're not going to Miami!
|
|
1:50:21
|
- You are not going to Miami! - I'm going to Miami with Pete!
|
- You are not going to Miami!
- I'm going to Miami with Pete!
|
|
1:50:24
|
I finally found somebody who loves me!
|
I finally found
somebody who loves me!
|
|
1:50:26
|
Just like you've always wanted!
|
Just like
you've always wanted!
|
|
1:50:28
|
Too fucking dangerous. Miami, not now!
|
Too fucking dangerous.
Miami, not now!
|
|
1:50:31
|
- He likes me just the way I am. - Too fucking dangerous.
|
- He likes me just the way I am.
- Too fucking dangerous.
|
|
1:50:32
|
You're gonna stay normal. You're gonna shut your fucking mouth.
|
You're gonna stay normal.
You're gonna shut your fucking mouth.
|
|
1:50:35
|
You told me that you wanted me to find a nice, quiet man.
|
You told me that you wanted
me to find a nice, quiet man.
|
|
1:50:37
|
- He's the one. - Oh, and what a doozy you picked.
|
- He's the one.
- Oh, and what a doozy you picked.
|
|
1:50:40
|
Oh, you hit that...
|
Oh, you hit that...
|
|
1:50:43
|
He's the most dangerous guy ever.
|
He's the most
dangerous guy ever.
|
|
1:50:44
|
Well, what do you expect, Irving?
|
Well, what do you
expect, Irving?
|
|
1:50:46
|
I know everybody through you!
|
I know everybody
through you!
|
|
1:50:48
|
Why can't you just be happy for me?
|
Why can't you just
be happy for me?
|
|
1:50:54
|
Why are you taking your heart pill? Irving what's going on?
|
Why are you taking your heart pill?
Irving what's going on?
|
|
1:50:59
|
Irving, take your pill.
|
Irving, take your pill.
|
|
1:51:01
|
What kind of trouble are you in, Irving? What is going on?
|
What kind of trouble are you in, Irving?
What is going on?
|
|
1:51:05
|
What's happening?
|
What's happening?
|
|
1:51:11
|
I got a plan.
|
I got a plan.
|
|
1:51:15
|
You got a plan? When did you get it?
|
You got a plan?
When did you get it?
|
|
1:51:16
|
You know what?
|
You know what?
|
|
1:51:21
|
It really fucking came to me...
|
It really fucking came to me...
|
|
1:51:23
|
...when I was inside of that canvas bag...
|
...when I was inside
of that canvas bag...
|
|
1:51:26
|
...with your boyfriend's hands around my throat.
|
...with your boyfriend's
hands around my throat.
|
|
1:51:32
|
Yeah, that's when it really came to me.
|
Yeah, that's when
it really came to me.
|
|
1:51:34
|
- Take the fucking bag off his head. - We got two million...
|
- Take the fucking bag off his head.
- We got two million...
|
|
1:51:35
|
We got two million coming this week.
|
We got two million
coming this week.
|
|
1:51:37
|
- You see? Come on! - What do you think this is?
|
- You see? Come on!
- What do you think this is?
|
|
1:51:39
|
You think this is a fucking down payment plan?
|
You think this is a fucking
down payment plan?
|
|
1:51:41
|
What, we're Sears or Chevrolet?
|
What, we're Sears or Chevrolet?
|
|
1:51:44
|
You ask Victor...
|
You ask Victor...
|
|
1:51:46
|
...if he wants two million this week.
|
...if he wants
two million this week.
|
|
1:51:50
|
That's real money. That's real money.
|
That's real money.
That's real money.
|
|
1:51:52
|
- Two million? - Two million this week.
|
- Two million?
- Two million this week.
|
|
1:51:54
|
How?
|
How?
|
|
1:51:56
|
Wired in.
|
Wired in.
|
|
1:51:57
|
- Hold, hold on to the scarf. - Irving, come on, you all right?
|
- Hold, hold on to the scarf.
- Irving, come on, you all right?
|
|
1:52:02
|
That true? Is it true what he said about your wife?
|
That true? Is it true what
he said about your wife?
|
|
1:52:03
|
- It's not fucking true. That's not... - About Rosalyn?
|
- It's not fucking true. That's not...
- About Rosalyn?
|
|
1:52:05
|
I can save all of us, and we could save money.
|
I can save all of us,
and we could save money.
|
|
1:52:09
|
I can take care of you and Danny, ok?
|
I can take care of
you and Danny, ok?
|
|
1:52:13
|
But you got to close your mouth.
|
But you got to
close your mouth.
|
|
1:52:15
|
I knew it.
|
I knew it.
|
|
1:52:17
|
I have always said, Irving...
|
I have always said, Irving...
|
|
1:52:19
|
...that you are very, very hard to motivate properly.
|
...that you are very, very hard
to motivate properly.
|
|
1:52:22
|
And I knew that Pete was gonna go over there...
|
And I knew that Pete
was gonna go over there...
|
|
1:52:25
|
...and knock some sense into your head.
|
...and knock some
sense into your head.
|
|
1:52:26
|
I've been reading this book, Irving.
|
I've been reading
this book, Irving.
|
|
1:52:28
|
It's by Wayne Dyer, about the power of intention.
|
It's by Wayne Dyer, about
the power of intention.
|
|
1:52:33
|
And my intention in sending Pete over to you...
|
And my intention in
sending Pete over to you...
|
|
1:52:36
|
...was so that you could come up with this plan.
|
...was so that you could
come up with this plan.
|
|
1:52:39
|
So you're welcome.
|
So you're welcome.
|
|
1:52:45
|
Ok.
|
Ok.
|
|
1:52:47
|
Thank you, Rosalyn. Thank you for the plan.
|
Thank you, Rosalyn.
Thank you for the plan.
|
|
1:52:50
|
You're welcome.
|
You're welcome.
|
|
1:52:50
|
I appreciate that. So, uh...
|
I appreciate that.
So, uh...
|
|
1:52:55
|
I think that we should be partners on this.
|
I think that we should
be partners on this.
|
|
1:52:58
|
Yeah, I'm a good partner, almost better than Edith.
|
Yeah, I'm a good partner,
almost better than Edith.
|
|
1:53:00
|
You ever think about that?
|
You ever think about that?
|
|
1:53:01
|
You ever think about how you might have underestimated me?
|
You ever think about how you
might have underestimated me?
|
|
1:53:04
|
So what is our plan?
|
So what is our plan?
|
|
1:53:06
|
Tell me the plan.
|
Tell me the plan.
|
|
1:53:09
|
What are you gonna do?
|
What are you gonna do?
|
|
1:53:11
|
I'm gonna keep my mouth shut, and I'm not gonna say anything...
|
I'm gonna keep my mouth shut,
and I'm not gonna say anything...
|
|
1:53:13
|
...but what do I do if Pete calls me, what am I supposed to say?
|
...but what do I do if Pete calls
me, what am I supposed to say?
|
|
1:53:15
|
You got to stop talking about your government agencies...
|
You got to stop talking about
your government agencies...
|
|
1:53:18
|
...and your IRS and your taxes and your conspiracies...
|
...and your IRS and your taxes
and your conspiracies...
|
|
1:53:20
|
...and all of that, you're gonna say how you were wrong.
|
...and all of that, you're gonna
say how you were wrong.
|
|
1:53:22
|
You were wrong about that.
|
You were wrong about that.
|
|
1:53:23
|
I'll tell Pete that I was wrong, but you know that in real life...
|
I'll tell Pete that I was wrong,
but you know that in real life...
|
|
1:53:26
|
...I was right for saying all that stuff...
|
...I was right for
saying all that stuff...
|
|
1:53:28
|
...because then that spurred on the actions that made you come up with this plan.
|
...because then that spurred on the actions
that made you come up with this plan.
|
|
1:53:31
|
- So I will tell Pete. - Ok.
|
- So I will tell Pete.
- Ok.
|
|
1:53:33
|
The power of intention, Irving.
|
The power of intention, Irving.
|
|
1:53:35
|
The power of intention.
|
The power of intention.
|
|
1:53:37
|
Thank you.
|
Thank you.
|
|
1:53:38
|
Ok, ok.
|
Ok, ok.
|
|
1:53:41
|
- You were right. - Irv?
|
- You were right.
- Irv?
|
|
1:53:43
|
Irv?
|
Irv?
|
|
1:53:50
|
You're so smart.
|
You're so smart.
|
|
1:53:53
|
Good job, peaches.
|
Good job, peaches.
|
|
1:53:55
|
Irving, I've been doing a lot of thinking.
|
Irving, I've been
doing a lot of thinking.
|
|
1:54:01
|
And you need to grow up...
|
And you need to grow up...
|
|
1:54:05
|
...and you need to face the facts...
|
...and you need to face the facts...
|
|
1:54:08
|
...and I think that both of us will be a lot happier...
|
...and I think that both of us
will be a lot happier...
|
|
1:54:10
|
...if we get a divorce.
|
...if we get a divorce.
|
|
1:54:13
|
Ok.
|
Ok.
|
|
1:54:15
|
Just think about it.
|
Just think about it.
|
|
1:54:18
|
These things are never easy.
|
These things are never easy.
|
|
1:54:22
|
All right.
|
All right.
|
|
1:54:29
|
Irving?
|
Irving?
|
|
1:54:32
|
Good luck with your plan.
|
Good luck with your plan.
|
|
1:54:36
|
Necessity truly is the mother of invention.
|
Necessity truly
is the mother of invention.
|
|
1:54:40
|
The FBI was willing to wire the $2 million...
|
The FBI was willing
to wire the $2 million...
|
|
1:54:42
|
...if it meant taking down Tellegio and his entire organization.
|
...if it meant taking down Tellegio
and his entire organization.
|
|
1:54:51
|
"They used to tell me, "Boy, you ain't goin' nowhere."
|
"They used to tell me,
"Boy, you ain't goin' nowhere."
|
|
1:54:57
|
A mobster like Tellegio would never meet at the Plaza Hotel...
|
A mobster like Tellegio would
never meet at the Plaza Hotel...
|
|
1:55:00
|
...but only at the office of his attorney...
|
...but only at the office
of his attorney...
|
|
1:55:02
|
...Alfonse Simone.
|
...Alfonse Simone.
|
|
1:55:03
|
"You gotta realize all your responsibilities."
|
"You gotta realize
all your responsibilities."
|
|
1:55:08
|
"You gotta get out to work and face reality."
|
"You gotta get out to work
and face reality."
|
|
1:55:14
|
"You gotta get up in the morning take your heavy load."
|
"You gotta get up in the
morning take your heavy load."
|
|
1:55:18
|
"And you gotta keep going down the long black road."
|
"And you gotta keep going
down the long black road."
|
|
1:55:23
|
"Long black road."
|
"Long black road."
|
|
1:55:27
|
"So I drifted for a while down the road to ruin."
|
"So I drifted for a while
down the road to ruin."
|
|
1:55:33
|
"I saw a lot of people coming back the other way."
|
"I saw a lot of people
coming back the other way."
|
|
1:55:39
|
"So I kept on going when I heard them say."
|
"So I kept on going
when I heard them say."
|
|
1:55:45
|
"You gotta get up in the morning take your heavy load."
|
"You gotta get up in the
morning take your heavy load."
|
|
1:55:48
|
"And you gotta keep going down the long black road."
|
"And you gotta keep going
down the long black road."
|
|
1:55:53
|
"Long black road."
|
"Long black road."
|
|
1:56:00
|
Hi. Alfonse Simone.
|
Hi. Alfonse Simone.
|
|
1:56:02
|
Edith Greensly.
|
Edith Greensly.
|
|
1:56:03
|
- Alfonse Simone. - Hey.
|
- Alfonse Simone.
- Hey.
|
|
1:56:05
|
- Hi. Alfonse Simone. - Irving Rosenfeld.
|
- Hi. Alfonse Simone.
- Irving Rosenfeld.
|
|
1:56:06
|
Please, uh, be seated.
|
Please, uh, be seated.
|
|
1:56:07
|
I appreciate the fact that you all came in person...
|
I appreciate the fact that
you all came in person...
|
|
1:56:10
|
...but, uh, the trip was really unnecessary...
|
...but, uh, the trip
was really unnecessary...
|
|
1:56:12
|
...because this whole thing could've been done with a simple wire transfer.
|
...because this whole thing could've been
done with a simple wire transfer.
|
|
1:56:16
|
As a matter of fact...
|
As a matter of fact...
|
|
1:56:17
|
...this is the number of our wire right here.
|
...this is the number
of our wire right here.
|
|
1:56:22
|
Where is Mr. Tellegio?
|
Where is Mr. Tellegio?
|
|
1:56:24
|
Mr. Tellegio, unfortunately, was called out of town on business.
|
Mr. Tellegio, unfortunately, was
called out of town on business.
|
|
1:56:28
|
Oh, that's not good.
|
Oh, that's not good.
|
|
1:56:29
|
You know, we were willing to come here today in person...
|
You know, we were willing
to come here today in person...
|
|
1:56:31
|
...to meet with Mr. Tellegio as a sign of respect...
|
...to meet with Mr. Tellegio
as a sign of respect...
|
|
1:56:33
|
- ...to give $2 million... - Well, listen...
|
- ...to give $2 million...
- Well, listen...
|
|
1:56:35
|
...I can assure you that I have the power of attorney...
|
...I can assure you that I have
the power of attorney...
|
|
1:56:38
|
Excuse me, if you'll let me finish. We were willing...
|
Excuse me, if you'll let me finish.
We were willing...
|
|
1:56:40
|
...to give $2 million today of the ten...
|
...to give $2 million
today of the ten...
|
|
1:56:44
|
...but without Mr. Tellegio here...
|
...but without Mr. Tellegio here...
|
|
1:56:45
|
We can't make that decision.
|
We can't make
that decision.
|
|
1:56:47
|
- We can't do that? - It's not the right thing.
|
- We can't do that?
- It's not the right thing.
|
|
1:56:49
|
It's just not the right time. It's just not good.
|
It's just not the right time.
It's just not good.
|
|
1:56:52
|
You don't have the authorization to make this kind of choice...
|
You don't have the authorization
to make this kind of choice...
|
|
1:56:54
|
...so don't be hasty, all right?
|
...so don't be hasty, all right?
|
|
1:56:56
|
Not being hasty.
|
Not being hasty.
|
|
1:56:57
|
Just, let's be smart about it, all right?
|
Just, let's be smart
about it, all right?
|
|
1:56:59
|
This is not how we do business. I'm sorry.
|
This is not how we do business.
I'm sorry.
|
|
1:57:02
|
Apologize, but it's true.
|
Apologize,
but it's true.
|
|
1:57:08
|
I think you should hang in there, all right?
|
I think you should
hang in there, all right?
|
|
1:57:11
|
For what? The guy's not here.
|
For what?
The guy's not here.
|
|
1:57:13
|
- Edith... - That's it.
|
- Edith...
- That's it.
|
|
1:57:14
|
- You know what? - Sorry, I can't do it.
|
- You know what?
- Sorry, I can't do it.
|
|
1:57:15
|
This is a surprise. The sheik don't like surprises.
|
This is a surprise.
The sheik don't like surprises.
|
|
1:57:18
|
Don't leave.
|
Don't leave.
|
|
1:57:20
|
Edith, this is not your decision to make.
|
Edith, this is not your
decision to make.
|
|
1:57:23
|
- It's not your decision. - No, I understand, but maybe--
|
- It's not your decision.
- No, I understand, but maybe--
|
|
1:57:25
|
What? Let's go.
|
What? Let's go.
|
|
1:57:26
|
Let's call the sheik.
|
Let's call the sheik.
|
|
1:57:29
|
It's not the plan. It's not the...
|
It's not the plan.
It's not the...
|
|
1:57:31
|
No, let's...
|
No, let's...
|
|
1:57:33
|
I'll call the sheik, yeah. Can I use your phone?
|
I'll call the sheik, yeah.
Can I use your phone?
|
|
1:57:35
|
- Please do. - Let's see. I don't know if he's in...
|
- Please do.
- Let's see. I don't know if he's in...
|
|
1:57:37
|
...but I'll call the sheik.
|
...but I'll call the sheik.
|
|
1:57:38
|
But before I do, I'd like to go over...
|
But before I do,
I'd like to go over...
|
|
1:57:39
|
...specifically, what this money will be used for.
|
...specifically, what this
money will be used for.
|
|
1:57:42
|
Ok.
|
Ok.
|
|
1:57:43
|
What we will do is we guarantee...
|
What we will do is we guarantee...
|
|
1:57:46
|
...all proper licenses and construction permits...
|
...all proper licenses
and construction permits...
|
|
1:57:49
|
...for any hotel-casino...
|
...for any hotel-casino...
|
|
1:57:51
|
...that plans to open before the end of the year...
|
...that plans to open
before the end of the year...
|
|
1:57:54
|
...and we'll throw in the customary, uh, privileges of protection.
|
...and we'll throw in the customary,
uh, privileges of protection.
|
|
1:57:59
|
What if there's obstacles?
|
What if there's obstacles?
|
|
1:58:01
|
- What will you do? - Obstacles...
|
- What will you do?
- Obstacles...
|
|
1:58:02
|
We are prepared to overcome any obstacles.
|
We are prepared to
overcome any obstacles.
|
|
1:58:04
|
This is a big enterprise.
|
This is a big enterprise.
|
|
1:58:05
|
If we have to pay somebody off, we'll pay somebody off.
|
If we have to pay somebody
off, we'll pay somebody off.
|
|
1:58:08
|
If we have to lean on somebody...
|
If we have to lean on somebody...
|
|
1:58:10
|
...intimidate somebody, we'll intimidate somebody.
|
...intimidate somebody,
we'll intimidate somebody.
|
|
1:58:12
|
We're experienced. This is our business.
|
We're experienced.
This is our business.
|
|
1:58:15
|
That's powerful stuff.
|
That's powerful stuff.
|
|
1:58:16
|
Thank you. And I'll tell you something else.
|
Thank you. And I'll tell
you something else.
|
|
1:58:18
|
At the end of this, we'll teach you how to skim...
|
At the end of this,
we'll teach you how to skim...
|
|
1:58:22
|
...and how to cut it up and make some money on the side...
|
...and how to cut it up and
make some money on the side...
|
|
1:58:24
|
...because we invented skimming.
|
...because we invented skimming.
|
|
1:58:27
|
We've been doing it for 30 years.
|
We've been doing
it for 30 years.
|
|
1:58:29
|
Thank you, thank you for clarifying that.
|
Thank you, thank you
for clarifying that.
|
|
1:58:31
|
Ok.
|
Ok.
|
|
1:58:33
|
I'm very happy.
|
I'm very happy.
|
|
1:58:36
|
I think that'll be ok for the sheik.
|
I think that'll be ok for the sheik.
|
|
1:58:40
|
This is the sheik.
|
This is the sheik.
|
|
1:58:41
|
Mr. Tellegio is not here.
|
Mr. Tellegio is not here.
|
|
1:58:43
|
It's just Mr. Alfonse Simone, his lawyer.
|
It's just Mr. Alfonse Simone,
his lawyer.
|
|
1:58:46
|
Are we still ok to wire the money?
|
Are we still ok
to wire the money?
|
|
1:58:48
|
Simone can take the wire. What's the number?
|
Simone can take the wire.
What's the number?
|
|
1:58:50
|
531...
|
531...
|
|
1:58:51
|
531...
|
531...
|
|
1:58:52
|
- 78P... - 78P...
|
- 78P...
- 78P...
|
|
1:58:53
|
- 76. - 76.
|
- 76.
- 76.
|
|
1:58:57
|
The funds are transferred.
|
The funds are transferred.
|
|
1:58:59
|
The funds have transferred.
|
The funds
have transferred.
|
|
1:59:01
|
The money's been wired.
|
The money's been wired.
|
|
1:59:06
|
- I think we have a deal. - Yes, we do, sir.
|
- I think we have a deal.
- Yes, we do, sir.
|
|
1:59:08
|
Pleasure doing business with you.
|
Pleasure doing
business with you.
|
|
1:59:10
|
Ok, well, thank you very much, Mr. Simone.
|
Ok, well, thank you
very much, Mr. Simone.
|
|
1:59:12
|
Well, thank you.
|
Well, thank you.
|
|
1:59:13
|
The sheik's very excited.
|
The sheik's very excited.
|
|
1:59:15
|
I'm sure we'll be seeing each other.
|
I'm sure we'll be
seeing each other.
|
|
1:59:16
|
Oh, I'm sure that we'll be seeing each other very soon.
|
Oh, I'm sure that we'll be
seeing each other very soon.
|
|
1:59:19
|
- Looking forward to it. - Yeah, so am I.
|
- Looking forward to it.
- Yeah, so am I.
|
|
1:59:21
|
You might even get sick of me.
|
You might even get sick of me.
|
|
1:59:23
|
Like these two.
|
Like these two.
|
|
1:59:24
|
I don't think I'll get sick of you.
|
I don't think
I'll get sick of you.
|
|
1:59:25
|
- Thank you very much. - Bye.
|
- Thank you very much.
- Bye.
|
|
1:59:29
|
Goodbye. Nice meeting you.
|
Goodbye.
Nice meeting you.
|
|
1:59:42
|
How did that happen? How did that happen?
|
How did that happen?
How did that happen?
|
|
1:59:45
|
I mean, how did that happen?
|
I mean, how did that happen?
|
|
1:59:47
|
Finally! Finally, we're getting some respect.
|
Finally! Finally,
we're getting some respect.
|
|
1:59:51
|
- We're getting some respect finally! - It's you and me! It's...
|
- We're getting some respect finally!
- It's you and me! It's...
|
|
1:59:54
|
We're ambitious. That's why.
|
We're ambitious.
That's why.
|
|
1:59:55
|
Whoa. Oh, oh, oh. Oh, oh. Wait. Wait, wait, wait, wait.
|
Whoa. Oh, oh, oh. Oh, oh.
Wait. Wait, wait, wait, wait.
|
|
1:59:58
|
If we have to pay somebody off we'll pay somebody off.
|
If we have to pay somebody off
we'll pay somebody off.
|
|
2:00:01
|
If we have to lean on somebody, intimidate somebody.
|
If we have to lean on somebody,
intimidate somebody.
|
|
2:00:04
|
"We'll intimidate somebody!"
|
"We'll intimidate somebody!"
|
|
2:00:10
|
I'm kissing his boo-boos! I'm kissing his boo-boos!
|
I'm kissing his boo-boos!
I'm kissing his boo-boos!
|
|
2:00:13
|
Oh, come on!
|
Oh, come on!
|
|
2:00:45
|
Yeah, well, I got to do it.
|
Yeah, well, I got to do it.
|
|
2:00:51
|
What do you mean, there's no sheik? What does that mean?
|
What do you mean, there's no sheik?
What does that mean?
|
|
2:00:53
|
"There's no sheik"?
|
"There's no sheik"?
|
|
2:00:58
|
I want to face you like a man because I want to be real now.
|
I want to face you like a man
because I want to be real now.
|
|
2:01:00
|
- All right? - Who is "they"?
|
- All right?
- Who is "they"?
|
|
2:01:04
|
- Who is "they"? - "They" is the feds.
|
- Who is "they"?
- "They" is the feds.
|
|
2:01:07
|
- The feds? - Yeah.
|
- The feds?
- Yeah.
|
|
2:01:10
|
Irving...
|
Irving...
|
|
2:01:13
|
Look... I'm a good person.
|
Look...
I'm a good person.
|
|
2:01:16
|
You're a good person.
|
You're a good person.
|
|
2:01:17
|
I've been doing this for a long time, for 20 years.
|
I've been doing this for a
long time, for 20 years.
|
|
2:01:21
|
Do you think I would have taken that money...
|
Do you think I would
have taken that money...
|
|
2:01:23
|
...if it wasn't the right thing to do?
|
...if it wasn't
the right thing to do?
|
|
2:01:24
|
- Hey, look... Look. - Huh?
|
- Hey, look... Look.
- Huh?
|
|
2:01:26
|
You're a good person. I know that. I know.
|
You're a good person.
I know that. I know.
|
|
2:01:28
|
- But in all honesty-- - You said that was the only way, Irv.
|
- But in all honesty--
- You said that was the only way, Irv.
|
|
2:01:31
|
You chased me, you remember?
|
You chased me,
you remember?
|
|
2:01:33
|
They fucking made me do it. What's a guy to do?
|
They fucking made me do it.
What's a guy to do?
|
|
2:01:35
|
- They had Syd in jail. - Whoa, whoa.
|
- They had Syd in jail.
- Whoa, whoa.
|
|
2:01:36
|
You made me go back to the Plaza to take that money, you piece of shit!
|
You made me go back to the Plaza
to take that money, you piece of shit!
|
|
2:01:40
|
I was gone!
|
I was gone!
|
|
2:01:42
|
- You fucking prick! - I know. I know. I know.
|
- You fucking prick!
- I know. I know. I know.
|
|
2:01:44
|
You motherfucker!
|
You motherfucker!
|
|
2:01:45
|
You fucking chased me, you piece of shit!
|
You fucking chased me,
you piece of shit!
|
|
2:01:48
|
- Carmine? Honey? - I was gone! I left!
|
- Carmine? Honey?
- I was gone! I left!
|
|
2:01:51
|
- Everything all right? - Please, Dolly, just go upstairs.
|
- Everything all right?
- Please, Dolly, just go upstairs.
|
|
2:01:53
|
- All right, I'll go upstairs. - Take the kids and go upstairs.
|
- All right, I'll go upstairs.
- Take the kids and go upstairs.
|
|
2:01:55
|
- Please. Please, just go. - Of course. Of course.
|
- Please. Please, just go.
- Of course. Of course.
|
|
2:01:58
|
I want to make this right. I came here because I want to make it right.
|
I want to make this right. I came
here because I want to make it right.
|
|
2:02:01
|
Look at my face.
|
Look at my face.
|
|
2:02:02
|
You tell me that I'm lying to you...
|
You tell me that I'm lying to you...
|
|
2:02:05
|
...when I say that everything I do...
|
...when I say that everything I do...
|
|
2:02:07
|
...is for the good of the people of New Jersey.
|
...is for the good of
the people of New Jersey.
|
|
2:02:11
|
Everything I do is for them.
|
Everything I do is for them.
|
|
2:02:17
|
Am I lying to you?
|
Am I lying to you?
|
|
2:02:18
|
I never had a friend like you before.
|
I never had a friend
like you before.
|
|
2:02:23
|
I used that money for the goddamn casino.
|
I used that money
for the goddamn casino.
|
|
2:02:28
|
I got some fucking leverage, all right?
|
I got some fucking
leverage, all right?
|
|
2:02:31
|
I can help you out.
|
I can help you out.
|
|
2:02:32
|
This is all shit. It's all bullshit.
|
This is all shit.
It's all bullshit.
|
|
2:02:34
|
Look at this thing.
|
Look at this thing.
|
|
2:02:36
|
Look at this.
|
Look at this.
|
|
2:02:39
|
Ceremonial fucking knife. What, is this bullshit? Some toy?
|
Ceremonial fucking knife.
What, is this bullshit? Some toy?
|
|
2:02:46
|
Carmine, Sydney and I got a plan for you.
|
Carmine, Sydney and I got
a plan for you.
|
|
2:02:48
|
- Get out. - We can help you out.
|
- Get out.
- We can help you out.
|
|
2:02:51
|
Please get out of my house, Irving.
|
Please get out of
my house, Irving.
|
|
2:02:53
|
Will you please leave? I'm asking you nicely, please leave.
|
Will you please leave?
I'm asking you nicely, please leave.
|
|
2:02:58
|
Get out of my house. Go!
|
Get out of my house. Go!
|
|
2:03:00
|
- Get out of our house! - I don't wanna...
|
- Get out of our house!
- I don't wanna...
|
|
2:03:02
|
Oh, fuck. I'm sorry. I'm sorry.
|
Oh, fuck.
I'm sorry. I'm sorry.
|
|
2:03:06
|
I didn't mean for this to happen.
|
I didn't mean for this to happen.
|
|
2:03:08
|
You break my motherfucking heart, Irving, right in front of my family.
|
You break my motherfucking heart,
Irving, right in front of my family.
|
|
2:03:11
|
Go, go, go up to the bedroom.
|
Go, go, go up
to the bedroom.
|
|
2:03:12
|
This is what matters to me most, and you're crushing that.
|
This is what matters to me most,
and you're crushing that.
|
|
2:03:15
|
You're going to take me away from them?
|
You're going to
take me away from them?
|
|
2:03:16
|
I didn't want this to happen ever.
|
I didn't want
this to happen ever.
|
|
2:03:17
|
Fucking son of a bitch! Get the fuck out.
|
Fucking son of a bitch!
Get the fuck out.
|
|
2:03:19
|
- Oh, my God! - Stop!
|
- Oh, my God!
- Stop!
|
|
2:03:20
|
- You son of a bitch! - Dad, stop!
|
- You son of a bitch!
- Dad, stop!
|
|
2:03:22
|
- I just want to make it right. - Just get out of my house.
|
- I just want to make it right.
- Just get out of my house.
|
|
2:03:25
|
Look what you made me do. Please go.
|
Look what you made me do.
Please go.
|
|
2:03:26
|
- I'm sorry, Carmine. - Oh, my God.
|
- I'm sorry, Carmine.
- Oh, my God.
|
|
2:03:28
|
l am. I'm sorry.
|
l am. I'm sorry.
|
|
2:03:30
|
- Get out of here! - Get out!
|
- Get out of here!
- Get out!
|
|
2:03:32
|
Will you just get out?
|
Will you just get out?
|
|
2:03:33
|
Please go. Please leave. Please leave.
|
Please go. Please leave.
Please leave.
|
|
2:03:35
|
Oh, God. No, Carmine.
|
Oh, God. No, Carmine.
|
|
2:03:38
|
- What's happening? - It'll be all right.
|
- What's happening?
- It'll be all right.
|
|
2:03:39
|
No, no.
|
No, no.
|
|
2:03:42
|
Oh, my God, no!
|
Oh, my God, no!
|
|
2:03:46
|
- Oh, fuck. Oh, fuck. - Irving?
|
- Oh, fuck. Oh, fuck.
- Irving?
|
|
2:03:50
|
Irving, are you all right?
|
Irving, are you all right?
|
|
2:03:53
|
Where are your heart pills?
|
Where are your heart pills?
|
|
2:03:54
|
- Where are your heart pills? - In the pocket. Inside.
|
- Where are your heart pills?
- In the pocket. Inside.
|
|
2:03:56
|
Here. There you go.
|
Here. There you go.
|
|
2:03:58
|
Are you all right?
|
Are you all right?
|
|
2:04:01
|
Ok. Come with me. Come on.
|
Ok. Come with me.
Come on.
|
|
2:04:04
|
- Come with me. - Come on.
|
- Come with me.
- Come on.
|
|
2:04:08
|
Come on, just walk.
|
Come on, just walk.
|
|
2:04:10
|
- Come on. - You ok?
|
- Come on.
- You ok?
|
|
2:04:14
|
I got to lay down.
|
I got to lay down.
|
|
2:04:16
|
Ok?
|
Ok?
|
|
2:04:18
|
Just rest.
|
Just rest.
|
|
2:04:43
|
- You ready? - Yeah.
|
- You ready?
- Yeah.
|
|
2:04:48
|
I love you.
|
I love you.
|
|
2:05:07
|
Please. Come in, sit down.
|
Please. Come in, sit down.
|
|
2:05:22
|
You know where our $2 million is?
|
You know where
our $2 million is?
|
|
2:05:24
|
- Two million? - Yeah.
|
- Two million?
- Yeah.
|
|
2:05:26
|
It's with, uh, Victor Tellegio and Alfonse Simone.
|
It's with, uh, Victor
Tellegio and Alfonse Simone.
|
|
2:05:29
|
No, actually, it's not with Victor Tellegio or Alfonse Simone.
|
No, actually, it's not with Victor
Tellegio or Alfonse Simone.
|
|
2:05:33
|
He fucking knows about it.
|
He fucking knows about it.
|
|
2:05:34
|
Its gone missing.
|
Its gone missing.
|
|
2:05:36
|
Did you know that?
|
Did you know that?
|
|
2:05:37
|
- No, I knew nothing about that - Where's it gone?
|
- No, I knew nothing about that
- Where's it gone?
|
|
2:05:40
|
Well, that's interesting that you say that, because...
|
Well, that's interesting
that you say that, because...
|
|
2:05:42
|
...while you were on your way over here...
|
...while you were on
your way over here...
|
|
2:05:43
|
...we got an anonymous phone call from someone...
|
...we got an anonymous
phone call from someone...
|
|
2:05:48
|
...who said that, in exchange for immunity for the two of you...
|
...who said that, in exchange for
immunity for the two of you...
|
|
2:05:54
|
...and a reduced sentence for Carmine Polito...
|
...and a reduced
sentence for Carmine Polito...
|
|
2:05:58
|
...we get our $2 million back.
|
...we get our $2 million back.
|
|
2:06:01
|
That's interesting. That's very interesting.
|
That's interesting.
That's very interesting.
|
|
2:06:04
|
- I have no idea. - No idea?
|
- I have no idea.
- No idea?
|
|
2:06:06
|
No idea what you're talking about.
|
No idea what
you're talking about.
|
|
2:06:08
|
I get it.
|
I get it.
|
|
2:06:09
|
I understand how these deals are made, right?
|
I understand how these
deals are made, right?
|
|
2:06:11
|
See, someone has leverage.
|
See, someone has leverage.
|
|
2:06:13
|
Anthony, fuck them. Fuck them. It's over.
|
Anthony, fuck them.
Fuck them. It's over.
|
|
2:06:16
|
- I don't think so. - We got them for wire fraud.
|
- I don't think so.
- We got them for wire fraud.
|
|
2:06:17
|
It's over. You're done.
|
It's over. You're done.
|
|
2:06:18
|
- You're both done. You're done. - No, I don't think so.
|
- You're both done. You're done.
- No, I don't think so.
|
|
2:06:19
|
- I don't think so. - Oh, you don't think so?
|
- I don't think so.
- Oh, you don't think so?
|
|
2:06:20
|
Richard, you requested the two million.
|
Richard, you requested
the two million.
|
|
2:06:24
|
And you gave Brenda the account number.
|
And you gave Brenda
the account number.
|
|
2:06:27
|
- No, no. - We didn't do any of that.
|
- No, no.
- We didn't do any of that.
|
|
2:06:30
|
None of it.
|
None of it.
|
|
2:06:32
|
How do we know that you don't have the money?
|
How do we know that
you don't have the money?
|
|
2:06:35
|
Am I living in a fucking nightmare right now?
|
Am I living in a fucking
nightmare right now?
|
|
2:06:37
|
I find this a little offensive. Really, I find this a little offensive...
|
I find this a little offensive.
Really, I find this a little offensive...
|
|
2:06:41
|
...and I don't see that you got any sort of--
|
...and I don't see that
you got any sort of--
|
|
2:06:42
|
Don't let him get in your head.
|
Don't let him get in your head.
|
|
2:06:43
|
Listen to me. Listen to me. Listen to me.
|
Listen to me.
Listen to me. Listen to me.
|
|
2:06:45
|
We're dealing with a very clever individual.
|
We're dealing with
a very clever individual.
|
|
2:06:46
|
- Don't let him... - Richard. Richard.
|
- Don't let him...
- Richard. Richard.
|
|
2:06:49
|
Think about it, all right?
|
Think about it, all right?
|
|
2:06:51
|
You got some big arrests.
|
You got some big arrests.
|
|
2:06:53
|
You got U.S. congressmen. You look good.
|
You got U.S. congressmen.
You look good.
|
|
2:06:56
|
You're going to be all over the news.
|
You're going to be
all over the news.
|
|
2:06:59
|
You know what doesn't look good?
|
You know what
doesn't look good?
|
|
2:07:01
|
A story about gross incompetence.
|
A story about
gross incompetence.
|
|
2:07:04
|
I have a warrant for--
|
I have a warrant for--
|
|
2:07:05
|
Sorry, do I have the wrong office?
|
Sorry, do I have the wrong office?
|
|
2:07:08
|
This 701? Alfonse Simone?
|
This 701? Alfonse Simone?
|
|
2:07:11
|
This is 701.
|
This is 701.
|
|
2:07:13
|
My name is Roger Thigpen. I've had this office for 25 years.
|
My name is Roger Thigpen.
I've had this office for 25 years.
|
|
2:07:16
|
I'm a divorce attorney.
|
I'm a divorce attorney.
|
|
2:07:22
|
You lost $2 million of taxpayer money...
|
You lost $2
million of taxpayer money...
|
|
2:07:24
|
...because you were confused about the location...
|
...because you were confused
about the location...
|
|
2:07:26
|
...and the identity of Victor Tellegio's attorney?
|
...and the identity of
Victor Tellegio's attorney?
|
|
2:07:30
|
The role of Tellegio's attorney...
|
The role of Tellegio's attorney...
|
|
2:07:31
|
...Alfonse Simone, was played by our friend, Ed Malone...
|
...Alfonse Simone, was played
by our friend, Ed Malone...
|
|
2:07:35
|
...the Cold Cut King of Long Island...
|
...the Cold Cut
King of Long Island...
|
|
2:07:37
|
...whose party we were at when Sydney and I first met.
|
...whose party we were at
when Sydney and I first met.
|
|
2:07:41
|
Alfonse Simone.
|
Alfonse Simone.
|
|
2:07:43
|
People believe what they want to believe, Richie.
|
People believe what they
want to believe, Richie.
|
|
2:07:46
|
No, because you conned me. That's why, because you both fucking con...
|
No, because you conned me. That's
why, because you both fucking con...
|
|
2:07:49
|
You got under me. You did.
|
You got under me. You did.
|
|
2:07:50
|
You know, that, uh...
|
You know, that, uh...
|
|
2:07:51
|
That doesn't sound so good, either, right there.
|
That doesn't sound so good,
either, right there.
|
|
2:07:54
|
You know, I mean, and I don't know what you're talking about...
|
You know, I mean, and I don't
know what you're talking about...
|
|
2:07:56
|
...but let's just assume you want to go with that story.
|
...but let's just assume you
want to go with that story.
|
|
2:07:59
|
Really?
|
Really?
|
|
2:08:01
|
That's the story you want to go with?
|
That's the story
you want to go with?
|
|
2:08:03
|
All right?
|
All right?
|
|
2:08:04
|
That's what you want the New York Times to hear?
|
That's what you want
the New York Times to hear?
|
|
2:08:07
|
That you got conned by the very con men...
|
That you got conned
by the very con men...
|
|
2:08:13
|
...who you forced to entrap the members of Congress in the first place?
|
...who you forced to entrap the members
of Congress in the first place?
|
|
2:08:19
|
That's what you want to go with?
|
That's what you
want to go with?
|
|
2:08:20
|
That doesn't sound so good for your whole thing, does it?
|
That doesn't sound so good
for your whole thing, does it?
|
|
2:08:24
|
And how ironic that the ones who were working hardest...
|
And how ironic that the ones
who were working hardest...
|
|
2:08:29
|
...to get the economy of New Jersey going...
|
...to get the economy
of New Jersey going...
|
|
2:08:33
|
...those are the ones that you round up.
|
...those are the ones
that you round up.
|
|
2:08:35
|
And why? Why?
|
And why? Why?
|
|
2:08:36
|
Because, what, they're the easiest to go after?
|
Because, what, they're the
easiest to go after?
|
|
2:08:40
|
And what about the real bullshit artists?
|
And what about
the real bullshit artists?
|
|
2:08:44
|
You didn't even come close to the big leagues.
|
You didn't even come close
to the big leagues.
|
|
2:08:46
|
Those big guys, the money men.
|
Those big guys, the money men.
|
|
2:08:50
|
That's what I was trying to go after.
|
That's what I was
trying to go after.
|
|
2:08:52
|
I'm sorry to tell you, you got none of them.
|
I'm sorry to tell you,
you got none of them.
|
|
2:09:00
|
You know, Richie, I think, uh...
|
You know, Richie,
I think, uh...
|
|
2:09:03
|
We may call you as a witness, but otherwise you're done.
|
We may call you as a witness,
but otherwise you're done.
|
|
2:09:05
|
I think you better go home.
|
I think you better go home.
|
|
2:09:08
|
- Stoddard... - Go on home, Richard.
|
- Stoddard...
- Go on home, Richard.
|
|
2:09:26
|
We took down some very big guys.
|
We took down
some very big guys.
|
|
2:09:28
|
Some of whom, they were just doing business as usual...
|
Some of whom, they were
just doing business as usual...
|
|
2:09:31
|
...helping their communities or their states...
|
...helping their
communities or their states...
|
|
2:09:34
|
...but some of them knew they had larceny in their blood.
|
...but some of them knew they
had larceny in their blood.
|
|
2:09:38
|
And they even admitted it.
|
And they even admitted it.
|
|
2:09:39
|
But in all, it was six congressmen, one United States senator...
|
But in all, it was six congressmen,
one United States senator...
|
|
2:09:46
|
...and my friend, Carmine Polito.
|
...and my friend, Carmine Polito.
|
|
2:09:51
|
We gave the two million back...
|
We gave the two million back...
|
|
2:09:53
|
...so Carmine got the reduced sentence, 18 months.
|
...so Carmine got the reduced
sentence, 18 months.
|
|
2:09:59
|
The loss of his friendship...
|
The loss of his friendship...
|
|
2:10:01
|
...would haunt me for the rest of my life.
|
...would haunt me
for the rest of my life.
|
|
2:10:07
|
And when the story was written...
|
And when the story was written...
|
|
2:10:09
|
...Richard DiMaso's name was never mentioned.
|
...Richard DiMaso's name
was never mentioned.
|
|
2:10:25
|
Syd and I, we moved in together.
|
Syd and I,
we moved in together.
|
|
2:10:29
|
Rosalyn...
|
Rosalyn...
|
|
2:10:30
|
The car is a little dinged up, I'm a little stiff...
|
The car is a little dinged
up, I'm a little stiff...
|
|
2:10:33
|
...but whatever, I don't want to talk about it.
|
...but whatever, I don't
want to talk about it.
|
|
2:10:36
|
She would always be interesting.
|
She would always
be interesting.
|
|
2:10:41
|
You know, my boss knows you did him a solid.
|
You know, my boss knows
you did him a solid.
|
|
2:10:43
|
Yes, I did.
|
Yes, I did.
|
|
2:10:44
|
He never took a nickel, so they can't get him for nothing.
|
He never took a nickel, so they
can't get him for nothing.
|
|
2:10:47
|
I was never going to let that happen.
|
I was never going
to let that happen.
|
|
2:10:50
|
- All right. - Irv.
|
- All right.
- Irv.
|
|
2:10:57
|
I'm done with that nail finish.
|
I'm done with that nail finish.
|
|
2:10:59
|
Bye for now. I'll see you next weekend.
|
Bye for now.
I'll see you next weekend.
|
|
2:11:06
|
Hey. Look at you.
|
Hey. Look at you.
|
|
2:11:08
|
I think your mom got your nose. Is it ok that I wipe that?
|
I think your mom got your nose.
Is it ok that I wipe that?
|
|
2:11:10
|
Our conning days were behind us.
|
Our conning days were behind us.
|
|
2:11:15
|
You can fool yourself for just so long...
|
You can fool yourself
for just so long...
|
|
2:11:18
|
...and then your next reinvention...
|
...and then your next reinvention...
|
|
2:11:19
|
...better have your damn feet on the ground.
|
...better have your damn feet
on the ground.
|
|
2:11:23
|
This one is abstract expressionism. I love it 'cause these ones...
|
This one is abstract expressionism.
I love it 'cause these ones...
|
|
2:11:25
|
We got a loan from a bank and were able to go gallery-legitimate.
|
We got a loan from a bank and
were able to go gallery-legitimate.
|
|
2:11:31
|
The art of survival is a story that never ends.
|
The art of survival
is a story that never ends.
|
|
2:12:17
|
"They used to tell me "Boy, you ain't going nowhere."
|
"They used to tell me
"Boy, you ain't going nowhere."
|
|
2:12:23
|
"With your cheap guitar and your big, long hair."
|
"With your cheap guitar
and your big, long hair."
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2:12:29
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"You gotta realize all your responsibilities."
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"You gotta realize
all your responsibilities."
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2:12:34
|
"You gotta get out to work and face reality."
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"You gotta get out to work
and face reality."
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|
2:12:40
|
"You gotta get up in the morning take your heavy load."
|
"You gotta get up in the
morning take your heavy load."
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2:12:44
|
"And you gotta keep goin' down the long black road."
|
"And you gotta keep goin'
down the long black road."
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|
2:12:49
|
"Long black road."
|
"Long black road."
|
|
2:12:53
|
"So I drifted for a while down the road to ruin."
|
"So I drifted for a while
down the road to ruin."
|
|
2:12:59
|
"I couldn't find my way. I didn't know what I was doing."
|
"I couldn't find my way.
I didn't know what I was doing."
|
|
2:13:05
|
"I saw a lot of people coming back the other way."
|
"I saw a lot of people
coming back the other way."
|
|
2:13:10
|
"So I kept on going when I heard them say."
|
"So I kept on going
when I heard them say."
|
|
2:13:16
|
"You gotta get up in the morning take your heavy load."
|
"You gotta get up in the
morning take your heavy load."
|
|
2:13:20
|
"And you gotta keep going down the long black road."
|
"And you gotta keep going
down the long black road."
|
|
2:13:25
|
"Long black road."
|
"Long black road."
|
|
2:13:37
|
"Long black road."
|
"Long black road."
|
|
2:13:55
|
"Long black road."
|
"Long black road."
|
|
2:13:58
|
"Long black road."
|
"Long black road."
|
|
2:14:07
|
"Long black road."
|
"Long black road."
|
|
2:14:10
|
"Long black road."
|
"Long black road."
|
|
2:14:14
|
"I made a lot of money. I was makin' quite a mess."
|
"I made a lot of money.
I was makin' quite a mess."
|
|
2:14:20
|
"But they all told me that money wouldn't bring me happiness."
|
"But they all told me that money
wouldn't bring me happiness."
|
|
2:14:25
|
"You gotta work like a man in a real man's life."
|
"You gotta work like a man
in a real man's life."
|
|
2:14:32
|
"You're gonna have to take all the trouble and strife."
|
"You're gonna have to take
all the trouble and strife."
|
|
2:14:37
|
"You gotta get up in the morning take your heavy load."
|
"You gotta get up in the
morning take your heavy load."
|
|
2:14:40
|
"And you gotta keep goin' down the long black road."
|
"And you gotta keep goin'
down the long black road."
|
|
2:14:46
|
"You gotta get up in the morning take your heavy load."
|
"You gotta get up in the
morning take your heavy load."
|
|
2:14:50
|
"And you gotta keep goin' down the long black road."
|
"And you gotta keep goin'
down the long black road."
|
|
2:14:55
|
"You gotta get up in the morning take your heavy load."
|
"You gotta get up in the
morning take your heavy load."
|
|
2:14:59
|
"And you gotta keep goin' down the long black road."
|
"And you gotta keep goin'
down the long black road."
|
|
2:15:10
|
"Long black road."
|
"Long black road."
|